2003

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  House of 1000 Corpses

  £195.00

  “The most shocking tale of carnage ever seen.”

  “House of 1000 Corpses” is a stylish, gore-laden 2003 offering which marks marks the directorial debut of Trash/Industrial Artist Musician Rob Zombie. Largely unheard of outside Zombie’s fiercely loyal fanbase it grew to be a cult horror classic, proving hugely influential for the low budget flicks that followed. Because of a very limited cinema release schedule and a low print run these posters are genuinely rare and hard to find. This originally rolled (as issued) 2003 UK quad displays superbly with great horror imagery from British artist Graham Humphreys and represents a fine example of horror memorabilia.

  Trivia: Otis’ and Baby’s bizarre rants during the “home movie” segments are inspired by the Charles Manson family’s supposed home movies.

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• 

  House of 1000 Corpses

  £275.00

  “The most shocking tale of carnage ever seen.”

  “House of 1000 Corpses” is a stylish, gore-laden 2003 offering which marks the directorial debut of Trash/Industrial Artist Musician Rob Zombie. Largely unheard of outside Zombie’s fiercely loyal fanbase it grew to be a cult horror classic, proving hugely influential for the low budget flicks that followed.  This originally rolled (as issued) 2024 limited edition fine art print (hand-numbered #8/150) by Matt Ryan Tobin displays superbly with great horror imagery, as Sid Haig as Captain Spaulding takes centre stage in incredible kaleidoscope pf colour. Screen printed using glow in the dark inks the whole poster takes on a very different and eerie look when the lights go down (see additional image). A personal favourite and one the best offerings of 2024 that represents a fine example of horror memorabilia and a perfect example of why alternative movie posters are becoming so collectable.

  Trivia: Otis’ and Baby’s bizarre rants during the “home movie” segments are inspired by the Charles Manson family’s supposed home movies.

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• 

  Kill Bill: Volume 1

  £225.00

  “A roaring rampage of revenge”

  Quentin Tarantino’s 4th Film…“Kill Bill” is a bloody, revenge driven, martial arts epic. Released in 2003 it proved a huge success and much like previous Tarantino movie merchandising the film posters became very collectable. Designed by creative arts agency Empire Design the final release UK quad (as featured) immediately catches the attention. Vivid bright yellow is dominant in not only the poster background but in Uma Thurman’s (The Bride) leather flight suit. This original 2003 UK quad film poster is presented in excellent rolled condition and displays extremely well and as Tarantino has such a huge fanbase very desirable and because of a typically low print run very rare. As all Tarantino films are aimed for that more mature 18+ audience the merchandising budget isn’t what you would expect from a general release feature and as such nearly all the posters & promotional items  produced are in very low numbers; making his memorabilia very collectable & scarce.

  Trivia: The Bride’s yellow outfit was inspired by the outfit worn by Bruce Lee in his final film, Game of Death (1978).

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  Love Actually

  £95.00

  “It’s All About Love… Actually.”

  A British classic – comedy & romance combine for Richard Curtis’ “Love Actually”. With an impressive star-studded cast, most of whom are featured on the poster, this much loved movie is a genuine feelgood offering. A Christmas or a Valentines movie – well you can decide with this beautifully presented, country of origin British UK quad film poster from the first year of release 2003. Designed by TEA – The Entertainment Agency this example was originally issued rolled and displays superbly and represents a great piece of cinematic movie memorabilia.

  Trivia: A speech given by Hugh Grant in this movie (where he extols the virtues of Great Britain and refuses to cave to the pressure of its longstanding ally, the United States) was etched in the transatlantic memory as a satirical, wishful statement on the concurrent relationship with George W. Bush. Tony Blair responded by saying in 2005, “I know there’s a bit of us that would like me to do a Hugh Grant in Love Actually (2003) and tell America where to get off. But the difference between a good film and real life is that in real life there’s the next day, the next year, the next lifetime to contemplate the ruinous consequences of easy applause.”

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