Showing 1–12 of 24 results
“Transylvania, land of dark forests, dread mountains and black, unfathomed lakes. Still the home of magic and devilry as the nineteenth century draws to it’s close. Count Dracula, monarch of all vampires, is dead, but his disciples live on, to spread the cult and corrupt the world.!”
Terence Fisher’s “Brides of Dracula” is my top three favourite Hammer Film. Wonderfully written, superbly acted. Peter Cushing is a joy to behold as Van Helsing. His memorable scene in which he exsises the vampires bite from his neck is iconic. Hammer’s follow up to their hugely successful Dracula (Horror of in some territories). Featuring a version of the beautiful painted artwork used on the British quad, this original Spanish one-sheet from 1960 is a genuine thing of beauty where the imagery (in my humble opinion) suits the portrait format better than the landscape format of the quad. Colours are superb, with the ‘blood’ red of the title particularly vibrant. Originally folded (as issued), this rare example has been conservation linen backed and looks absolutely superb with the fold lines having been touched in it now appears rolled. An extremely desirable and collectable item of horror movie cinematic memorabilia.
Trivia: The front doors of Oakely Court served as the main entrance to Meinster Castle. Oakley Court has been featured in a number of classic horror films, including The Curse of Frankenstein (1957), The Horror of Dracula (1958), The Evil of Frankenstein (1964), Die, Monster, Die (1965), and The Rocky Horror Picture Show (1975).
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“Now that my wife has become host to a Kandarian demon. I fear that the only way to stop those possessed by the spirits of the book is through the act of… bodily dismemberment.”
Incredibly rare and much sought after original 1981 UK quad film poster for Sam Raimi’s “Evil Dead”. Raimi’s original cult classic is probably one of the better zombie / supernatural movies ever made, becoming legend with the horror genre shocked audiences around the world and became a phenomenon. Lead actor Bruce Campbell is put through a continually escalating series of horrific encounters that allow him to show the full extent of his talent for slapstick comedy. Palace (Video) Pictures bought the rights to distribute the film and commissioned up and coming horror artist Graham Humphreys to design the quad and video artwork. Released in cinemas and on VHS almost simultaneously the modest outlay for the rights to distribute the film proved to be an excellent deal as it went on to see great box-office takings and thousands of tapes sold, but also resulted in making these theatrical posters a real rarity. Designed to look slightly distressed, this originally ROLLED (as issued) British UK quad film poster is from first year of release, 1981 that displays & presents very well. A great looking piece of horror art that represents an exciting and scarce country unique British piece of original horror film movie memorabilia.
Click HERE to view the trailer
Trivia: The film was shown to Stephen King, and it was his glowing endorsement (which was later used on the film’s ads and posters) of the film which really sold it to the public. The film was bought by New Line Cinema soon after.
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“Kiss Your Nerves Good-Bye…The Sequel To The Ultimate Experience In Grueling Terror !”
Incredibly rare and much sought 2015 alternative movie poster for Sam Raimi’s Evil Dead sequel…“Evil Dead II” (Dead By Dawn). What makes this super special is that has been reimagined by the same artist responsible for the original cinema poster from from 1987 – Graham Humphreys. Printed with the approval of Sam Raimi, Bruce Campbell and Rob Tapert it’s a stunning piece of horror artwork, as a much more experienced, Graham Humphreys is given the chance to go back and recreate his original design from twenty-eight years earlier. The composition and subject matter are perfectly suited to this landscape format and the colours just amazing as they pop from the paper. This limited edition is hand-numbered #48/250 and signed by the Humphreys. Immediately selling out when launched, this originally rolled, flat-unfolded (as issued) example displays to exceptional effect and represents a truly outstanding and extremely desirable item of collectable horror movie memorabilia with a ‘modern’ twist.
For Eddie Shannon’s superb & informative interview with the artist Graham Humphreys click here.
Trivia: The large demonic head Ash battles in the climax of the film, which the crew nicknamed the “rotten applehead”, was too large and cumbersome for the crew to carry back to California, so it was left in North Carolina and soon disappeared. Its whereabouts were unknown for a number of years until it was found in a Halloween haunted house attraction just outside the original shooting location of Wadesboro, North Carolina.
