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“War! The Republic is crumbling under attacks by the ruthless Sith Lord, Count Dooku. There are heroes on both sides. Evil is everywhere. In a stunning move, the fiendish droid leader, General Grievous, has swept into the Republic capital and kidnapped Chancellor Palpatine, leader of the Galactic Senate. As the Separatist Droid Army attempts to flee the besieged capital with their valuable hostage, two Jedi Knights lead a desperate mission to rescue the captive Chancellor…”
“Star Wars: Episode II – Attack of the Clones” is a pivotal episode in the Star Wars saga as Anakin finally fulfils his destiny and becomes the dark Sith Lord – Darth Vader. This 20th Anniversary release (2025) sees the return of artist Matt Ferguson, as he is once again commissioned to create the poster for the worldwide cinema marketing campaign and after producing some impressive imagery for the anniversary releases of Empire Strikes Back, Return of the Jedi and The Phantom Menace he has really knocked it out of the park with the artwork for “Revenge of the Sith” – it truly is spectacular and one of the best Star Wars posters ever (and that includes the Original Trilogy). Matt’s “Revenge of the Sith” print keeps Darth Vader as the centerpiece, a consistent motif used throughout his previous anniversary prints, and features a fiery duel of the fates as Anakin and Obi-Wan duke it out on Mustafar’s volcanic grounds. Matt’s feverish Star Wars love is showcased in every single one of his anniversary prints. This limited edition, hand-numbered (#93/750) full-size quad style features more epic, volcanic action and is a sight to see at 40 x 30 inches. The giclee finish is one of the best I have ever seen – it really does have a freshly painted effect, with truly vibrant colours. This screams quality and represents a fine addition for any collector of original cinematic movie memorabilia or the dedicated Star Wars fan.
Trivia: George Lucas allowed his friend Steven Spielberg to help design some sequences during pre-production. This was partly because Spielberg wanted the experience of using the pre-visualization techniques pioneered by Industrial Light & Magic, as he was going to use them for War of the Worlds (2005). It was also because Lucas felt that his roles as writer, director, executive producer, and financier were taking up too much of his time and he needed another director to bounce ideas off. Spielberg’s main contribution was in the climactic lightsaber duel between Obi-Wan and Anakin.
What is Giclee ?
Derived from the French term gicler – meaning ‘to squirt or spray’, the term describes a printing process whereby microscopic dots of pigment-based ink are sprayed onto archival-quality paper to ensure the fidelity of a limited edition print to an original artwork.
The richness, accuracy and depth of colour is thanks to the method’s potential to achieve a huge colour gamut (the spectrum of colours distinguishable by the human eye). Unlike the four tones used in lithography, giclées often use five: light cyan, cyan, light magenta, yellow and black.
Fantastic for reproductions which require maximum detail, giclées are most commonly found on watercolour paper or canvas, but can also be created on glass. Different types of paper will produce different effects. Matte paper works well behind glass due its lack of reflectivity, whilst the shine of a glossy finish can give an artwork a brighter appearance.
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“War! The Republic is crumbling under attacks by the ruthless Sith Lord, Count Dooku. There are heroes on both sides. Evil is everywhere. In a stunning move, the fiendish droid leader, General Grievous, has swept into the Republic capital and kidnapped Chancellor Palpatine, leader of the Galactic Senate. As the Separatist Droid Army attempts to flee the besieged capital with their valuable hostage, two Jedi Knights lead a desperate mission to rescue the captive Chancellor…”
“Star Wars: Episode II – Attack of the Clones” is a pivotal episode in the Star Wars saga as Anakin finally fulfils his destiny and becomes the dark Sith Lord – Darth Vader. This 20th Anniversary release (2025) sees the return of artist Matt Ferguson, as he is once again commissioned to create the poster for the worldwide cinema marketing campaign and after producing some impressive imagery for the anniversary releases of Empire Strikes Back, Return of the Jedi and The Phantom Menace he has really knocked it out of the park with the artwork for “Revenge of the Sith” – it truly is spectacular and one of the best Star Wars posters ever (and that includes the Original Trilogy). As more and more cinemas are turning to digital screens to advertise what’s showing, physical, printed posters are becoming extremely rare, especially those with such a short limited screening window – and that is the case here with the lowest print run of any Star Wars movie, even more so with the quad exclusive to the UK. Presented here in original unrestored condition this beautiful 2025 rolled (as issued) example has deep unfaded vibrant colour tones and displays to excellent effect. As this is the British release it carries the tagline ‘Returns to Cinemas April 25’. This beautiful poster represents a fine addition for any collector of original cinematic movie memorabilia or the dedicated Star Wars fan.
