Showing all 6 results
“Stay on the road…Keep clear of the moors…Beware the moon, lads.”
John Landis’ “An American Werewolf in London” is one of the best werewolf movies ever made, full of dark humour and gory thrills. As most people know, this has one of the best human/werewolf transformation scenes in cinematic history. Unlike modern monster/horror movies of today, this film has no CGI or computer-aided special effects; what you see on the screen is a physical production made piece for which Rick Baker won the Academy Award and that’s perfectly illustrated here on this Australian one-sheet as the said transformation of David (David Naughton) is fully featured. It appears the Australian poster designers weren’t worried about spoilers. Presented in unrestored condition this folded (as issued) example displays to very good effect and represents a fantastic item of original horror movie memorabilia from a classic of the genre with some truly eye-catching imagery. “I vote we go back to the Slaughtered Lamb”
Trivia: Rick Baker claimed to have been disappointed by the amount of time spent shooting the face changing shot for the transformation after having spent months working on the mechanism. John Landis only required one take lasting about seven seconds. Baker felt he had wasted his time until seeing the film with an audience that applauded during that one seven second shot.
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“What do you do when your father is no ordinary Joe?”…Striking and rare original US One sheet movie poster from 1996 for the unusual (to say the least) comedy drama “Children of the Revolution”. Fantastic eye catching design that makes for a real talking piece…Fun and genuinely very scarce, this original rolled example looks and displays superbly.
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“Mr Bond. I’m so glad I caught you. Your office called. They’re sending a helicopter to pick you up. Some sort of emergency…It usually is. Thank you”
After the excesses of the previous movie “Moonraker” this is more of return to a realistic spy thriller in John Glen’s “For Your Eyes Only”. This Australian daybill film poster from first year of release 1981 features the memorable worldwide artwork campaign that incorporates the “legs” aspect of Bill Gold’s design and Brian Bysouth’s beautifully detailed finished all-action artwork. The original movie poster offered here is presented in exceptional unrestored, folded (as issued) condition and is perfectly suited to the thinner portrait style of the daybill. Colours are bright, vibrant and unfaded. Hugely desirable and very collectable, it would be a worthy addition to any collection of James Bond movie memorabilia and is a truly impressive 007 poster.
Trivia: after much debate the infamous “legs” belong to New York model Joyce Bartle.
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“My life fades. The vision dims. All that remains are memories. I remember a time of chaos… ruined dreams… this wasted land. But most of all, I remember The Road Warrior. The man we called Max”
In the desolate wastelands of a post apocalyptic world, stands Max (Mel Gibson) – it’s an iconic image as the ‘Road Warrior’ looks to battle the movie’s three villains. All who are featured on the poster – Wes (Vernon Wells), Mohawk Biker (Guy Norris) and The Humungus (Kjell Nilsson). This first year of release, country of origin, original 1981 Australian Daybill is presented in excellent, tri-folded (as issued) condition that displays superbly with deep, vibrant colours and stunning sci-fi action imagery. A very desirable and rare film poster from one of the most genre defining and influential film’s ever made.
Trivia: According to George Miller, it was Mel Gibson‘s idea to make Max look as rough and ragged as he did. Before filming began, he cut his own hair and eyebrows, cut the sleeve off his leather jacket, and tore up his gloves.
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There is no doubting the influence and impact of Quentin Tarantino’s 1994 masterpiece “Pulp Fiction” and like so many of the Tarantino films the paper from each has become hugely collectable. This Australian daybill offered here is no exception. This popular and most recognisable design by Indika Entertainment Advertising is truly striking and features beautiful Uma Thurman imagery that is only enhanced by the print quality and colour saturation found here. Very cool looking, this is a fantastic original poster from Quentin Tarantino’s most celebrated film to date. Originally rolled (as issued) this totally unrestored example presents and displays to excellent effect and represents a hugely collectible piece of movie memorabilia from a truly iconic movie…“I do believe Marsellus Wallace, my husband, your boss, told you to take ME out and do WHATEVER I WANTED. Now I wanna dance, I wanna win. I want that trophy, so dance good.”
Trivia: Uma Thurman originally turned down the role of Mia Wallace. Quentin Tarantino was so desperate to have her as Mia, he ended up reading her the script over the phone, finally convincing her to take on the role
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There is no doubting the influence and impact of Quentin Tarantino’s 1994 masterpiece “Pulp Fiction” and like so many of the Tarantino films the paper from each has become hugely collectable. The 30th Anniversary UK quad release offered here is no exception. This popular and most recognisable design by Indika Entertainment Advertising has been adapted as a black and style with Uma Thurman’s bright red lips the perfect complement to the monotone imagery – truly striking and enhanced by the print quality and colour saturation. Very cool looking, and incredibly scarce, with only a limited release in a small number of cinemas. This is a fantastic original poster from Quentin Tarantino’s most celebrated film to date. Originally rolled (as issued) this totally unrestored example presents and displays to excellent effect and represents a hugely collectible piece of movie memorabilia from a truly iconic movie…“I do believe Marsellus Wallace, my husband, your boss, told you to take ME out and do WHATEVER I WANTED. Now I wanna dance, I wanna win. I want that trophy, so dance good.”
Trivia: Uma Thurman originally turned down the role of Mia Wallace. Quentin Tarantino was so desperate to have her as Mia, he ended up reading her the script over the phone, finally convincing her to take on the role
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