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One of cinemas all time classic movies is Ridley Scott’s Oscar winning deep space horror “Alien”. The worldwide marketing campaign is instantly recognisable by the (now) iconic alien ‘egg’ imagery designed by the creative agency Bemis Balkind, and it was accompanied by a wealth of other memorabilia to market the movie. This included fully licensed Studio items, and the two lobby cards available here are first class examples of that high quality officially endorsed material. These are from a special commercial set of two colour prints that was “Published by Turn-Point Publishing Corp.” at the time of the film’s release in 1979 and sold primarily through the sci-fi comic book store ‘Forbidden Planet’. The images chosen couldn’t be more striking- a close up of the iconic chestburster scene as the Alien first appears bursting out of Kane’s (John Hurt) body and as the film reaches its climax the fully formed Alien is about to attack Ripley (Sigourney Weaver). Neither of these images (it would have been a bit of a spoiler) appear in any other lobby card images for the movie. Originally flat and unfolded (as issued) these two cards present and display to very good effect, with only minimal handling wear. Hugely collectable and a fantastic piece of cinematic movie memorabilia from a truly influential movie that changed the face of modern sci-fi horror forever.
Trivia: Director Sir Ridley Scott and writers Dan O’Bannon and Ronald Shusett wanted H.R. Giger to design the alien creatures based on drawings from his book ‘Necronomicon’, but they had some difficulties in convincing the studio. Executives were initially appalled by Giger’s dark and disturbing imagery, but Scott’s insistence finally won them over. Even so, Giger’s designs had to be changed several times because of their blatant sexuality.
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One of cinemas all time classic movies is Ridley Scott’s Oscar winning deep space horror “Alien”. The worldwide marketing campaign is instantly recognisable by the (now) iconic alien ‘egg’ imagery designed by the creative agency Bemis Balkind, and it is also one of the most licensed titles to commission for the alternative movie poster market with some incredible re-imagined imagery on offer, with this offering from Chris Koehler one of the best in my opinion – it just evokes the whole feel of the movie and features a key scene from the Film’s climax. Set in the shadows, the Alien is perfectly camouflaged by the workmanlike design of the ship’s interior, with colours that perfectly suit the subject matter. Issued as part of Hero Complex Gallery’s Ridley Scott show in 2021 the full art style (no title or credits) has been hand-numbered #12 from a print run of only 30. Originally rolled (as issued) this presents and displays to excellent effect. Hugely collectable and a fantastic piece of cinematic movie memorabilia from a truly influential movie that changed the face of modern sci-fi horror forever.
Trivia: Director Sir Ridley Scott and writers Dan O’Bannon and Ronald Shusett wanted H.R. Giger to design the alien creatures based on drawings from his book ‘Necronomicon’, but they had some difficulties in convincing the studio. Executives were initially appalled by Giger’s dark and disturbing imagery, but Scott’s insistence finally won them over. Even so, Giger’s designs had to be changed several times because of their blatant sexuality.
…more detailTrade Address:
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