Trivia: George Lucas allowed his friend Steven Spielberg to help design some sequences during pre-production. This was partly because Spielberg wanted the experience of using the pre-visualization techniques pioneered by Industrial Light & Magic, as he was going to use them for War of the Worlds (2005). It was also because Lucas felt that his roles as writer, director, executive producer, and financier were taking up too much of his time and he needed another director to bounce ideas off. Spielberg’s main contribution was in the climactic lightsaber duel between Obi-Wan and Anakin.
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A 1977 original year of release “Star Wars: Episode IV – A New Hope” Style C UK Quad featuring Chantrell’s much loved artwork. This is the “Awards Version” produced after the movie had won 7 Oscars. When George Lucas & the Studio Executives realised just how successful this movie was likely to become their marketing strategy had to be re-assessed. The original Jung & Hildebrand posters although iconic & artistic where not really that commercial in terms of characterisation. Tom Chantrell was drafted & in & produced this new look, all-action, bolder, brighter looking poster. Luke, Leia & Han Solo all bear an incredible likeness to their screen counterparts & the Star Wars merchandising phenomena was born. Easily the most recognisable of all the Star Wars posters it is this design that has become synonymous with the franchise and is extremely sought after with many collectors & fans. Folded (as issued) this beautiful unrestored original condition poster presents to excellent effect and represents a scarce and desirable piece of original Star Wars movie memorabilia from what has become one of the most collectable and popular modern movie franchises.
Trivia: George Lucas‘ decision to accept a lower salary on the movie in exchange for full merchandising rights was considered a fool’s gamble on his part. Although some movie-toy combinations had done moderate retail returns at the time, they had never been major money-earners because of the long gap between when a movie would go through its theatrical run and when any products based on it would be available. This movie, however, was such a phenomenon that it reached the holiday 1977 sales period in full swing, and changed the way how movies were merchandised forever.
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Although on almost constant release in some cinemas since its original 1977 it wasn’t until 1981 that “Star Wars: Episode IV – A New Hope” received its first official re-release. What followed was a special two-week limited engagement showing and for this new one-sheets were created with a bright yellow banner tagline across the middle that reads “The Force Will Be With You For Two Weeks Only” and reworking Tom Jung’s original poster design. Luke Skywalker and Princess Leia are highlighted in full colour set against silver logo lettering, which in turn is offset against a matt black background. It really is a striking piece . This re-release only happened in the United States making these country of origin posters highly desirable. Originally rolled (as issued) this beautiful example benefits from being conservation linen backed and presents to excellent effect. A scarce and desirable piece of original Star Wars cinematic movie memorabilia from what has become one of the most collectable and popular modern movie franchises.
Trivia: The word “Jedi” is derived from the Japanese words “Jidai Geki,” which translate as “period adventure drama.” A period adventure drama is a Japanese television soap opera program set in the samurai days. George Lucas mentioned in an interview that he saw a “Jidai Geki” program on television while in Japan a year or so before the movie was made, and he liked the word.
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A global phenomenon when originally released in 1977 producing (at the time) a multitude of related merchandise including some exceptional commercial and promotional posters with some of the best and examples being very collectable in their own right. R2-D2 and C3PO have gone on to become iconic and hugely popular, more so probably than the lead characters and really have become the symbol for the franchise featuring in all seven films and became pivotal figures in the massive marketing and merchandising campaign that was to follow. Presented here on this original vintage 1977 “Star Wars” poster from the original soundtrack…“The Story of Star Wars” in original unrestored condition this excellent rolled (as issued) example was one of the best promotional Star Wars licenced posters produced at the time and one of the very few made to display horizontally in a landscape format. Scarce and desirable Star Wars memorabilia…“Hokey religions and ancient weapons are no match for a good blaster at your side, kid”
Trivia: The skeleton that C-3PO passes belongs to a Tatooine creature called a Greater Krayt Dragon. This artificial skeleton was left in the Tunisian desert after filming, and still lies there. During filming of Star Wars: Episode II – Attack of the Clones (2002), the site was visited by the crew once more, and the skeleton was still there. In The Mandalorian Chapter 9: The Marshal (2020), locals on Tatooine join with Sand People to fight and kill one of these serpents.
