Showing 49–60 of 218 results
“His deadly mission: to crack the forbidden island of Han!”
Sorry for the spoiler but the poster imagery featured here is from the climax of Lee’s most successful and well known movie “Enter the Dragon” and showcases an iconic image of martial arts’ greatest star…Bruce Lee. This striking black & white photographic poster (I genuinely don’t think it would have worked as well in colour) was issued by Warner Bros. to record stores to promote the soundtrack album that accompanied the film in 1973. Easily the best example of this poster I have offered for sale. This originally rolled (as issued) example is rarely seen in this high grade unrestored investment condition and represents an extremely scarce and collectable example of original movie related memorabilia & a fitting tribute to the martial arts legend BRUCE LEE.
Trivia: Over 8,000 mirrors were used to set up the “Hall of Mirrors” where the climactic duel takes place.
…more detail
“Enter the Dragon” is rightly regarded as one of the key and most influential movie’s from the 1970’s, creating it’s own unique genre and provided the vehicle to launch Bruce Lee (albeit briefly) as a screen & cultural icon. Unsurprisingly, it is one of the most popular licences when looking to have artwork commissioned. This 2024 offering from Thai artist Kwow is one of the best of these. Kwow’s impressive artwork beautifully portrays the most memorable scenes from the film and is beautifully complemented by some amazing realistic likenesses of the main cast members, particularly Lee who takes prominence. This very limited release of only 100, has been hand-numbered #57 in pencil and is offered in beautiful rolled, unfolded (as issued) condition that displays and presents to excellent effect – colours are very vibrant and truly pop from the paper. A truly outstanding art print that represents a key item of highly sought after modern cinematic memorabilia and a fitting tribute to the martial arts legend BRUCE LEE.
TRIVIA: ENTER THE DRAGON due to its huge popularity was consistently re-released and shown after its 1973 debut yet no new standalone posters were ever printed & it was down to the cinema owners to re-use the posters from 1973. Making original unrestored 1973 posters of this quality extremely scarce.
…more detail
“1997…New York City is now a maximum security prison..Breaking out is impossible..Breaking in is insane”
1980’s movie posters don’t really come any better looking than Barry Jackson’s decapitated Statue of Liberty artwork for John Carpenter’s quintessential sci-fi actioner “Escape From New York”. This impressive, country of origin film poster from is stunning and presented in beautiful rolled (as issued) condition. A magnificent unrestored, original example of a truly iconic poster that represents a fine piece of cinematic movie memorabilia, from one of the modern masters of genre film making.
Trivia: The model of the city set was repainted and reused for Ridley Scott’s Blade Runner
…more detail
“Scream as your nightmares come true”
Sam Raimi’s “The Evil Dead” is one of the best horror comedy movies ever made, full of dark humour and gory thrills. As most people know, this is one of the greatest performing films, dollar for dollar in cinematic history. One of the most popular film titles for alternative movie posters artists, this 2016 hand-numbered (#135/220) print by Francesco Francavilla is a standout piece and a proper horror poster as a chainsaw wielding Ash (Bruce Campbell) and the demonically possessed Cheryl (Ellen Sandweiss) dominate the blood red coloured imagery. This example has been autographed by the Movie’s acclaimed Director and Writer Sam Raimi and annotated ‘Scream! Scream!’ The signing was carried out in 2023 (June) at FanExpo, Philadelphia and is accompanied by an official JSA Certificate of Authenticity from the event numbered AK96625. Full verification on the certificate can be obtained by inputting the reference number at SpenceLOA.com.
Presented in excellent condition this rolled (as issued) example displays superbly that represents an impressive piece of signed horror artwork and is a hugely desirable alternative movie poster. “I know now that my wife has become host to a Kandarian demon. I fear that the only way to stop those possessed by the spirits of the book is through the act of… bodily dismemberment.”
Trivia: Over his years as a director, Raimi’s 1973 Oldsmobile Delta 88 (originally bought by Raimi’s father for the family when Sam was 14) has “played” Ash’s car in the Evil Dead movies, Uncle Ben and Aunt May’s car in the Spider-Man movies, Annie’s car in The Gift (2000), and Mrs. Ganoush’s car in Drag Me to Hell (2009), and has made cameos in nearly all of his other movies.
…more detail
“It’s like looking in a mirror – only not.”
Designed by BLT & Associates this original Advance (June 27) US One Sheet movie poster from 1997 featuring John Travolta and Nicolas Cage for John Woo’s ultra-cool, stylish, gun fu, actioner “Face/Off”. The third (and to date, most successful) American feature from Hong Kong action director John Woo, is everything a fan of Woo’s Asian work could possibly hope for It’s a loud, fast-paced, spectacularly violent epic helmed by a master craftsman, even with this ambitious third American feature, it is vastly on par with the director’s Hong Kong work, is very easily one of the best films of his career. This rolled (as issued) example features the split images of both Cage and Travolta and is presented in excellent condition and represents a desirable item of cinematic memorabilia.
