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Jonathan Demme’s “The Silence of the Lambs” is one of the best horror thriller movies ever made; excellent Award winning performances, full of dark humour and gory thrills. This 2020 alternative movie poster by the American graphic artist Todd Alcott is a truly outstanding piece as he re-imagines and pays homage to the classic 1962 one-sheet for another horror thriller “Whatever Happened to Baby Jane”. It really is a clever and visually stunning piece of artwork that appears as a beaten up old poster. Presented in excellent condition this rolled (as issued) example displays superbly and has been printed to look aged and distressed. Alcott’s artwork represents a great twist on traditional horror movie memorabilia and is a great example in the rapidly expanding area of alternative movie posters being one of the best looking alternative movie posters I have seen.
Trivia: When Sir Anthony Hopkins‘s agent called him in London, to tell him that he was sending him a script called “The Silence of the Lambs,” Hopkins immediately thought he might be going up for a children’s movie.
…more detail“Imagine! A scientific genius named H.G. Wells stalks a criminal genius named Jack the Ripper across time itself, in the most ingenious thriller of our time…”
One of the best time-travel romps ever made and a personal favourite for a bit of me time “Time After Time” sees inventor and writer H.G. Wells pursue the notorious London serial killer Jack the Ripper through time from Victorian England to late 1970’s San Francisco. The British UK quad film poster that accompanied its release is a clever design from first year of release, 1979 and features a stop watch transforming into a digital clock and a top hat and tails attired Wells’ taking on the appearance of a 1970’s attired man. Originally folded (as issued) this excellent unrestored example displays superbly with only minimal age and handling wear that represents a fine item of collectable film movie memorabilia.
Watch the extended trailer for Time After Time HERE
Trivia: A deleted scene featured Wells meeting a punk who was playing extremely loud boom-box music on a bus in San Francisco. Nicholas Meyer later reused this idea in Star Trek IV: The Voyage Home (1986).
…more detailTrade Address:
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