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“A ravishing PSYCHO-FIEND with the diabolical power to turn into a GIANT DEATHSHEAD VAMPIRE feasts on the BLOOD of her Lovers before clawing them to death!”
Blood Beast Terror (1968) was a Tony Tensor, Tigon Films release – a British studio providing real competition t0 Hammer, for so long the leading horror film producer in the UK. The British poster campaign was represented by a stunningly colourful UK quad, a mixture of illustration and photo montage, with some truly gruesome imagery. Presented unrestored and in excellent original folded (as issued) condition. A personal favourite of mine and a scarce example of British horror cinematic memorabilia.
Trivia: The stage play shown in the film echoes the story of notorious grave-robbers Burke and Hare. They would be the subject of Vernon Sewell‘s next film the following year.
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Legendary creator Brian Clemens writes and directs this stylish, revisionist Hammer Horror – pitting a swashbuckling hero (Horst Janson), his hunchbacked assistant (John Cater) and a feisty gypsy (Caroline Munro) ingenue against a cunning and malevolent vampire. 2025 sees the cult classic “Captain Kronos: Vampire Hunter” makings its worldwide debut as a brand-new 4K restoration from the original negative film elements. The release was accompanied (with certain orders) by a highly exclusive, limited-edition Captain Kronos Vampire Hunter poster, masterfully illustrated world-renowned artist and horror maestro Graham Humphreys. Limited to just 70 meticulously crafted copies with the official Hammer certificate accompanying this poster number #31. Although officially a print run of 70, the number of actual posters surviving in very good or better condition is much, much less due to issues with damage caused by shipping. This piece is the ultimate collector’s item, capturing the legendary vampire slayer and his full supporting cast in stunning detail and vibrant colour. Hammer horror memorabilia is always popular and desirable and this original rolled (as issued) special British full size (30′ x 40′) quad is no exception that displays to beautiful effect.
Trivia: Although no further movies of Kronos were made, his adventures were continued in two comic books published 40 years apart. “The House of Hammer #1-3” (October 1976-January 1977) and “Captain Kronos – Vampire Hunter #1-4” (Titan Comics 2017).
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A stunning country of origin UK Quad from the 2007 BFI re-release for this masterpiece of British cinema, Hammer’s “Dracula”. Making true horror stars of its two leads; Peter Cushing & Christopher Lee it is one of the most influential British films ever made irrespective of genre. This eye-catching imagery is a respected modern classic designed by the Eureka Studio featuring an incredible image of the titular Count (Christopher Lee) in full blood stained fang mode. A very rare find and even rarer in this case as it contains the the ‘Halloween Previews’ tagline & was actually shown on Halloween night, October 31st 2007. Beautiful, unrestored rolled condition this classic Hammer horror poster displays and presents to excellent effect and represents extremely desirable and collectable British horror movie memorabilia.
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Christopher Lee stands framed by imposing castle stonework in this atmospheric original US black-and-white publicity still for “Dracula” (1958), released in America as “Horror of Dracula”. The low viewpoint emphasises his commanding stature, while his dark cloak contrasts sharply with the textured masonry and pale background. It is an evocative image of the restrained, aristocratic menace that defined his portrayal of the Count.
Directed by Terence Fisher, Hammer’s adaptation paired Lee’s Dracula with Peter Cushing’s determined Van Helsing, establishing one of horror cinema’s most celebrated screen rivalries. The film marked Lee’s first appearance in the role and helped establish the Gothic style that became synonymous with Hammer.
Measuring 10 x 8 inches, this original 1958 still retains its printed US copyright and publicity details along the lower border. Presented flat and unfolded in excellent original condition, it is a compelling piece for collectors of Christopher Lee, Hammer horror and classic film photography.
Trivia: When Jonathan Harker (John Van Eyssen) meets Dracula (Sir Christopher Lee), there appears to be a statue of “Pazuzu”, the demon from The Exorcist (1973).
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Tea and biscuits bring a wonderfully human touch to the Gothic surroundings of Bray Studios in this original black-and-white publicity still for “Dracula” (1958), released in America as “Horror of Dracula”. Carol Marsh takes a break between scenes, sitting in her open coffin with a blanket over her legs and refreshments resting beside her. The contrast between the imposing stone tomb and this everyday ritual makes for a marvellous candid image.
Marsh played Lucy Holmwood in Terence Fisher’s celebrated Hammer production, alongside Christopher Lee as Count Dracula and Peter Cushing as Van Helsing. Here, the film’s atmosphere of supernatural menace gives way to an engaging glimpse of life between takes, offering collectors a different perspective on a classic of British horror.
