Showing 1–12 of 15 results
“Diamonds Are Forever” Japanese STB/Tatekan film poster, presented in totally original unrestored condition. An absolutely beautiful 1971 original movie poster for Sean Connery’s final (official) outing as Ian Fleming’s super-spy James Bond 007 in Guy Hamilton’s “Diamonds Are Forever”. Robert McGinnis was commissioned to provide the initial imagery and (in my opinion) created one of the finest Bond posters ever with the format of the Japanese tatekan my favourite way to display McGinnis’ artwork – the central figures are highlighted and the oversized 007 logo never lets you forget you are going to see a James Bond movie. McGinnis’ detailed and stylish illustrations perfectly capture the whole ‘action, adventure, glamour’ Bond theme; pretty much the ‘perfect’ 007 poster as Bond travels the globe from Amsterdam to the casinos and neon lights of Las Vegas. Incredibly hard to source in this high grade condition, whether it’s the coloured inks or the type of paper used, the colours are incredible rich with real depth and saturation. This originally unfolded, rolled (as issued) example presents and displays to excellent effect and represents a fine example of a scarce and extremely collectable James Bond vintage movie poster.
Trivia: Sir Sean Connery made the most of his time on-location in Las Vegas: “I didn’t get any sleep at all. We shot every night, I caught all the shows and played golf all day. On the weekend I collapsed, boy, did I collapse. Like a skull with legs.” He also played the slot machines, and once delayed a scene because he was collecting his winnings.
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A very rare original country of origin, First Advance UK Quad movie poster for Lee Tamahori’s $ 432 million grossing James Bond Movie where every Bond cliche was done to excess & then some, “invisible” Aston Martin ??. In exceptional rolled condition this looks fantastic. Featuring the design talents of B.Newhart, M.Crawford, A.Goldschmidt & T.Keller. Great cool image of Bond’s smoking gun ! The high gloss finish only adds to what is a stunning poster.
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“Events don’t get any bigger than…BOND…JAMES BOND”…A very nice Diane Reynolds-Nash designed US / International One Sheet movie poster for Pierce Brosnan’s final outing as 007. Lee Tamahori’s take on Bond grossed over $432 million at the worldwide box office where every Bond cliche was done to excess & then some, “invisible” Aston Martin ??
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A very rare country of origin, Advance UK Quad for Lee Tamahori’s $ 432 million grossing James Bond Movie where every Bond cliche was done to excess & then some, “invisible” Aston Martin ??
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“Robert McGinnis is an acclaimed American illustrator whose elegant, dynamic artwork helped define the visual culture of post-war popular entertainment. Renowned for his sophisticated figure work and glamorous compositions, he created imagery for numerous paperback covers, magazines and major film campaigns. McGinnis is particularly celebrated for his James Bond posters. His distinctive combination of romance, danger and cinematic style has made him one of the most recognisable and collectable illustrators of the twentieth century.”
The unmistakable glamour and danger of James Bond are brought together in Fit to Kill, a limited-edition print by legendary American illustrator Robert McGinnis. Measuring approximately 23.5 × 17 inches, the artwork depicts a Sean Connery-era Bond reclining with his pistol while receiving the attentions of a glamorous companion. The richly textured red background creates a characteristically stylish combination of sophistication, sensuality and concealed menace.
McGinnis helped define the visual identity of 1960s and 1970s Bond through his celebrated artwork for films including Thunderball,You Only Live Twice, On Her Majesty’s Secret Service and Diamonds Are Forever. His elegant figures, assured draughtsmanship and dynamic compositions remain inseparable from the golden age of illustrated cinema advertising.
Published as part of the Robert McGinnis Hollywood Edition, this example is personally signed by the artist and hand-numbered #17 from a limited edition of 500 and is accompanied by its Robert McGinnis Hollywood Edition Certificate of Authenticity. With tremendous visual impact and distinguished Bond provenance, it makes a superb display piece for collectors of 007, Robert McGinnis and classic cinematic illustration.
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“To those unlucky few who missed “DR. NO”…You are unprepared for the sophisticated mayhem and the polished lovemaking. The James Bond bug has not bitten you. But take heart! There is still time to jump on the Bond bandwagon with the second James Bond adventure…FROM RUSSIA WITH LOVE. See it and we guarantee – you will be hooked for good !”
