Showing 1–12 of 24 results
Roger Moore’s final outing as 007 sees Bond artistic maestro Daniel Goozee produce a truly stunning series of posters for John Glen’s “A View To A Kill”. And it is his advance teaser design featuring Roger Moore as 007 and Grace Jones as Zorin’s henchwoman May Day that has been adapted for this Japanese video release B1 poster – the likenesses of both Moore and Jones are incredible. Very rare in this larger Japanese format with a design unique to Japan as key scenes have been added the left and right borders. These don’t turn up very often especially in this excellent unrestored, originally rolled (as issued) high grade condition. It presents and displays superbly and represents a fine example of a scarce and extremely collectable James Bond vintage movie memorabilia.
Trivia: Maud Adams: As a woman in the crowd at Fisherman’s Wharf. Adams happened to be visiting San Francisco when the film was in production there. Sir Roger Moore got her to appear as an uncredited extra in a crowd scene, making her the only actress to appear in three Bond movies (excluding actresses in recurring roles), after The Man with the Golden Gun (1974) and Octopussy (1983).
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“The satellite is at present over… Kansas. Well, if we destroy Kansas the world may not hear about it for years. Perhaps New York, with all that smut and traffic… might give them a chance for a fresh start. Washington, DC. Perfect. Since we have not heard from them, they will hear from us.”
Loosely based on Ian Fleming’s fourth Bond novel, but featuring returning Bond villain Ernst Stavro Blofeld, “Diamonds Are Forever” was Sean Connery’s last official outing as Ian Fleming’s super agent, where he gets to romp around Amsterdam & Las Vegas. Stunning mixture of Robert McGinnis artwork and photo montage for this Japanese B2 from 1971 with a great image of Connery as Bond at the centre of the action. Presented in excellent unrestored original flat/unfolded rolled condition this presents superbly and represents a fantastic piece of collectable James Bond cinematic memorabilia from the Sean Connery era.
Trivia: Reportedly, the final scene Sir Sean Connery filmed as Bond (at least in the official film franchise) was the one in which an unconscious Bond is loaded into a coffin at the funeral home. So, Connery’s last day of playing James Bond for EON Productions was Friday, August 13, 1971.
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“Diamonds Are Forever” Japanese STB/Tatekan film poster, presented in totally original unrestored condition. An absolutely beautiful 1971 original movie poster for Sean Connery’s final (official) outing as Ian Fleming’s super-spy James Bond 007 in Guy Hamilton’s “Diamonds Are Forever”. Robert McGinnis was commissioned to provide the initial imagery and (in my opinion) created one of the finest Bond posters ever with the format of the Japanese tatekan my favourite way to display McGinnis’ artwork – the central figures are highlighted and the oversized 007 logo never lets you forget you are going to see a James Bond movie. McGinnis’ detailed and stylish illustrations perfectly capture the whole ‘action, adventure, glamour’ Bond theme; pretty much the ‘perfect’ 007 poster as Bond travels the globe from Amsterdam to the casinos and neon lights of Las Vegas. Incredibly hard to source in this high grade condition, whether it’s the coloured inks or the type of paper used, the colours are incredible rich with real depth and saturation. This originally unfolded, rolled (as issued) example presents and displays to excellent effect and represents a fine example of a scarce and extremely collectable James Bond vintage movie poster.
Trivia: Sir Sean Connery made the most of his time on-location in Las Vegas: “I didn’t get any sleep at all. We shot every night, I caught all the shows and played golf all day. On the weekend I collapsed, boy, did I collapse. Like a skull with legs.” He also played the slot machines, and once delayed a scene because he was collecting his winnings.
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A complete set of all eight US lobby cards presented in totally original unrestored condition. An absolutely fantastic collection of images from 1971, in what was to be Sean Connery’s final (official) outing as Ian Fleming’s super-spy James Bond 007 in Guy Hamilton’s “Diamonds Are Forever”. The imagery chosen for the eight cards perfectly capture the whole ‘action, adventure, glamour’ Bond theme with Connery featured on six leaving a car on two wheels and an exploding oil rig to complete the ensemble; pretty much the ‘perfect’ 007 set as Bond travels the globe from Amsterdam to the casinos and neon lights of Las Vegas. Incredibly hard to source in this high grade condition. These, unfolded, flat (as issued) examples present and display to excellent effect and represent a fine example of extremely collectable James Bond vintage movie memorabilia.
Trivia: Sir Sean Connery made the most of his time on-location in Las Vegas: “I didn’t get any sleep at all. We shot every night, I caught all the shows and played golf all day. On the weekend I collapsed, boy, did I collapse. Like a skull with legs.” He also played the slot machines, and once delayed a scene because he was collecting his winnings.