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A scarce original Japanese B2 film poster and one of Hammer’s best for Terence Fisher’s 1967 dark metaphysical horror “Frankenstein Created Woman”…The fourth entry in Hammer’s Frankenstein canon this stunning piece is a personal favourite and featured in Marcus Hearn’s excellent book “The Art of Hammer”. Originally rolled (as issued) and unrestored, it has some of the most memorable imagery of any Hammer poster…the image of Peter Cushing caressing a human skull and a bikini made of bandages are trademark Hammer. Presented in excellent high grade condition with minimal handling wear this represents a superb example of Hammer Horror cinema memorabilia.
Trivia: “Frankenstein Created Woman” was originally mooted as a follow-up to “The Revenge of Frankenstein” during its production in 1958, at a time when Roger Vadim’s Et Dieu créa la femme (And God Created Woman) was successful (in fact, the film’s original working title was “And Then Frankenstein Created Woman”). The film finally went into production at Bray Studios on 4 July 1966. It was Hammer’s penultimate production there.
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“Guardians of the Galaxy”… A bizarre assembly of misfits and losers which includes a gun-wielding genetically altered raccoon and a fighting tree creature whose could only speak a single phrase…“I am Groot”. Marvel was taking a chance, but needn’t have worried…Guardians was critical and commercial juggernaut which redefined the super hero genre and direction Marvel was to take. Being one of the most popular subjects for alternative movie posters, artist Ise Ananphada has created an incredible looking poster. Her hand-numbered #248/275 giclee screen print is a stunning piece that has captured the actors’ likenesses with real accuracy and being a giclee print the colours have an amazing, vibrant finish. Originally rolled (as issued) this looks and displays to excellent effect, absolutely beautiful and a desirable item of modern collectable movie memorabilia from a truly exciting and cool film franchise.
Trivia: The sensor that Peter Quill (Chris Pratt) looks at when detecting the extra-dimensional creature during the opening of the movie is a modified 1977 Mattel handheld “Electronic Football” video game. Selling over one million units, this was one of the hottest items of Christmas 1977. The beep at the beginning is the “touchdown” sound, whilst the other beeps are the sound of the ball moving down the field.
What is Giclee ?
Derived from the French term gicler – meaning ‘to squirt or spray’, the term describes a printing process whereby microscopic dots of pigment-based ink are sprayed onto archival-quality paper to ensure the fidelity of a limited edition print to an original artwork.
The richness, accuracy and depth of colour is thanks to the method’s potential to achieve a huge colour gamut (the spectrum of colours distinguishable by the human eye). Unlike the four tones used in lithography, giclées often use five: light cyan, cyan, light magenta, yellow and black.
Fantastic for reproductions which require maximum detail, giclées are most commonly found on watercolour paper or canvas, but can also be created on glass. Different types of paper will produce different effects. Matte paper works well behind glass due its lack of reflectivity, whilst the shine of a glossy finish can give an artwork a brighter appearance.
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“Guardians of the Galaxy”… A bizarre assembly of misfits and losers which includes a gun-wielding genetically altered raccoon and a fighting tree creature whose could only speak a single phrase…“I am Groot”. Marvel was taking a chance, but needn’t have worried…Guardians was critical and commercial juggernaut which redefined the super hero genre and direction Marvel was to take. Being one of the most popular subjects for alternative movie posters, artist Roger Motzkus has created an incredible looking poster and one of my personal favourites for the movie. His hand-numbered #42/100 giclee screen print is the Footloose edition printed on Fedrigoni Sirio Pearl Ice White Paper with a spot varnish finish using twelve (12) different coloured inks. It truly is a stunning piece that has captured the actors’ likenesses with real accuracy and being a giclee print the colours have an amazing, vibrant finish. Originally rolled (as issued) this looks and displays to excellent effect, absolutely beautiful and a desirable item of modern collectable movie memorabilia from a truly exciting and cool film franchise.
Trivia: The sensor that Peter Quill (Chris Pratt) looks at when detecting the extra-dimensional creature during the opening of the movie is a modified 1977 Mattel handheld “Electronic Football” video game. Selling over one million units, this was one of the hottest items of Christmas 1977. The beep at the beginning is the “touchdown” sound, whilst the other beeps are the sound of the ball moving down the field.
What is Giclee ?