One for the true Bond collectors and my personal favourite Connery Bond movie. An original Swiss one-sheet for 007’s second screen outing “From Russia With Love”. This photo montage style features striking mixture of key scenes and characters. I particularly like the large 007 logo with Connery silhouette which runs across the bottom. The design is exclusive to the 1970s Swiss re-release and not found anywhere else. Presented in excellent unrestored folded (as issued) condition this presents superbly with minimal handling wear and represents a fantastic piece of collectable James Bond cinematic memorabilia from the Sean Connery era.
Trivia: Although he had his reservations about the choice of Sir Sean Connery for the part of James Bond, after seeing him in this movie, Ian Fleming was completely won over by the actor. In fact, as a result, Fleming added a Scottish ancestry to Bond’s character in later novels.
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“To those unlucky few who missed “DR. NO”…You are unprepared for the sophisticated mayhem and the polished lovemaking. The James Bond bug has not bitten you. But take heart! There is still time to jump on the Bond bandwagon with the second James Bond adventure…FROM RUSSIA WITH LOVE. See it and we guarantee – you will be hooked for good !”
One for the true Bond collectors and those who appreciate movie posters as an art form. This is one of the most visually stunning poster designs created for a Bond movie, for the French release of “From Russia With Love” (Bons Baisers de Russie) by artist Boris Grinsson. This same imagery was chosen for the front cover of the book ‘The Official 007 Collection James Bond Movie Posters’, which features an exclusive selection of 007 film posters from the collection of Eon Productions. Although a re-release the only difference in artwork to the original 1964 release is additional printer information along the bottom right edge and it is also worth noting that France was the only major country to screen “From Russia With Love” in the 1980s, with no releases in the United States or Britain. In Sean Connery’s second outing as Bond, he willingly falls into an assassination plot involving a naive Russian beauty in order to retrieve a Soviet encryption device that was stolen by SPECTRE. “From Russia With Love” remains on of the very best of the James Bond franchise. This is quintessential James Bond with Grinsson paying homage to Eric Pulford’s now famous Connery, Bond pose – used on every marketing campaign since. Connery (as Bond) is surrounded by key characters from the movie including a beautiful illustration of actress Daniela Bianchi (Tatiana Romanova) with Robert Shaw (Red Grant) as the SPECTRE hardman lurking in the background – the exotic city of Istanbul acts as the perfect backdrop. This early re-release from the 1980s is presented conservation linen backed and appears rolled, with minimal restoration it presents to excellent effect and looks magnificent, with vibrant bright unfaded colours. It doesn’t get much better than this, an eye-catching piece of James Bond memorabilia.
Trivia: Although he had his reservations about the choice of Sir Sean Connery for the part of James Bond, after seeing him in this movie, Ian Fleming was completely won over by the actor. In fact, as a result, Fleming added a Scottish ancestry to Bond’s character in later novels.
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At the time of its release in 1979 this “Star Wars” inspired Bond movie was the largest grossing 007 movie to date. Beautiful detailed Daniel Goozee artwork was the highlight of the “Moonraker” campaign and this original 1979 US Half Sheet film poster really does look spectacular. Featuring a suave Roger Moore in a shiny silver space suit, this is the only time on any official Bond poster campaign Moore was depicted wearing anything other than a black tuxedo. Presented flat and unfolded (as issued) in high grade condition this unrestored example is perfectly suited to the landscape style for which it was designed, with the light background and white border adding a crisp clean finish to the imagery and the perfect enhancement to the silver detailing in the artwork – colours are vibrant and unfaded. Hugely desirable and very collectable, it would be a worthy addition to any collection of James Bond movie memorabilia and is an impressive 007 film poster from the Roger Moore run in the series.
Trivia: Producer Albert R. Broccoli complained that Maurice Binder‘s title sequence cost more than the entire budget of Dr. No (1962).