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A 2017 original year of release “Star Wars: Episode IV – A New Hope” limited edition Star Wars Fan Club poster featuring a beautiful image of Carrie Fisher in her signature role as Princess Leia. This limited edition (#5568/8000) print was created exclusively for the Star Wars Celebration event held in Orlando in 2017 and is highly sought after by Star Wars and Carrie Fisher fans. Easily one the most recognisable of all the Star Wars characters, it is an her of her that has become synonymous with the franchise. Flat and unfolded (as issued) this fantastic print presents to excellent effect and represents a desirable piece of original Star Wars movie memorabilia from what has become one of the most collectable and popular modern movie franchises.
Trivia: In an interview with the New York Times, she revealed that she made George Lucas give her a copy of The Star Wars Holiday Special (1978) in exchange for recording DVD commentary for the Star Wars films. She added that she showed it at parties, “mainly at the end of the night when I want people to leave.”.
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A 1977 original year of release “Star Wars: Episode IV – A New Hope” complete set of eight (8) British front of house lobby cards. An incredible selection of instantly recognisable images – the major characters and key scenes are all featured – Luke (Mark Hamill) is seen on four, Han (Harrison Ford), Princess Leia (Carrie Fisher), Obi Wan (Sir Alec Guinness), Chewbacca (Peter Mayhew), R2-D2 (Kenny Baker), C-3PO (Anthony Daniels) and of course Darth Vader (Dave Prowse) sharing two appearances each. The characters have become synonymous with the franchise, with each card extremely sought after with many collectors & fans. The desirability of a single card has meant that these sets are usually split up with very few complete sets rarely coming to market. Flat and unfolded (as issued) this beautiful set of lobby cards presents to excellent effect and represents a scarce and desirable piece of original Star Wars movie memorabilia from what has become one of the most collectable and popular modern movie franchises.
Trivia: George Lucas‘ decision to accept a lower salary on the movie in exchange for full merchandising rights was considered a fool’s gamble on his part. Although some movie-toy combinations had done moderate retail returns at the time, they had never been major money-earners because of the long gap between when a movie would go through its theatrical run and when any products based on it would be available. This movie, however, was such a phenomenon that it reached the holiday 1977 sales period in full swing, and changed the way how movies were merchandised forever.
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One of the most recognisable and sought after of all the “Star Wars: Episode IV – A New Hope” alternative movie and it comes from Tyler Stout – one of the most collectable and influential artists currently working. Stout has created an incredible looking poster and one of my personal favourites for the movie. This hand-numbered #676/850 screen print is a perfect example of Stout’s unique detailed linear style. It truly is a stunning piece that has captured the actors’ likenesses with real accuracy and a perfect composition that incorporates many of the recognisable scenes and spacecraft, so familiar to sci fi fans. Released in 2010 to coincide with an Alamo Drafthouse screening and immediately selling out on release. Flat and unfolded (as issued) this beautiful example presents to excellent effect with only minimal handling wear that represents a scarce and desirable piece of Star Wars cinematic movie memorabilia from what has become one of the most collectable and popular modern movie franchises.
Trivia: George Lucas‘ decision to accept a lower salary on the movie in exchange for full merchandising rights was considered a fool’s gamble on his part. Although some movie-toy combinations had done moderate retail returns at the time, they had never been major money-earners because of the long gap between when a movie would go through its theatrical run and when any products based on it would be available. This movie, however, was such a phenomenon that it reached the holiday 1977 sales period in full swing, and changed the way how movies were merchandised forever.
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“Star Wars: Episode IX – The Rise of Skywalker” is a continuation of the Star Wars saga created by George Lucas and set over thirty years after Return of the Jedi and a few months after the events of “The Last Jedi”. The release of each instalment is always accompanied by a huge global marketing and merchandising campaign with the movie posters produced always being of the highest artistic quality. And I’m pleased to say that Episode IX keeps up the high standard; Created by design agency Art Machine the finished poster has magnificent dark powerful imagery as the ‘light’ and the ‘dark’ sides of the Force are combined, highlighted by Rey (Daisy Ridley) and Kylo Ren (Adam Driver). . It certainly pays homage to some of Drew Struzan’s iconic ‘Star Wars’ artwork. The original US/International one-sheet movie poster offered here is full size measuring 27″ x 40″ and is double sided. Guaranteed original and presented here in excellent unrestored condition this beautiful rolled (as issued) example has minimal handling wear and looks incredible. A rare and desirable example of original Star Wars movie memorabilia from what has become one of the most collectable and popular modern movie franchises…“Confronting fear is the destiny of a Jedi. Your destiny.”
