Mary Shelley

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  Curse of Frankenstein

  £195.00

  “PLEASE TRY NOT TO FAINT. Not recommended for people of nervous disposition.”

  One of the best re-release posters you will see for a Hammer presentation for one of the most important films, Hammer made. Offered here is a beautiful British quad for the restored 4K 2025 re-release for “The Curse of Frankenstein”. Artist Greg Staples has excelled, himself and (in my opinion) produced the best artwork of his distinguished career – it really is exceptional with the photograph not doing it justice. A film poster with outstanding detailed artwork and use of colour; the green used on the title is particularly lurid, with incredible realistic likenesses of Lee, Cushing and the strong supporting cast. Released by Hammer for a very limited cinematic run that coincided with a newly remastered Blu Ray, this UK quad is from the cinema release and not one of the 200 limited release examples offered on Hammer’s website. It presents to excellent effect and is a must have Hammer Horror collectable.

  Trivia: Christopher Lee and Peter Cushing‘s friendship was sparked when Lee stormed into Cushing’s dressing room, complaining that “I’ve got no lines!” Cushing kindly responded, “You’re lucky. I’ve read the script.”

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  Frankenstein

  £195.00

  “Look! It’s moving. It’s alive. It’s alive… It’s alive, it’s moving, it’s alive, it’s alive, it’s alive, it’s alive, IT’S ALIVE!”

  Artist Matthew Peak is no stranger to horror icons as it was his Freddy Krueger artwork that adorned the first Nightmare on Elm Street (1984) US One-Sheet and has now has created an award-winning “Frankenstein Monster” print for the 2018 exhibition Mondo Presents “Universal Studio Monsters”. This limited-edition example has been hand-numbered #6 from a print run of 325. In 2018, the leading and most respected alternative movie poster forum expressobeans.com made this print their “Cinema Poster of the Year”. Incredibly rare and highly collectible, an excellent example of modern cinematic movie memorabilia.

  Trivia: Boris Karloff‘s Monster in this film does not physically resemble the character in Mary Shelley‘s novel. It was make-up artist Jack P. Pierce who came up with innovations such as the Monster’s flat head, the bolts through the neck, the droopy eyelids, and the poorly-fitted suit. Any future Frankenstein film that features any of these physical abnormalities is taking its inspiration from Pierce’s make-up work.

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  Frankenstein

  £495.00

  “Look! It’s moving. It’s alive. It’s alive… It’s alive, it’s moving, it’s alive, it’s alive, it’s alive, it’s alive, IT’S ALIVE!”

  Issued by Nakatomi Inc in 2013 as a series of high-quality silk-screen prints scanned directly from Berni Wrightson’s original pen and ink drawings used in the 25th-anniversary edition of his ‘Frankenstein’ book. This amazingly detailed and intricate illustration, titled ‘A Filthy Process’ shows Frankenstein working to bring his ‘creature’ to life in his laboratory. Printed onto 130lb Cougar Natural Cover paper, this print has been signed with a full ‘Bernie Wrightson’ signature and hand-numbered #45/100. Presented in excellent condition with minimal handling wear this incredibly rare and highly collectible screen print, is an excellent example of modern cinematic movie memorabilia. Note: A page of Wrightson’s original Frankenstein art for the comics adaptation (same series as this) sold at auction in 2019 for a world record price of $1.2 million.

  About Bernie Wrightson: Bernard Albert Wrightson was an American artist, among his career high points were co-creating the Swamp Thing character for DC Comics, his unique illustrated interpretation of the novel Frankenstein and adapting classic horror tales for Warren Publications, which feature his trademark intricate pen and brushwork.

  Trivia: Boris Karloff‘s Monster in this film does not physically resemble the character in Mary Shelley‘s novel. It was make-up artist Jack P. Pierce who came up with innovations such as the Monster’s flat head, the bolts through the neck, the droopy eyelids, and the poorly-fitted suit. Any future Frankenstein film that features any of these physical abnormalities is taking its inspiration from Pierce’s make-up work.

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