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“Diamonds Are Forever” – “Una Cascata Di Diamanti” Italian one-panel film poster, presented in totally original unrestored condition. An absolutely beautiful 1971 original movie poster for Sean Connery’s final (official) outing as Ian Fleming’s super-spy James Bond 007 in Guy Hamilton’s “Diamonds Are Forever”. Robert McGinnis was commissioned to provide the initial imagery and (in my opinion) created one of the finest Bond posters ever with Italian artist Mario de Berardinis adding his own personal touches to the finished artwork. His detailed and stylish illustrations perfectly capture the whole ‘action, adventure, glamour’ Bond theme; pretty much the ‘perfect’ 007 poster as Bond travels the globe from Amsterdam to the casinos and neon lights of Las Vegas. Incredibly hard to source in this high grade condition with stunning deep rich colours, this originally folded (as issued example presents and displays to excellent effect and represents a fine example of a scarce and extremely collectable James Bond vintage movie poster.
Trivia: Sir Sean Connery made the most of his time on-location in Las Vegas: “I didn’t get any sleep at all. We shot every night, I caught all the shows and played golf all day. On the weekend I collapsed, boy, did I collapse. Like a skull with legs.” He also played the slot machines, and once delayed a scene because he was collecting his winnings.
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Timothy Dalton’s second outing as 007 was a truly gritty tale of revenge and action with a great white shark being an unusual instrument of torture for one scene. Keith Hamshere (who made Dalton the ‘perfect’ Bond in The Living Daylights campaign ) was again retained as the Bond photographer on this 1989 country of origin British UK quad for “Licence to Kill” featuring a moody Timothy Dalton in close up. Genuinely scarce this rolled (as issued) example looks superb and is presented totally unrestored in high grade condition and represents a worthy addition for any poster collector or any collection of James Bond cinematic movie memorabilia.
Trivia: It is widely and incorrectly rumored that this was Timothy Dalton‘s last James Bond film due it being financially disappointing. In reality, Dalton was to star in a third James Bond film after this one, titled “Property of a Lady”, written by Michael G. Wilson and Alfonse Ruggiero Jr. and set to start shooting in 1990, with pre-production work having begun in May of that year. However legal issues with MGM beginning that year created long delays which eventually led Dalton to announce his retirement from the role in 1994, a year after his initial contract expired, paving the way for Pierce Brosnan‘s casting in GoldenEye (1995). Had the film been made, it would have been set in Scotland, Tokyo, and Hong Kong, and would have involved nanotechnology.
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A magnificent private commission alternative movie poster for John Glen’s 1989 James Bond extravaganza…“Licence to Kill”. The action-packed artwork (the second in his Bond series) by artist Alfons Kiefer features all the classic imagery you’d expect to see in a Bond film, Dalton – sans tuxedo, emphasising this Bond is independent and his own man, exotic location, action, psychotic villains – Robert Davi and Benicio Del Toro and beautiful, glamorous women – Carey Lowell and Talisa Soto. This fourteen-colour screenprint is presented on Fedrigoni Materica Gesso paper and is hand-numbered #22/75. This amazing limited edition art print represents a fine piece of very collectable James Bond movie memorabilia.
Trivia: It is widely and incorrectly rumored that this was Timothy Dalton‘s last James Bond film due it being financially disappointing. In reality, Dalton was to star in a third James Bond film after this one, titled “Property of a Lady”, written by Michael G. Wilson and Alfonse Ruggiero Jr. and set to start shooting in 1990, with pre-production work having begun in May of that year. However legal issues with MGM beginning that year created long delays which eventually led Dalton to announce his retirement from the role in 1994, a year after his initial contract expired, paving the way for Pierce Brosnan‘s casting in GoldenEye (1995). Had the film been made, it would have been set in Scotland, Tokyo, and Hong Kong, and would have involved nanotechnology.
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At the time of its release in 1979 this “Star Wars” inspired Bond movie (“For Your Eyes Only” was originally slated to be released after “The Spy Who Loved Me”, but the huge success of “Star Wars” called for a rethink) was the largest grossing 007 movie to date. Beautiful detailed Daniel Gouzee artwork was the highlight of the worldwide “Moonraker” campaign and this original 1979 Japanese B2 film poster really does look impressive. The Japanese text certainly adds an air of sophistication and coolness to the design. Featuring a suave Roger Moore in a shiny silver space suit; a rarity on any Bond poster campaign as he was normally illustrated wearing a ‘trademark’ black tuxedo…Presented in a high grade, rolled (as issued) condition this unrestored example displays and presents to excellent effect with colours that are bright and unfaded. Hugely desirable and very collectable, it would be a worthy addition to any collection of James Bond movie memorabilia and is an impressive 007 film poster from the Roger Moore run in the series.