Trivia: During the massive crowd celebration scene, C-3PO says that this event happens once every 42 years. This was the time between the first Star Wars movie to be released in 1977 and this film. However, the official time line in The Rise of Skywalker Visual Dictionary states that in the events of this film take place 35 years after that of A New Hope.
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“Luke, you can destroy the Emperor. He has foreseen this. It is your destiny. Join me, and together we can rule the galaxy as father and son.”
When you commission one of the greatest fantasy artists ever to work on the biggest sci-fi / fantasy film franchise ever; you get something very special…A rare original 1980 “Coca-Cola” promotional one sheet film poster for George Lucas sci fi classic “Star Wars: The Empire Strikes Back“. Officially endorsed by Lucasfilm this film tie in poster features some amazing fantasy artwork by Boris Vallejo. Printed on heavy stock paper with beautiful painted imagery and deep rich colours this originally rolled (as issued) example makes a fine addition for any collector of movie posters or Star Wars memorabilia…“They’ve encased him in Carbonite. He should be quite well protected. If he survived the freezing process, that is.”
Trivia: Boba Fett is never referred to by name in this movie. He is always referred to as “the bounty hunter” by other characters. However, a deleted scene included in the Blu-ray set shows Leia tending to Luke’s wounds and says “a bounty hunter named Boba Fett” has taken Han Solo.
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Beautiful, rolled, unrestored 1980 one sheet style commercial movie poster (officially licensed) for the George Lucas sci fi classic sequel “Star Wars: The Empire Strikes Back”. This pure artwork imagery (no title or credits) features Roger Kastel’s ‘Gone With the Wind’ artwork featuring a swooning Princess Leia (Carrie Fisher) about to be kissed by the romantic hero Han Solo (Harrison Ford)…a Scarlett O’Hara and Rhett Butler in space. Poster printer, Gala were one of the official licensees for aftermarket Star Wars posters sold to the general public band have here used an early alternative design to the regular final release cinematic poster which was recalled from use as Billy Dee Williams (Lando Calrissian) was not featured in Kastel’s finished artwork. Being originally rolled (as issued) and totally unrestored this stunning example displays and presents to excellent effect with rich unfaded colour tones. A fans favourite design this impressive item represents a fine addition for any collector of movie posters or Star Wars fan memorabilia.
Trivia: In order to avoid sharing creative rights, George Lucas decided to avoid using a major studio to finance this movie. Instead, he bankrolled the $18 million production himself, using a combination of his profits from Star Wars: Episode IV – A New Hope (1977) and a bank loan. Although the move was risky, it paid off several times over. Lucas recovered his investment within three months of the movie’s release.
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For the 1982 re-release of the George Lucas sci fi classic sequel “Star Wars: The Empire Strikes Back” Lucasfilm issued this amazing one-sheet featuring the artwork of Tom Jung, the artist responsible for the original 1980 poster campaign. This ‘updated’ style features some of the best imagery from the series with fantastic renditions of Darth Vader, Luke Skywalker, Han Solo, Princess Leia, Lando Calrissian, Yoda (firmly established as such an important and popular character to the series and sparingly used in the original campaign) and the iconic Imperial Walkers, all offset against a matt black background with silver detailing. Presented here in original unrestored condition this beautiful folded (as issued) example has deep unfaded vibrant colour tones and displays to very good effect. A fans favourite this impressive item represents a fine addition for any collector of original movie posters or Star Wars fan memorabilia.
Trivia: In order to avoid sharing creative rights, George Lucas decided to avoid using a major studio to finance this movie. Instead, he bankrolled the $18 million production himself, using a combination of his profits from Star Wars: Episode IV – A New Hope (1977) and a bank loan. Although the move was risky, it paid off several times over. Lucas recovered his investment within three months of the movie’s release.
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