Showing 13–24 of 139 results
An all-action sci-fi vista of a film poster for Glen A. Larson’s ‘epic’ “Battlestar Galactica”. Receiving a full cinematic release it was an edited together version of three TV shows released in the USA largely to cash in, on the still very popular ‘Star Wars’ phenomena. With some colourful, dynamic sci-fi artwork by Robert Tanenbaum (a homage to Tom Chantrell’s famous art for ‘Star Wars’ perhaps ?) this original 1978 country of origin US one-sheet movie poster is presented in original unrestored, folded (as issued) condition. It displays to impactful effect with light age and handling wear; colours are deep and unfaded with some truly rip roaring laser blasting, robot, space ship adventure imagery. A cool item that represents a fantastic piece of very collectable and desirable original movie memorabilia for a much loved and hugely popular film and TV franchise.
Trivia: John Dykstra, who worked on Star Wars: Episode IV – A New Hope (1977) used much of the technology developed for ILM in this movie, including his motion control camera, the so-called “Dykstraflex”.
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One of the best Richard Gere images you will see is Eric Pulford’s country unique (British) artwork for the 1983 UK quad movie poster for “Breathless”. To be fair both Gere and co-star Valerie Kaprisky (her first and only US starring role) look pretty good. The original 1983 UK quad movie poster offered here is from first year of release and displays and presents to excellent effect. Originally rolled (as issued) the colours are bright and unfaded and Pulford’s imagery dramatic and exciting. With hardly a defect of note this beautiful rolled unrestored film poster is in investment grade condition and a fine example of rare and collectable original movie memorabilia.
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Enzo G. Castellari’s New York City set, post apocalypse romp “Bronx Warriors” is rightly regarded as a true cult movie B-Movie. This original 1982 British quad certainly isn’t subtle, it’s all action, grabbing your attention immediately and is a fantastic example of how a talented artist can produce imagery that’s far superior to the movie you are going to be watching. The artist is Brian Bysouth, one of the most prolific artists of his generation and a true master when it comes to capturing the essence of what a movie poster should be. Coming from Bysouth’s personal archive, this has been hand signed by the artist to the bottom right area. Offered unrestored and presented in high grade (as issued) condition it displays and presents to excellent effect. This is a scarce film poster, that is genuinely hard to find that represents a fine piece cinema memorabilia for a much loved cult movie.
Trivia: The movie has been considered a cross between The Warriors (1979), Mad Max 2 (1981) and Escape from New York (1981).
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“Being the adventures of a young man whose principal interests are rape, ultra-violence and Beethoven.”
Without doubt “A Clockwork Orange” was the most controversial film of its day, and that’s saying something when you consider it was released alongside “The Exorcist” and “Last Tango in Paris”. Malcolm McDowell’s signature role, and it’s his character Alex DeLarge who features on all eight cards in this complete set of US lobby cards from first year of release, 1972 as he is highlighted in key scenes and in stunning close-up. A rare find as a complete set, with most broken up and the cards sold individually. Totally original and unrestored, the cards are presented in high grade, flat, unfolded (as issued) condition that display and present to excellent effect. A genuinely scarce and hard to find example of cinema memorabilia. The film still remains Kubrick’s most controversial work; quite a feat when one considers the range of topics the filmmaker explored across his remarkable career and represent a superb addition to any collection.
Trivia: The film was unavailable for public viewing in the UK from 1973 until 2000, the year after Stanley Kubrick‘s death. British video stores were so inundated with requests for the movie that some took to putting up signs that read: ‘No, we do not have A Clockwork Orange (1971).’
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“Being the adventures of a young man whose principal interests are rape, ultra-violence and Beethoven.”
Without doubt the most controversial film of its day, and that’s saying something when you consider it was released alongside “The Exorcist” and “Last Tango in Paris”. Often the subject matter for many up and coming artists looking to make a name for themselves in the up and coming Alternative Movie Poster market, this offering by Greg Ruth really is a cut above the rest. This 2019 release for Stanley Kubrick’s ultra-violent masterpiece “Clockwork Orange” is quite simply a stunning piece of artwork, with a strictly limited print run of only 150 this is numbered #11. This orange (naturally) coloured variant edition is a less is more style featuring Malcolm McDowell character Alex with the title cleverly incorporated into his signature bowler hat. The film still remains Kubrick’s most controversial work; quite a feat when one considers the range of topics the filmmaker explored across his remarkable career. This superb unrestored example is presented rolled (as issued) and displays to excellent effect. A superb addition to any collection and an incredibly scarce piece of modern film art and cultural memorabilia.
