Showing all 11 results
“They’re bad boys. They’re die hards. They’re lethal weapons. They are… Hot Fuzz.”
Original 2007 one-sheet movie poster for the Pegg/Frost/Wright collaboration “Hot Fuzz”. A poster that is genuinely scarce due to limited cinema release and like the makers’ previous collaboration “Shaun of the Dead” it has very quickly gained a cult following. “Hot Fuzz” satirises American action films in a way that an American satire would not. Edgar Wright and Simon Pegg don’t simply spoof the plot threads and the car chases. They know the smaller details of Hollywood’s formula, as they exemplify with its continuous references to the scene in Point Break where Keanu Reeves fires his gun into the sky in anger and the scene in Bad Boys II where Martin Lawrence, in a circling tracking shot, says, “S*** just got real.” Not only do they tackle those less clear characteristics of Hollywood, they also perfectly portray people who talk about awesome scenes in action movies, hilariously by Nick Frost. Eye catching design by Creative Partnership of Pegg & Frost this excellent rolled example displays superbly and represents a super example of classic British cinema memorabilia.
Trivia: As this is the second part of the Cornetto Trilogy, the blue wrapper makes its appearance in the film. Nick and Danny are seen eating vanilla flavor ice cream. According to Edgar Wright, blue represents the police, which is the main motif in the film. For Wright’s other films, Shaun of the Dead (2004), it was red and strawberry flavor, representing blood and zombies, while the final part, The World’s End (2013), it was green and peppermint with chip, representing science fiction and extraterrestrial elements.
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“They’re bad boys. They’re die hards. They’re lethal weapons. They are… Hot Fuzz.”
Original 2007 Japanese B2 movie poster for the Pegg/Frost/Wright collaboration “Hot Fuzz”. A poster that is genuinely scarce due to a limited cinema release in Japan and like the makers’ previous collaboration “Shaun of the Dead” it has very quickly gained a cult following. “Hot Fuzz” satirises American action films in a way that an American satire would not. Edgar Wright and Simon Pegg don’t simply spoof the plot threads and the car chases. They know the smaller details of Hollywood’s formula, as they exemplify with its continuous references to the scene in Point Break where Keanu Reeves fires his gun into the sky in anger and the scene in Bad Boys II where Martin Lawrence, in a circling tracking shot, says, “S*** just got real.” Not only do they tackle those less clear characteristics of Hollywood, they also perfectly portray people who talk about awesome scenes in action movies, hilariously by Nick Frost. Eye catching, country unique design cleverly using the Union Jack flag as a backdrop for our heroes – Nicholas Angel (Pegg) & Danny Butterman (Frost). his excellent rolled example displays superbly and represents a super example of cinema memorabilia.
Trivia: As this is the second part of the Cornetto Trilogy, the blue wrapper makes its appearance in the film. Nick and Danny are seen eating vanilla flavor ice cream. According to Edgar Wright, blue represents the police, which is the main motif in the film. For Wright’s other films, Shaun of the Dead (2004), it was red and strawberry flavor, representing blood and zombies, while the final part, The World’s End (2013), it was green and peppermint with chip, representing science fiction and extraterrestrial elements.
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“Agents, Villains and The Babes”
Commissioned in 1998 as one of a series of poster designs intended to promote the James Bond Exhibition held at the Roemer – Und Pelizaeus – Museum, Hildesheim Germany. Titled “Agents, Villains and The Babes” the stunning 007 artwork by regular Bond poster artist Robert McGinnis, features a highly detailed all-action montage from Bond’s previous adventures. However the border artwork is made up of beautiful, largely naked or scantily clad women which after consultation with the Museum Board was considered too risqué to use in publicising the Exhibition so only a small number of the initial print run were all that was printed. The example offered here is from this first print run and should not be confused with the later Limited Edition lithograph issued by McGinnis himself which has the censored artwork which was also used for the cover of the Sunday Times November 7th 1999 edition (photo for reference). Originally flat and unfolded (as issued) this amazing example displays and presents to excellent effect. Guaranteed original this represents a highly desirable piece of original James Bond memorabilia with impressive unmistakably Robert McGinnis 007 artwork.
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“The name’s Bond … James Bond”
Issued in 1998 as one of a series of poster designs to promote the James Bond Exhibition held at the Roemer – Und Pelizaeus – Museum, Hildesheim Germany. The striking imagery by Johann Zambryski features an abstract pop-art rendition of Sean Connery and is the rarest of the designs with only 50 being printed and exclusively issued to Museum Staff and never offered for sale to the general public. Originally rolled (as issued) this stunning example displays and presents to excellent effect and was likely unused. Guaranteed original this represents a highly desirable piece of original James Bond memorabilia with impressive unmistakably Bond, Sean Connery artwork.
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Timothy Dalton’s second outing as 007 was a truly gritty tale of revenge and action with a great white shark being an unusual instrument of torture for one scene. Keith Hamshere (who made Dalton the ‘perfect’ Bond in The Living Daylights campaign ) was again retained as the Bond photographer on this 1989 country of origin British UK quad for “Licence to Kill” featuring a moody Timothy Dalton in close up. Genuinely scarce this rolled (as issued) example looks superb and is presented totally unrestored in high grade condition and represents a worthy addition for any poster collector or any collection of James Bond cinematic movie memorabilia.
