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A scarce original Japanese B2 film poster and one of Hammer’s best for Terence Fisher’s 1967 dark metaphysical horror “Frankenstein Created Woman”…The fourth entry in Hammer’s Frankenstein canon this stunning piece is a personal favourite and featured in Marcus Hearn’s excellent book “The Art of Hammer”. Originally rolled (as issued) and unrestored, it has some of the most memorable imagery of any Hammer poster…the image of Peter Cushing caressing a human skull and a bikini made of bandages are trademark Hammer. Presented in excellent high grade condition with minimal handling wear this represents a superb example of Hammer Horror cinema memorabilia.
Trivia: “Frankenstein Created Woman” was originally mooted as a follow-up to “The Revenge of Frankenstein” during its production in 1958, at a time when Roger Vadim’s Et Dieu créa la femme (And God Created Woman) was successful (in fact, the film’s original working title was “And Then Frankenstein Created Woman”). The film finally went into production at Bray Studios on 4 July 1966. It was Hammer’s penultimate production there.
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Perhaps one of the most defining images in cinematic history and certainly up there with Karloff’s Frankenstein monster as the most memorable of the horror genre – Linda Blair as the possessed Regan. This alternative movie poster by horror artist supreme, Graham Humphreys for William Friedkin’s Oscar winning horror masterpiece “The Exorcist” is a striking example of horror artwork, featuring some incredible characterisations and an amazing colour palette – from orange to sickly green/grey. The limited edition fine art print Offered here has been signed by Humphreys and hand-numbered #9 from a print run of only 59. Hugely oversubscribed, this scarce print was sold out prior to release and presents and displays to excellent effect. Originally flat and folded (as issued) this beautiful example represents a hard to find piece of cinematic horror memorabilia for this much revered and hugely influential Oscar winning horror movie.
Trivia: When Regan projectile vomits at Father Karras, the vomit was intended to hit Jason Miller in the chest, but the plastic tubing misfired, hitting him in the face. His reaction of shock and disgust while wiping away the vomit is genuine, and Miller admitted in interviews that he was very angered by this mistake.
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“Bolt Your Doors. Lock Your Windows. There’s something in The Fog !”
After the huge success of Halloween John Carpenter quickly followed up with the equally creepy horror The Fog. Taking creepy imagery from the movie the US one-sheet features silhouetted zombie pirates in a ‘fog’ filed room. The original movie poster offered here is from first year of release, 1980 and displays to excellent effect. Originally folded (as issued) it is presented in unrestored condition with only minimal handling wear. Great horror imagery on a genuinely rare cult classic from the Carpenter archives that represents extremely desirable and collectable movie memorabilia.
Trivia: Although this was essentially a low budget independent movie, John Carpenter chose to shoot the movie in anamorphic widescreen Panavision. This decision gave the movie a grander feel for the viewer so this didn’t seem like a low budget horror movie.
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“Bolt Your Doors. Lock Your Windows. There’s something in The Fog !”
After the huge success of “Halloween” John Carpenter quickly followed up with the equally memorable horror “The Fog” – a guilty pleasure film of mine as I love how well Carpenter develops the tension and tells the story with great cinematography, sound, and use of locations. Carpenter always a well regarded and popular film maker has enjoyed a huge renaissance in more recent years so it was no surprise that this title was one of four seminal movies by the director re-released by Studio Canal in 2018, remastered in 4K, with the others being “They Live”, “Escape From New York” and “Prince of Darkness”. All four movies had a strictly limited cinematic release and were accompanied a newly designed poster campaign (quads and one-sheets) by leading artist Matt Ferguson. Ferguson’s unique artistic style is evident throughout the four, each with its very own unique colour palette. A number of these full-size 30″ x 40″ UK quad styles were also released as a limited edition art print by Vice Press. Identical to the cinematic quad, in fact exactly the same – same paper, printer etc these were issued as timed releases each signed and hand-numbered by Matt Ferguson. Offered here is one of these signed art prints numbered #48 from a print run of only 224. Originally rolled (as issued) it presents in excellent condition. A cool, cult poster that represents very collectable & desirable original film memorabilia from one of the greatest and most influential director’s who is still actively working in the film industry.
Trivia: Although this was essentially a low budget independent movie, John Carpenter chose to shoot the movie in anamorphic widescreen Panavision. This decision gave the movie a grander feel for the viewer so this didn’t seem like a low budget horror movie.
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