Derived from the French term gicler – meaning ‘to squirt or spray’, the term describes a printing process whereby microscopic dots of pigment-based ink are sprayed onto archival-quality paper to ensure the fidelity of a limited edition print to an original artwork.
The richness, accuracy and depth of colour is thanks to the method’s potential to achieve a huge colour gamut (the spectrum of colours distinguishable by the human eye). Unlike the four tones used in lithography, giclées often use five: light cyan, cyan, light magenta, yellow and black.
Fantastic for reproductions which require maximum detail, giclées are most commonly found on watercolour paper or canvas, but can also be created on glass. Different types of paper will produce different effects. Matte paper works well behind glass due its lack of reflectivity, whilst the shine of a glossy finish can give an artwork a brighter appearance.
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“Guardians of the Galaxy”… A bizarre assembly of misfits and losers which includes a gun-wielding genetically altered raccoon and a fighting tree creature whose could only speak a single phrase…“I am Groot”. Marvel was taking a chance, but needn’t have worried…Guardians was critical and commercial juggernaut which redefined the super hero genre and direction Marvel was to take. A sequel was obvious & in 2017 “Guardians of the Galaxy Vol. 2” was released and quickly became one of the most popular subjects for alternative movie posters, with this amazing example by Kevin Wilson one of the best. His hand-numbered #2233/2475 screen print is a stunning poster that has captured the actors’ likenesses with real accuracy and its eye-catching use of bold colours makes it really special. Originally rolled (as issued) this looks and displays to excellent effect, absolutely beautiful and a desirable item of modern collectable movie memorabilia from a truly exciting and cool film franchise.
Trivia: The sensor that Peter Quill (Chris Pratt) looks at when detecting the extra-dimensional creature during the opening of the movie is a modified 1977 Mattel handheld “Electronic Football” video game. Selling over one million units, this was one of the hottest items of Christmas 1977. The beep at the beginning is the “touchdown” sound, whilst the other beeps are the sound of the ball moving down the field.
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A very cool, stylish film poster from the mid 1960’s that perfectly typifies the period and the style of the artist; Bob Peak. A beautiful UK quad film poster for Gordon Douglas’ 1967 super-spy, James Bond parody sequel “In Like Flint”. This really is a fantastic looking poster ‘of the time’ – focusing on the star; James Coburn in his role as the super suave secret agent Derek Flint with colourful ‘swinging sixties’ stylised artwork. Peak’s similar film posters (“Modesty Blaise”, “Gambit”, “Our Man Flint” share this common style and concentrate on the stars all colourfully delineated then offset against a pale background. It is a style that works well and certainly impresses. Because of the white background (which marks easily & highlights the slightest defect) this poster is hard to find in high grade condition. The originally folded (as issued) unrestored example offered here has some very minimal handling & age wear but colours are bright and unfaded and the background a true bright white with no shading/ghosting to the fold lines. A fine investment grade piece that represents a very collectable piece of desirable original movie memorabilia.
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Beautiful, rolled, unrestored 1980 one sheet style commercial movie poster (officially licensed) for the George Lucas sci fi classic sequel “Star Wars: The Empire Strikes Back”. This pure artwork imagery (no title or credits) features Roger Kastel’s ‘Gone With the Wind’ artwork featuring a swooning Princess Leia (Carrie Fisher) about to be kissed by the romantic hero Han Solo (Harrison Ford)…a Scarlett O’Hara and Rhett Butler in space. Poster printer, Gala were one of the official licensees for aftermarket Star Wars posters sold to the general public band have here used an early alternative design to the regular final release cinematic poster which was recalled from use as Billy Dee Williams (Lando Calrissian) was not featured in Kastel’s finished artwork. Being originally rolled (as issued) and totally unrestored this stunning example displays and presents to excellent effect with rich unfaded colour tones. A fans favourite design this impressive item represents a fine addition for any collector of movie posters or Star Wars fan memorabilia.
Trivia: In order to avoid sharing creative rights, George Lucas decided to avoid using a major studio to finance this movie. Instead, he bankrolled the $18 million production himself, using a combination of his profits from Star Wars: Episode IV – A New Hope (1977) and a bank loan. Although the move was risky, it paid off several times over. Lucas recovered his investment within three months of the movie’s release.
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