Trivia: The film was unavailable for public viewing in the UK from 1973 until 2000, the year after Stanley Kubrick‘s death. British video stores were so inundated with requests for the movie that some took to putting up signs that read: ‘No, we do not have A Clockwork Orange (1971).’
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“Being the adventures of a young man whose principal interests are rape, ultra-violence and Beethoven.”
Without doubt the most controversial film of its day, and that’s saying something when you consider it was released alongside “The Exorcist” and “Last Tango in Paris”. This original 1972 publicity still from the American release of Stanley Kubrick’s ultra-violent masterpiece “Clockwork Orange” is quite simply an incredible visual image – original stills are notoriously hard to come by with the majority on offer modern reprints. Showing a close up of the Director-Producer the snipe on the reverse carries the correct reference number (SKB-130) and the following – STANLEY KUBRICK, producer-director of “A Clockwork Orange”, a Warner Bros. release. Based on the novel by Anthony Burgess, the film was adapted to the screen by Kubrick.” It still remains his most controversial work; quite a feat when one considers the range of topics the filmmaker explored across his remarkable career. This superb example is presented flat/unfolded (as issued) and displays to excellent effect with only very minimal handling wear. A superb addition to any collection (for display or investment) and an incredibly scarce piece of film and cultural memorabilia.
Trivia: The film was unavailable for public viewing in the UK from 1973 until 2000, the year after Stanley Kubrick‘s death. British video stores were so inundated with requests for the movie that some took to putting up signs that read: ‘No, we do not have A Clockwork Orange (1971).’
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“Being the adventures of a young man whose principal interests are rape, ultra-violence and Beethoven.”
Without doubt the most controversial film of it’s day, and that’s saying something when you consider it was released alongside “The Exorcist” and “Last Tango in Paris”. Often the subject matter for many up and coming artists looking to make a name for themselves in the up and coming Alternative Movie Poster market, this offering by Stella Ygris really is a cut above the rest. This 2022 release for Stanley Kubrick’s ultra-violent masterpiece “Clockwork Orange” is quite simply a stunning piece of artwork, with a strictly limited print run of only 50 this is numbered #25. Malcolm McDowell’s character Alex provides the focal point. Visual impact and artistic design are key aspects of any Kibrick production and this beautiful example perfectly illustrates that. Absolutely stunning, the photograph really doesn’t do this example justice – being a giclee print (see below) the vibrant colours pop from the paper. The film still remains Kubrick’s most controversial work; quite a feat when one considers the range of topics the filmmaker explored across his remarkable career. This superb unrestored example is presented rolled (as issued) and displays to excellent effect. A superb addition to any collection and an incredible piece of modern film art and cultural memorabilia.
Trivia: The film was unavailable for public viewing in the UK from 1973 until 2000, the year after Stanley Kubrick‘s death. British video stores were so inundated with requests for the movie that some took to putting up signs that read: ‘No, we do not have A Clockwork Orange (1971).’
What is Giclee ?
Derived from the French term gicler – meaning ‘to squirt or spray’, the term describes a printing process whereby microscopic dots of pigment-based ink are sprayed onto archival-quality paper to ensure the fidelity of a limited edition print to an original artwork.
The richness, accuracy and depth of colour is thanks to the method’s potential to achieve a huge colour gamut (the spectrum of colours distinguishable by the human eye). Unlike the four tones used in lithography, giclées often use five: light cyan, cyan, light magenta, yellow and black.
Fantastic for reproductions which require maximum detail, giclées are most commonly found on watercolour paper or canvas, but can also be created on glass. Different types of paper will produce different effects. Matte paper works well behind glass due its lack of reflectivity, whilst the shine of a glossy finish can give an artwork a brighter appearance.
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Walt Disney’s live action super spy ‘James Bond’ spoof movie…“Condorman”. It has all of the cool gadgets, world-wide locations, a sexy femme fatale, creepy Russain villains, and best of all, some of the coolest car and boat chase sequences on film. The concept of the film is a cross between a comic book hero and a secret agent who failed O’Level spying. It has the humour of ‘The Morecambe and Wise Show’ and the special effects of an early Bond film. Regarded as a ‘Golden Age’ for Disney movie posters. It is the artwork from the Walt Disney posters produced during the 1970’s and early 1980’s that were probably the best looking from any period. Offered here is an original UK quad movie poster from the first year of release 1981 with some stunning art by the very talented Brian Bysouth. A fantastic looking, visual feast of a poster with beautiful design and artwork, bright bold colours and stunning all-action imagery featuring the titular “Condorman” offset against rocket firing cars and futuristic speed boats; a fantastic FUN poster. Originally rolled (as issued) this unrestored film poster presents to excellent effect and is a fine example of rare and collectable original movie memorabilia for a much loved and very popular Disney offering.