Measuring 10 x 8 inches, this original US still retains its printed 1958 copyright and publicity details along the lower border. Presented flat and unfolded in excellent original condition, it is a charming and distinctive piece for collectors of Hammer horror, Carol Marsh and behind-the-scenes film photography.
Trivia: When Jonathan Harker (John Van Eyssen) meets Dracula (Sir Christopher Lee), there appears to be a statue of “Pazuzu”, the demon from The Exorcist (1973).
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“The Time: Now. The Place: Kings Road, Chelsea. The Killer: Count Dracula !“
Some truly horrific photo montage artwork for “Dracula A.D.1972” makes this Japanese B2 film poster from 1972 (would you believe it ?) one of my personal favourite Hammer posters. It’s more than you can shake stake at with Caroline Munro and Stephanie Beacham certainly putting the glamour into Hammer ! And if that doesn’t appeal totally stealing the action is one of the coolest British cars ever made; the beautiful Triumph Stag and dominating the imagery, a particularly eerie shot of Christopher Lee as the titular Count. In very good condition with only minor handling wear this fantastic folded (as issued) example presents superbly. A lovely example of Hammer Horror memorabilia for one of my personal favourite Dracula films.
Trivia: “Alucard”, Johnny’s last name, is “Dracula” spelled backward.
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“DEAD for Ten Years DRACULA, Prince of Darkness, LIVES AGAIN!”
Christopher Lee’s commanding presence dominates this striking original 1966 US black-and-white publicity still for “Dracula: Prince of Darkness”. One of the BEST Dracula images from any of the Hammer series. Photographed from a low angle, his downward gaze and dramatically lit features convey the aristocratic menace that made his portrayal of Count Dracula so memorable. The tightly framed composition gives this iconic image an imposing quality, with deep shadows emphasising Lee’s unmistakable features.
Directed by Terence Fisher, the film marked Lee’s return to the role following Hammer’s “Dracula” (1958). Set around four travellers whose arrival at an isolated castle leads to the Count’s resurrection, it combines Gothic atmosphere with Lee’s formidable, wordless performance.
Presented in very fine original condition, this United States publicity still retains its printed film identification and distribution details in the lower border, together with the National Screen Service reference number 66/23. A compelling display piece for collectors of Christopher Lee, Hammer horror and classic cinematic portraiture.
Trivia: In the scene where Dracula is being “resurrected” from a coffin into which his ashes have been spread, from blood dripping down from a poor victim (provided by Klove) Dracula is made to “manifest himself” over a period of about a minute. This was achieved by overlapping “dissolves” of a series of twelve locked-down camera shots, involving first the ashes, then a skeleton, then some body-fat on the skeleton, et cetera, along with swirling mist, until we finally perceive the full form of Dracula. He doesn’t appear fully dressed as is usually the case. The shot moves to outside the coffin and a bare arm reaches out. The vampire’s clothes were seen in earlier scenes awaiting his return.
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“Look! It’s moving. It’s alive. It’s alive… It’s alive, it’s moving, it’s alive, it’s alive, it’s alive, it’s alive, IT’S ALIVE!”
Artist Matthew Peak is no stranger to horror icons as it was his Freddy Krueger artwork that adorned the first Nightmare on Elm Street (1984) US One-Sheet and has now has created an award-winning “Frankenstein Monster” print for the 2018 exhibition Mondo Presents “Universal Studio Monsters”. This limited-edition example has been hand-numbered #6 from a print run of 325. In 2018, the leading and most respected alternative movie poster forum expressobeans.com made this print their “Cinema Poster of the Year”. Incredibly rare and highly collectible, an excellent example of modern cinematic movie memorabilia.
Trivia: Boris Karloff‘s Monster in this film does not physically resemble the character in Mary Shelley‘s novel. It was make-up artist Jack P. Pierce who came up with innovations such as the Monster’s flat head, the bolts through the neck, the droopy eyelids, and the poorly-fitted suit. Any future Frankenstein film that features any of these physical abnormalities is taking its inspiration from Pierce’s make-up work.
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“Look! It’s moving. It’s alive. It’s alive… It’s alive, it’s moving, it’s alive, it’s alive, it’s alive, it’s alive, IT’S ALIVE!”