Trivia: Producer Albert R. Broccoli complained that Maurice Binder‘s title sequence cost more than the entire budget of Dr. No (1962).
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“Far Up…Far Out…Far More..”
A US window card from the first year of release 1969 for George Lazenby‘s one & only appearance as Ian Fleming’s super spy James Bond in “On Her Majesty’s Secret Service”. A magnificent James Bond poster with bold vibrant colours and a combination of intricate and detailed all-action artwork from regular Bond illustrators Frank McCarthy and Robert McGinnis, make for particularly fine and memorable poster that is immediately recognisable as a Bond film. The window card format is particularly scarce with far fewer printed than the regular one-sheets and due to its smaller size is perfect for display. Presented unrestored in original unfolded (as issued) condition this rare example demonstrates some light handling and age wear and displays to impressive effect and represents a fantastic piece of collectable James Bond cinematic memorabilia from one of the most respected entries in this long running franchise.
Trivia: George Lazenby suggested a scene where Bond skis off a cliff and opens a parachute. This was scrapped, as the filmmakers lacked the resources to pull it off. It was used as the opening for The Spy Who Loved Me (1977).
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“HOW MRS 007 MET HER MAN”
A black and white publicity still from the first year of release 1969 for George Lazenby‘s one & only appearance as Ian Fleming’s super spy James Bond in “On Her Majesty’s Secret Service”. A fantastic image featuring not only Lazenby as Bond, but also Diana Rigg as Teresa ‘Tracy’ Draco the soon to be Mrs.Bond (SPOILER: although not for very long). There was reputed to be a real lack of rapport between the two characters it was reported as a frosty relationship on set – I think that comes across very well here, either that or hats off to Ring for some first class acting. This is the first time I have seen this image, with Bond collectors stating it being particularly scarce. Presented unrestored in original flat and unfolded (as issued) condition this rare example displays very well with only some light handling and age wear. The rear of the still carries a printed snipe titled “HOW MRS 007 MET HER MAN” with a full breakdown of the scene and further information regarding the production. A fantastic piece of collectable James Bond cinematic memorabilia from one of the most respected entries in this long running franchise.
Sold in a photographic mount, which can be removed if desired.
Trivia: George Lazenby suggested a scene where Bond skis off a cliff and opens a parachute. This was scrapped, as the filmmakers lacked the resources to pull it off. It was used as the opening for The Spy Who Loved Me (1977).
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“Far Up…Far Out…Far More..”
An outstanding first year of release Japanese STB/Tatekan movie poster for George Lazenby‘s one & only appearance as Ian Fleming’s super spy James Bond in “On Her Majesty’s Secret Service”. A magnificent, James Bond poster with bold vibrant colours and a combination of intricate and detailed all-action artwork combining the artwork of Frank McCarthy and Robert McGinnis with photographic imagery. Immediately recognisable as a Bond film and at almost 5′ tall it’s truly impressive. Genuinely rare, the tatekan STB format had much lower print numbers compared to regular Japanese B2s. Offered in two sections as distributed to cinema and presented unrestored in original rolled condition this example displays to superb effect and represents a fantastic piece of collectable James Bond cinematic memorabilia from one of the most respected entries in this long running franchise.
Trivia: George Lazenby suggested a scene where Bond skis off a cliff and opens a parachute. This was scrapped, as the filmmakers lacked the resources to pull it off. It was used as the opening for The Spy Who Loved Me (1977).
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“Far Up…Far Out…Far More..”
An outstanding limited edition quad style and size, alternative movie poster for George Lazenby‘s one & only appearance as Ian Fleming’s super spy James Bond in “On Her Majesty’s Secret Service”. A magnificent, James Bond poster with bold vibrant colours and a combination of intricate and detailed all-action artwork from one of the best illustrators currently working – Paul Mann. Truly impressive and immediately recognisable as a Bond film. This alternative movie poster printed in 2022 is particularly scarce as it was printed full quad size at 30″ x 40″ with only 100 in exclusive this run – it sold out immediately on release. Presented unrestored in original unfolded (as issued), rolled condition this is hand-numbered #004 (any 00 number is particularly important for any Bond collector) example displays to impressive effect and represents a fantastic piece of collectable James Bond cinematic memorabilia from one of the most respected entries in this long running franchise.
Trivia: George Lazenby suggested a scene where Bond skis off a cliff and opens a parachute. This was scrapped, as the filmmakers lacked the resources to pull it off. It was used as the opening for The Spy Who Loved Me (1977).
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