Trivia: It is widely and incorrectly rumored that this was Timothy Dalton‘s last James Bond film due it being financially disappointing. In reality, Dalton was to star in a third James Bond film after this one, titled “Property of a Lady”, written by Michael G. Wilson and Alfonse Ruggiero Jr. and set to start shooting in 1990, with pre-production work having begun in May of that year. However legal issues with MGM beginning that year created long delays which eventually led Dalton to announce his retirement from the role in 1994, a year after his initial contract expired, paving the way for Pierce Brosnan‘s casting in GoldenEye (1995). Had the film been made, it would have been set in Scotland, Tokyo, and Hong Kong, and would have involved nanotechnology.
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1987 was the end of a historic movie tradition as Brian Bysouth produced the last fully drawn painted James Bond film poster (Fascinating Brian Bysouth interview with Eddie Shannon of Film on Paper) for Timothy Dalton’s 007 debut as “The most dangerous Bond…Ever” in “The Living Daylights”. The advance teaser poster preceding this was a mixture of photograph and artwork created by Brian, the advertising agency Feref, Jeffrey Bacon & David Generic and is distinctive for the see-through negligee. However it is not Bond babe Maryam d’Abo in the shot but American model Kathy Stangel in this famous pose & beautifully photographed by Jim McCrary. The original 1987 UK (country of origin) movie poster offered here is presented in exceptional unrestored, rolled (as issued) unfolded condition with bright and unfaded colour tones and white areas that are truly bright. Hugely desirable and very collectable, it would be a worthy addition to any collection of James Bond movie memorabilia.
Trivia: Kara Milovy (Maryam d’Abo) is the last “main” Bond girl to be blonde until Spectre (2015). All leading Bond girls in the other films since have been brunettes or redheads.
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Timothy Dalton’s 007 debut as “The most dangerous Bond…Ever” in “The Living Daylights”. This poster was produced for a 1986 London James Bond exhibition to announce that filming had begun on the latest Bond adventure, “The Living Daylights”, which was to be released the following year. The poster shows a close-up of the front grill from an Aston Martin DB4, which was the model used by the Goldfinger production team during preliminary testing shoots prior to getting the DB5. The original 1986 Advance teaser movie poster offered here is presented in excellent unrestored, rolled (as issued) unfolded condition with content perfectly suited to this landscape style with beautiful black and white photographic tones with a hint of metallic silver. Hugely desirable and very collectible, it would be a worthy addition to any collection of James Bond movie memorabilia.
For price comparison, in a recent London Auction Sale an example of this exact same poster sold for in excess of £2,000
Trivia: The casting of Frederick Warder and Glyn Baker as 004 and 002 was intentional, due to their resemblance to George Lazenby and Sir Roger Moore, respectively. For the movie’s opening scene, the writers wanted to toy with the audience’s expectations of which of the 00 agents was Bond.
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1987 was the end of a historic movie tradition as Brian Bysouth produced the last artist drawn painted James Bond film poster (Fascinating Brian Bysouth interview with Eddie Shannon of Film on Paper) for Timothy Dalton’s 007 debut as “The most dangerous Bond…Ever” in “The Living Daylights”. Bysouth has used the classic image of Bond viewed through the end of a gun barrel to fine effect and further embellished the finished design with great action scenes and marvellous renditions of the latest Bond-girl, Maryam d’Abo and of course the classic Aston Martin (in this case a V8 Vantage Volante). The original 1987 UK (country of origin) quad movie poster offered here is presented in high grade unrestored, rolled (as issued) condition and perfectly suited to the landscape style for which it was designed for. Colours are bright and unfaded, the black background a deep black and the white areas truly bright. Hugely desirable and very collectable, it would be a worthy addition to any collection of James Bond cinematic movie memorabilia.
Trivia: This was the last James Bond film to use an original Ian Fleming title until Casino Royale (2006), a gap of almost twenty years.
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1987 was the end of a historic movie tradition as Brian Bysouth produced the last artist drawn painted James Bond film poster (Fascinating Brian Bysouth interview with Eddie Shannon of Film on Paper) for Timothy Dalton’s 007 debut as “The most dangerous Bond…Ever” in “The Living Daylights”. It’s a hard act to follow but artist Mark Murphy certainly comes very, very close with this stunning alternative movie poster from 2023. The action-packed artwork features all the classic imagery you’d expect to see in a Bond film, 007 dressed in a tuxedo, exotic location, gadgets, a beautiful, glamorous woman – Maryam D’Arbo and a life threatening scenario. The colours are truly amazing, super strong and vibrant. This limited edition fine art print represents an impressive piece of very collectable James Bond movie memorabilia that would be a worthy addition to any collection of cinematic movie memorabilia.
Trivia: This was the last James Bond film to use an original Ian Fleming title until Casino Royale (2006), a gap of almost twenty years.
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“Three years before the United States declares war, The Rocketeer leads America’s first battle against the Nazis.”
This original 1991 British Quad film poster is a steam punk art-deco delight featuring the incredible artwork of John Mattos. Truly beautiful imagery that’s perfectly suited to the Republic Pulp Serial approach of Joe Johnston’s “Rocketeer”. Based upon Dave Stevens’ graphic comic novel the Walt Disney Studio produced an enjoyable stylised romp set in the early days of pulp comics and superheroes that quickly became a cult favourite. The Advance film poster offered here is by far the most sought after of paper produced for the Film as it’s all artwork with just the title. The landscape format perfectly suits John Mattos’ dynamic super hero artwork. This unrestored, original rolled (as issued) example displays to excellent effect. Genuinely scarce and highly desirable, not just to film buffs (the art-deco design appeals to number of collectors) this superb piece represents a fantastic piece of desirable film movie memorabilia.
Trivia: Artist and creator of the ‘Rocketeer’ Dave Stevens played the man in the test flight movie, who has the rocket pack strapped to his back (the test pilot).
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