Issued by Nakatomi Inc in 2013 as a series of high-quality silk-screen prints scanned directly from Berni Wrightson’s original pen and ink drawings used in the 25th-anniversary edition of his ‘Frankenstein’ book. This amazingly detailed and intricate illustration, titled ‘A Filthy Process’ shows Frankenstein working to bring his ‘creature’ to life in his laboratory. Printed onto 130lb Cougar Natural Cover paper, this print has been signed with a full ‘Bernie Wrightson’ signature and hand-numbered #45/100. Presented in excellent condition with minimal handling wear this incredibly rare and highly collectible screen print, is an excellent example of modern cinematic movie memorabilia. Note: A page of Wrightson’s original Frankenstein art for the comics adaptation (same series as this) sold at auction in 2019 for a world record price of $1.2 million.
About Bernie Wrightson: Bernard Albert Wrightson was an American artist, among his career high points were co-creating the Swamp Thing character for DC Comics, his unique illustrated interpretation of the novel Frankenstein and adapting classic horror tales for Warren Publications, which feature his trademark intricate pen and brushwork.
Trivia: Boris Karloff‘s Monster in this film does not physically resemble the character in Mary Shelley‘s novel. It was make-up artist Jack P. Pierce who came up with innovations such as the Monster’s flat head, the bolts through the neck, the droopy eyelids, and the poorly-fitted suit. Any future Frankenstein film that features any of these physical abnormalities is taking its inspiration from Pierce’s make-up work.
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“Look! It’s moving. It’s alive. It’s alive… It’s alive, it’s moving, it’s alive, it’s alive, it’s alive, it’s alive, IT’S ALIVE!”
Artist Tyler Stout is no stranger to horror icons and has now has created an award-winning “Frankenstein Monster” print for the 2025 Universal Monsters Art Show, held simultaneously at the Canopy Gallery, in Austin, Texas and Universal CityWalk in Los Angeles during October in 2025. Stout’s giant-sized tribute to Frankenstein is as bold and electrifying as the creature himself. It certainly isn’t your average print, and instead of sticking to standard alternative movie poster dimensions (24″ x 36″ – 61 x 91.5 cm), Stout went huge, and this piece stretches to an impressive 24″ x 72″ (61 x 193 cm) and is printed in two sections, echoing the towering presence of the Monster. Beautifully printed by DL Screenprinting on exclusive copper paper with copper-coloured title treatment and accents. This is a limited edition poster print set signed and dated by Stout from his personal AP (Artists Proof) edition of #125 with this being #82. Highly collectible, and an excellent example of movie art memorabilia.
Commissioned by Rob Jones, he had this to say about the project and Tyler Stout – “The work of Tyler Stout undoubtedly popularized the notion of alternate film posters more than other artists in the field. His work spoke to people with active relationships to cinema. Tyler hoped to evoke a pop culture icon that beckoned from the back pages of his childhood comic books: the Jack Davis ‘Life Size Frankenstein’ poster. To make that happen feasibly as a screenprint, he divided the image across two 24 x 36-inch sheets. Results are unlike any other AMP made for Frankenstein. I adore the result and perhaps overly identify with Henry Frankenstein, so consumed with personal pursuit that Tyler shows him living within the confines of his own work, i.e., the monster.”
Trivia: Boris Karloff‘s Monster in this film does not physically resemble the character in Mary Shelley‘s novel. It was make-up artist Jack P. Pierce who came up with innovations such as the Monster’s flat head, the bolts through the neck, the droopy eyelids, and the poorly-fitted suit. Any future Frankenstein film that features any of these physical abnormalities is taking its inspiration from Pierce’s make-up work.
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Officially licensed by Hammer and released in 2021 as a San Diego Comic Con exclusive, this incredible limited edition alternative movie poster for the classic “Horror of Dracula” features the distinctive artistic style of Francesco Francavilla. The photograph really doesn’t do justice to this art print, the colours are bold, appearing newly painted with Christopher Lee (Count Dracula) prominent with blood stained fangs barred and his face bathed in an eerie green colour tone. Hand-Numbered #155 from a print run of 245 it is presented in excellent condition. This high quality modern art print displays superbly and represents an extremely desirable and collectable item of British Hammer horror movie memorabilia.
Trivia: When Jonathan Harker (John Van Eyssen) meets Dracula (Sir Christopher Lee), there appears to be a statue of “Pazuzu”, the demon from The Exorcist (1973).
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“Evil Beyond Exorcism”…A great horror poster from the late 1970’s for the much under rated occult thriller “The Legacy” This original UK quad film poster Richard Marquand’s 1978 release and really is a striking example of horror poster design and artwork that certainly remains in the memory. Very rare to find in such excellent original unrestored condition; the black background is a deep unfaded black whilst the imagery and lettering is bright and truly stands out. This scarce, folded (as issued) example displays and presents superbly and represents an extremely collectable piece of 1970’s British horror cinema memorabilia.
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