Trivia: Originally Arnold Schwarzenegger and Sylvester Stallone were in mind to play the lead roles. When John Woo was brought in to direct, he decided that John Travolta and Nicolas Cage would be more suited to the roles. Other pairs that the studio wanted was Michael Douglas (who was the executive producer for this movie) and Harrison Ford, Bruce Willis and Alec Baldwin, Jean-Claude Van Damme and Steven Seagal, Denzel Washington and Wesley Snipes, and Robert De Niro and Al Pacino.
…more detail
“To foil a terrorist plot, an FBI agent assumes the identity of the criminal who murdered his son via facial transplant surgery, but the crook wakes up prematurely and vows revenge.”
Price is for ALL THREE STYLES – Advance, Cage and Travolta character posters.
A marvellous and eye-catching triptych of film posters from first release in 1997, designed by InSync Plus with includes the final release style US One Sheet and character posters for both Nicolas Cage and John Travolta for John Woo’s ultra-cool, stylish, gun fu, actioner “Face/Off”. Black and white blurred facial photography makes for some striking imagery with bright red detailing. The hi-gloss finish only adds to what is a fantastic looking series of three posters. The third (and to date, most successful) American feature from Hong Kong action director John Woo, is everything a fan of Woo’s Asian work could possibly hope for It’s a loud, fast-paced, spectacularly violent epic helmed by a master craftsman, even with this ambitious third American feature, it is vastly on par with the director’s Hong Kong work, is very easily one of the best films of his career. These rolled (as issued) example are all presented in excellent condition and represents a very desirable set of three original movie posters.
Trivia: It was released in June 1997, the same month as Nicolas Cage’s other action hit Con Air (1997), which came out a few weeks earlier. The films were shot consecutively, from the summer of 1996 to spring 1997, with the two productions nearly overlapping at one point.
…more detail
“All roads lead to this”…Very, very COOL – Produced and designed by Cold Open this rare original US one sheet for “Fast & Furious 6” is a great example of modern poster design and artwork; beautifully photographed imagery; on a racetrack, Brian (the late Paul Walker) looking cool lounging against his British classic retro Ford Escort Mexico…Originally rolled (as issued) with a total lack of credits this Advance “Coming Soon” one-sheet displays to excellent effect…“It’s all between you and the car. It’s a bond. It’s a commitment”
Trivia: More than 100 cars were crashed, wrecked, or otherwise destroyed in the process of filming.
…more detail
“She’s hot. She’s sexy. And she’s sutured to please.”
An incredible country of origin, US one-sheet poster for one of the greatest cult horror movies ever made…Frank Henenlotter‘s “Frankenhooker”. Featuring country unique artwork, this really is eye-catching imagery created for this cult horror-comedy title. Any paper for this title is extremely sought after and also ultra scarce, with this being the first time we have ever offered a one-sheet for sale – and we are delighted that it is a country of origin example, which has always been a personal favourite of mine. Originally folded (as issued) this displays very well and represents scarce cinematic movie memorabilia for a film that has become one of the most desirable titles of the genre…“A Terrifying Tale Of Sluts And Bolts.”
Trivia: Elizabeth has the last name of Shelley. This is an homage to Mary Shelley, the author of the original “Frankenstein”.
…more detail
“Look! It’s moving. It’s alive. It’s alive… It’s alive, it’s moving, it’s alive, it’s alive, it’s alive, it’s alive, IT’S ALIVE!”
Artist Matthew Peak is no stranger to horror icons as it was his Freddy Krueger artwork that adorned the first Nightmare on Elm Street (1984) US One-Sheet and has now has created an award-winning “Frankenstein Monster” print for the 2018 exhibition Mondo Presents “Universal Studio Monsters”. This limited-edition example has been hand-numbered #6 from a print run of 325. In 2018, the leading and most respected alternative movie poster forum expressobeans.com made this print their “Cinema Poster of the Year”. Incredibly rare and highly collectible, an excellent example of modern cinematic movie memorabilia.
Trivia: Boris Karloff‘s Monster in this film does not physically resemble the character in Mary Shelley‘s novel. It was make-up artist Jack P. Pierce who came up with innovations such as the Monster’s flat head, the bolts through the neck, the droopy eyelids, and the poorly-fitted suit. Any future Frankenstein film that features any of these physical abnormalities is taking its inspiration from Pierce’s make-up work.
…more detail
“Look! It’s moving. It’s alive. It’s alive… It’s alive, it’s moving, it’s alive, it’s alive, it’s alive, it’s alive, IT’S ALIVE!”
