Robert Davi

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  James Bond: Licence To Kill

  £175.00

  “His bad side is a dangerous place to be”

  Timothy Dalton’s second outing as 007 was a truly gritty tale of revenge and action with a great white shark being an unusual instrument of torture for one scene. Keith Hamshere (who made Dalton the ‘perfect’ Bond in The Living Daylights campaign ) was again retained as the Bond photographer on this 1989 country of origin British UK quad for “Licence to Kill” featuring a moody Timothy Dalton in close up. Genuinely scarce this rolled (as issued) example looks superb and is presented totally unrestored in high grade condition and represents a worthy addition for any poster collector or any collection of James Bond cinematic movie memorabilia.

  Trivia: It is widely and incorrectly rumored that this was Timothy Dalton‘s last James Bond film due it being financially disappointing. In reality, Dalton was to star in a third James Bond film after this one, titled “Property of a Lady”, written by Michael G. Wilson and Alfonse Ruggiero Jr. and set to start shooting in 1990, with pre-production work having begun in May of that year. However legal issues with MGM beginning that year created long delays which eventually led Dalton to announce his retirement from the role in 1994, a year after his initial contract expired, paving the way for Pierce Brosnan‘s casting in GoldenEye (1995). Had the film been made, it would have been set in Scotland, Tokyo, and Hong Kong, and would have involved nanotechnology.

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  Predator 2

  £325.00

  “Ten years ago one of his kind stalked and eliminated an elite special forces crew in central America. There were two survivors. They indicated that when trapped, the creature activated a self-destruct device that destroyed enough rainforest to cover 300 city blocks. Remarkable weaponry. That’s right lieutenant. Other-world life-forms.”

  The success of “Predator” when released in 1987 meant a sequel was always inevitable, however the action hero of the first movie wasn’t available – move over Arnie and welcome Danny Glover. Not only was there a new direction for the hero but the jungles of South America were swapped for a crime ridden Los Angeles. A clever follow up in many ways as it really does continue where the first movie finished as the Government, now fully aware of an other worldly being try to turn the tables and trap a predator – bad move. This 2021 Private Commission by Juan Carlos Ruiz Burgos features spectacular artwork, and is actually the first time a licensed print for “Predator 2” has been issued, and frankly it would be a hard to find a better one as Burgos really has created something special. Titled ‘The Concrete Jungle‘ it is printed on Cougar White paper using fifteen (15) coloured inks which includes a glitter varnish used to mimic the wet skin of the Predator and a bright luminous green glow in the dark ink for the title. Hand-numbered #45 from a print run 110 this beautiful example displays and presents to excellent effect and represents an incredible looking piece of modern cinematic memorabilia.

  Trivia: Keyes (Gary Busey) is the first character to ever use the word “predator” to refer to the creature on-screen when he says “we’ve prepared a trap for this predator”. The word “predators” is also used by Isabelle in Predators (2010), but she uses it to refer to the human characters in the film, not the Predator creatures. It wasn’t until The Predator (2018) that the creature itself is referred to as ‘predator’ again, with someone adding that the term ‘hunter’ would be more appropriate.

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