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2003

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  • House of 1000 Corpses Movie Poster

    House of 1000 Corpses

    £195.00

    “The most shocking tale of carnage ever seen.”

    “House of 1000 Corpses” is a stylish, gore-laden 2003 offering which marks marks the directorial debut of Trash/Industrial Artist Musician Rob Zombie. Largely unheard of outside Zombie’s fiercely loyal fanbase it grew to be a cult horror classic, proving hugely influential for the low budget flicks that followed. Because of a very limited cinema release schedule and a low print run these posters are genuinely rare and hard to find. This originally rolled (as issued) 2003 UK quad displays superbly with great horror imagery from British artist Graham Humphreys and represents a fine example of horror memorabilia.

    Trivia: Otis’ and Baby’s bizarre rants during the “home movie” segments are inspired by the Charles Manson family’s supposed home movies.

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  • Love Actually Movie Poster

    Love Actually

    £95.00

    “It’s All About Love… Actually.”

    A British classiccomedy & romance combine for Richard Curtis’ “Love Actually”. With an impressive star-studded cast, most of whom are featured on the poster, this much loved movie is a genuine feelgood offering. A Christmas or a Valentines movie – well you can decide with this beautifully presented, country of origin British UK quad film poster from the first year of release 2003. Designed by TEA – The Entertainment Agency this example was originally issued rolled and displays superbly and represents a great piece of cinematic movie memorabilia.

    Trivia: A speech given by Hugh Grant in this movie (where he extols the virtues of Great Britain and refuses to cave to the pressure of its longstanding ally, the United States) was etched in the transatlantic memory as a satirical, wishful statement on the concurrent relationship with George W. Bush. Tony Blair responded by saying in 2005, “I know there’s a bit of us that would like me to do a Hugh Grant in Love Actually (2003) and tell America where to get off. But the difference between a good film and real life is that in real life there’s the next day, the next year, the next lifetime to contemplate the ruinous consequences of easy applause.”

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