Issued by Nakatomi Inc in 2013 as a series of high-quality silk-screen prints scanned directly from Berni Wrightson’s original pen and ink drawings used in the 25th-anniversary edition of his ‘Frankenstein’ book. This amazingly detailed and intricate illustration, titled ‘A Filthy Process’ shows Frankenstein working to bring his ‘creature’ to life in his laboratory. Printed onto 130lb Cougar Natural Cover paper, this print has been signed with a full ‘Bernie Wrightson’ signature and hand-numbered #45/100. Presented in excellent condition with minimal handling wear this incredibly rare and highly collectible screen print, is an excellent example of modern cinematic movie memorabilia. Note: A page of Wrightson’s original Frankenstein art for the comics adaptation (same series as this) sold at auction in 2019 for a world record price of $1.2 million.
About Bernie Wrightson: Bernard Albert Wrightson was an American artist, among his career high points were co-creating the Swamp Thing character for DC Comics, his unique illustrated interpretation of the novel Frankenstein and adapting classic horror tales for Warren Publications, which feature his trademark intricate pen and brushwork.
Trivia: Boris Karloff‘s Monster in this film does not physically resemble the character in Mary Shelley‘s novel. It was make-up artist Jack P. Pierce who came up with innovations such as the Monster’s flat head, the bolts through the neck, the droopy eyelids, and the poorly-fitted suit. Any future Frankenstein film that features any of these physical abnormalities is taking its inspiration from Pierce’s make-up work.
…more detail
“Look! It’s moving. It’s alive. It’s alive… It’s alive, it’s moving, it’s alive, it’s alive, it’s alive, it’s alive, IT’S ALIVE!”
Artist Tyler Stout is no stranger to horror icons and has now has created an award-winning “Frankenstein Monster” print for the 2025 Universal Monsters Art Show, held simultaneously at the Canopy Gallery, in Austin, Texas and Universal CityWalk in Los Angeles during October in 2025. Stout’s giant-sized tribute to Frankenstein is as bold and electrifying as the creature himself. It certainly isn’t your average print, and instead of sticking to standard alternative movie poster dimensions (24″ x 36″ – 61 x 91.5 cm), Stout went huge, and this piece stretches to an impressive 24″ x 72″ (61 x 193 cm) and is printed in two sections, echoing the towering presence of the Monster. Expertly printed by DL Screenprinting it comes in an edition of 300 with the example being offered here hand-numbered #259. Highly collectible, an excellent piece of movie art memorabilia.
Commissioned by Rob Jones, he had this to say about the project and Tyler Stout – “The work of Tyler Stout undoubtedly popularized the notion of alternate film posters more than other artists in the field. His work spoke to people with active relationships to cinema. Tyler hoped to evoke a pop culture icon that beckoned from the back pages of his childhood comic books: the Jack Davis ‘Life Size Frankenstein’ poster. To make that happen feasibly as a screenprint, he divided the image across two 24 x 36-inch sheets. Results are unlike any other AMP made for Frankenstein. I adore the result and perhaps overly identify with Henry Frankenstein, so consumed with personal pursuit that Tyler shows him living within the confines of his own work, i.e., the monster.”
Trivia: Boris Karloff‘s Monster in this film does not physically resemble the character in Mary Shelley‘s novel. It was make-up artist Jack P. Pierce who came up with innovations such as the Monster’s flat head, the bolts through the neck, the droopy eyelids, and the poorly-fitted suit. Any future Frankenstein film that features any of these physical abnormalities is taking its inspiration from Pierce’s make-up work.
…more detail
“On Friday The 13th, They Began To Die Horribly, One……By One”
Distinctive Alex Ebel artwork makes this original 1980 country of original US one sheet movie poster for Sean S. Cunningham’s slasher masterpiece “Friday the 13th” extremely sought after by collector’s of the horror genre. Introducing Jason Voorhees as one of the triumvirate of 80’s slasher horror icons that includes Wes Craven’s Freddy Kruger & John Carpenter’s Michael Myers. A multitude of sequels, match ups and remakes have been released since this premiered but none match this genre defining classic. Originally folded (as issued) this unrestored example displays and presents to excellent effect with only minimal age and handling wear with bright & unfaded colours. It represents a fine piece of sought after cinema memorabilia from one of the defining ‘slasher’ flick Film’s.
Trivia: The filmmakers never intended to make this the launching pad for the franchise that followed. According to Victor Miller, Jason Voorhees was only meant as a plot device, and not intended to continue on his mother’s grisly work.
Trivia:
…more detail
Trade Address:
Vintage Movie Posters (UK) Limited
The Malthouse
The Broadway
Old Amersham
HP7 0HL
© 2026 Vintage Movie Posters
Registered Office Address: Vintage Movie Posters (UK) Limited, Aston House, Cornwall Avenue, London N3 1LF GB
Registered Company No: 07664517