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A magnificent country of origin UK quad film poster for Lewis Gilbert’s 1977 James Bond extravaganza…“The Spy Who Loved Me”…Cubby Broccoli wanted this to be “BIGGEST Bond of All” and it certainly lived up to the billing, from the massive purpose built 007 soundstage at Pinewood (still very much in use today) to the marketing campaign which was the first time to feature the talents of movie poster legend Bob Peak. His colourful, detailed imagery followed an art-nouveau style in a futuristic setting and very much set the film’s tone. This excellent unrestored originally folded (as issued) example is the much scarcer Seiko Digital Quartz Watch style that presents and displays superbly and represents an excellent piece of very collectable James Bond movie memorabilia.
Trivia: This movie introduced to the world a spy sea scooter known as a “wetbike” (better known now as a jet ski), sparking a new water-activity industry. This gadget was commonly referred to as the “motorbike that rides on water.”
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A magnificent alternative movie poster for Lewis Gilbert’s 1977 James Bond extravaganza…“The Spy Who Loved Me”…Cubby Broccoli wanted this to be “BIGGEST Bond of All” and it certainly lived up to the billing, utilising the massive purpose built 007 soundstage at Pinewood Studios, still very much in use today. The action-packed artwork by artist Alfons Kiefer features all the classic imagery you’d expect to see in a Bond film, 007 (Roger Moore) dressed in a tuxedo, exotic location, gadgets, psychotic villains and beautiful, glamorous women – Barbara Bach who played the Russian super spy Anya Amasova (Agent XXX) and Caroline Munro (the helicopter pilot Naomi). This thirteen-colour screenprint is presented on Fedrigoni Materica Gesso paper and is hand-numbered #52/85. This amazing limited edition art print represents a fine piece of very collectable James Bond movie memorabilia.
Trivia: The closing credits say, “James Bond will return in For Your Eyes Only (1981)” but, because of the successes of Star Wars: Episode IV – A New Hope (1977) and Close Encounters of the Third Kind (1977), the space set Moonraker (1979) was chosen.
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“Bond drives an Aston…naturally”
In 1965, Aston Martin released this tie-in advertisement poster featuring Bond’s DB5 in their dealer showrooms to promote their association with the James Bond franchise and the latest release “Thunderball”, at the time the highest grossing film series on record. Original, 1965 are extremely scarce and in some cases prohibitively expensive, but in 1999 Bond Producer’s EON authorised a limited edition licenced print run of only 400 posters. They were printed to approximately the same size as the originals (British double crown size – 20″ x 30″) and are identifiable by the unique limited edition hand written number on each one – in this case 384/400. Presented rolled in excellent condition this is hugely desirable and very collectable and would be a worthy addition to any collection of James Bond movie memorabilia and is a truly impressive 007 poster.
Trivia: On October 27, 2010, the Aston Martin DB5 used in this movie and Goldfinger (1964) was sold, fully “loaded”, to American classic car collector Harry Yeaggy for a reported $4 million by London’s RM Auctions. The car had only one previous private owner, an American radio station owner named Jerry Lee, who purchased the car directly from the Aston Martin factory in 1969 for $12,000. Lee had kept the car at his Pennsylvania house for over forty years.
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“Bond drives an Aston…naturally”
“Thunderball” sees 007’s fourth screen outing as the action moves to the exotic Bahamas as the agent with a licence to kill tackles S.P.E.C.T.R.E’s Emilio Largo who is holding the world to ransom with two stolen nuclear warheads. This photo montage style Swiss one-sheet features striking mixture of key scenes and characters. I particularly like the large 007 logo with Connery silhouette which runs across the bottom. The design is exclusive to the 1970s Swiss re-release and not found anywhere else. Presented in excellent unrestored folded (as issued) condition this presents superbly with minimal handling wear and represents a fantastic piece of collectable James Bond cinematic memorabilia from the Sean Connery era.
Trivia: On October 27, 2010, the Aston Martin DB5 used in this movie and Goldfinger (1964) was sold, fully “loaded”, to American classic car collector Harry Yeaggy for a reported $4 million by London’s RM Auctions. The car had only one previous private owner, an American radio station owner named Jerry Lee, who purchased the car directly from the Aston Martin factory in 1969 for $12,000. Lee had kept the car at his Pennsylvania house for over forty years.
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