lenticular

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  Batman: The Dark Knight

  £195.00

  “Welcome to a world without rules !”

  Designed by Hive Associates this is a special 3D lenticular poster for Christopher Nolan’s blockbuster superhero movie “Batman: The Dark Knight” and (for the one & only time) Heath Ledger’s show stopping turn as ‘The Joker’. This promotional poster was issued as a gift to VIP attendees and at early press screenings for Nolan’s incredibly successful sequel to Batman Begins. Depending on the viewing angle, you can see either Batman (Christian Bale), Joker (Heath Ledger) or Two-Face (Aaron Eckhart). Presented in dark blue, grey and black tones this is a great looking piece with the gritty dark colours perfectly suiting the subject matter.  Originally flat (as issued) this stunning film poster presents and displays to excellent effect and represents a truly desirable piece of original Batman movie memorabilia from a trilogy that has become one of the most collectable and popular modern movie franchises.

  Trivia: The Joker’s mask during the initial bank robbery is almost exactly the same as the mask worn by Cesar Romero when hijacking a performance of Pagliacci in the original Batman (1966) television series.

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  Star Wars: Episode IV – A New Hope

  £295.00

  “Any attack made by the Rebels against this station would be a useless gesture, no matter what technical data they have obtained. This station is now the ultimate power in the universe!”

  An officially licensed, sold out “Star Wars: Episode IV – A New Hope” alternative movie poster released in 2022 through Bottleneck Gallery in conjunction with Acme Archives and a part of Bottleneck Gallery’s 10-Year Anniversary and Party. Titled “Trench Run”, artist Jason Raish created an exciting print featuring the iconic X-Wing fighter battling the equally iconic TIE fighters in the climatic Death Star trench chase sequence. Using to glow in the dark, fluorescent inks, the neon green lasers are particularly striking. This edition is hand-numbered #251/350. Scarce and highly sought after, Raish’s imagery is already firmly established as a fans favourite, and this fantastic, visually exciting art print represents a fine addition for any collector of  movie posters or Star Wars fan memorabilia.

  Trivia: The word “Jedi” is derived from the Japanese words “Jidai Geki,” which translate as “period adventure drama.” A period adventure drama is a Japanese television soap opera program set in the samurai days. George Lucas mentioned in an interview that he saw a “Jidai Geki” program on television while in Japan a year or so before the movie was made, and he liked the word.

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  Star Wars: Episode V – The Empire Strikes Back 40th Anniversary

  £395.00

  “The Star Wars saga continues”…

  For the 40th Anniversary 2020 re-release of the George Lucas sci fi classic sequel “Star Wars: The Empire Strikes Back” Lucasfilm issued this amazing one-sheet featuring the artwork of Matt Ferguson, the hugely successful artist responsible for some of the most memorable recent Marvel cinematic releases. This ‘updated’ style features  some of the best imagery from this instalment from the original trilogy with some fantastic key scene renditions and like many of the 1980 posters a dominant Darth Vader and the iconic Imperial Walkers. This eye-catching and desirable design was given a limited edition lenticular makeover in 2020 by Bottleneck Gallery and sold in 1 mm and 4mm editions. The poster offered here is printed on 1mm PET (Polyethylene Terephthalate) and mounted on high-density paper backing, numbered #200/300. Lenticular printing is a technology in which lenticular lenses (a technology used for 3D displays) are used to produce printed images with an illusion of depth or the ability to change or move as the image is viewed from different angles. Truly scarce and highly sought after, Ferguson’s imagery is already firmly established as a fans favourite, and this impressive item represents a fine addition for any collector of original movie posters or Star Wars fan memorabilia.

  Trivia: In order to avoid sharing creative rights, George Lucas decided to avoid using a major studio to finance this movie. Instead, he bankrolled the $18 million production himself, using a combination of his profits from Star Wars: Episode IV – A New Hope (1977) and a bank loan. Although the move was risky, it paid off several times over. Lucas recovered his investment within three months of the movie’s release.

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