Click on the Brian Bysouth link for a great article on his work – Brian Bysouth’s UK versions of Disney Posters as an affordable variant for US collectors.
Trivia: During one take, when Condorman falls into the River Seine, Michael Crawford nearly drowned after the strength of the current was miscalculated. He was dragged five to ten feet under the water before two lifeguards pulled him out just in time. Crawford was willing to do the stunt again but director Charles Jarrott refused to allow it, and put a trained stuntman in his place.
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“PLEASE TRY NOT TO FAINT. Not recommended for people of nervous disposition.”
One of the best re-release posters you will see for a Hammer presentation for one of the most important films, Hammer made. Offered here is a beautiful British quad for the restored 4K 2025 re-release for “The Curse of Frankenstein”. Artist Greg Staples has excelled, himself and (in my opinion) produced the best artwork of his distinguished career – it really is exceptional with the photograph not doing it justice. A film poster with outstanding detailed artwork and use of colour; the green used on the title is particularly lurid, with incredible realistic likenesses of Lee, Cushing and the strong supporting cast. Released by Hammer for a very limited cinematic run that coincided with a newly remastered Blu Ray, this UK quad is from the cinema release and not one of the 200 limited release examples offered on Hammer’s website. It presents to excellent effect and is a must have Hammer Horror collectable.
Trivia: Christopher Lee and Peter Cushing‘s friendship was sparked when Lee stormed into Cushing’s dressing room, complaining that “I’ve got no lines!” Cushing kindly responded, “You’re lucky. I’ve read the script.”
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“In The Year 2000 Hit And Run Driving Is No Longer A Felony. It’s The National Sport!”
“Death Race 2000” parodies so many things it’s hard to know where to begin. America-centrism (the government blame the French for everything), professional sports, pro wrestling (the drivers are badly acted “theme” types), Big Brother, and just about everything else you could name. At the same time it panders to the blood lust of the audience with camp cartoon violence. David Carradine as ‘Frankenstein’ in full on anti-hero mode gives a solid performance and Sylvester Stallone is hilarious as a driver with the mannerisms of a 30’s gangster, practicing on his accent for the Rocky movies. The artwork to promote the movie in the UK was the work of Tom William Chantrell’s artwork, and (in my honest opinion) one of his best. A true personal favourite with striking futuristic imagery, that was exclusively used for the British cinematic release. This beautiful, first year of release, 1975 UK quad film poster for Roger Corman’s cult offering is offered rolled (as issued) with vibrant, strong colours set against a bright white background and minimal handling wear. In this high grade condition it represents an extremely desirable and rare movie poster from a genre and decade that is fast becoming increasingly sought after. A very COOL poster from the 1970s.
Trivia: Explaining why he took the role of Frankenstein in this film, David Carradine said “I started that picture two weeks after I walked off the Kung Fu (1972) set, and that was essentially my image, the “Kung Fu” character, and a lot of people still believe I’m that guy. The idea actually was: No. 1, if you walk off a television series, you better do a movie right away or you might never get to do one. And the second thing was to do something right away that would create the image of a monster to get rid of the image of that little Chinese guy that I’d been playing for four years. And, you know, it did kick-start my movie career.”
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One of the most striking film posters of the 1970’s. The eye catching design and artwork for Donald Cammell’s 1977 sci-fi shocker “Demon Seed” is certainly memorable as Julie Christie is attacked by the robot nemesis Proteus IV (voiced by the late Robert Vaughn). With imagery unique to the British release this original UK quad film poster looks impressive and is very sought after…Deep, unfaded colours this unrestored originally folded (as issued) example displays and presents to excellent effects…A scarce poster to find in such high grade condition, this fine example represents a very collectable item of original movie memorabilia from a genuinely thought provoking science fiction film.
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It’s not often that a TV show enters the Guinness Book of Records but on November 23 2013 that is exactly what happened as the 50th anniversary of “Dr Who: The Day of the Doctor” was broadcast simultaneously to 94 countries and cinemas around the world. The advertising campaign was one the most extensive ever commissioned by the BBC and the poster that accompanied the extremely limited (one night only) cinema release was truly exceptional. It really is stunning and perfectly suited to the landscape format of the UK quad film poster. Originally rolled this incredibly rare example displays almost perfectly. One of the best looking and most collectable film posters of recent years from a TV series that has become a global favourite. Never commercially available by the BBC these posters are unbelievably scarce…“That’s a time fissure! A tear in the fabric of reality! Anything could happen!”
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