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Timothy Dalton’s second outing as 007 was a truly gritty tale of revenge and action with a great white shark being an unusual instrument of torture for one scene. Keith Hamshere (who made Dalton the ‘perfect’ Bond in The Living Daylights campaign ) was again retained as the Bond photographer on this 1989 country of origin British UK quad for “Licence to Kill” featuring a moody Timothy Dalton in close up. Genuinely scarce this rolled (as issued) example looks superb and is presented totally unrestored in high grade condition and represents a worthy addition for any poster collector or any collection of James Bond cinematic movie memorabilia.
Trivia: It is widely and incorrectly rumored that this was Timothy Dalton‘s last James Bond film due it being financially disappointing. In reality, Dalton was to star in a third James Bond film after this one, titled “Property of a Lady”, written by Michael G. Wilson and Alfonse Ruggiero Jr. and set to start shooting in 1990, with pre-production work having begun in May of that year. However legal issues with MGM beginning that year created long delays which eventually led Dalton to announce his retirement from the role in 1994, a year after his initial contract expired, paving the way for Pierce Brosnan‘s casting in GoldenEye (1995). Had the film been made, it would have been set in Scotland, Tokyo, and Hong Kong, and would have involved nanotechnology.
…more detail“It started in May in a small town and every month after that whenever the moon is full… It came back.”
An original, rolled 1985 US One Sheet movie poster for Stephen King’s werewolf horror romp “Silver Bullet”. The movie is just pure fun, one of those horror movies that relies on atmospheric tension and frightening monsters. The werewolf is pretty scary in this adaptation of Stephen King’s novella, “Cycle of the Werewolf”. 1980s teen star Corey Haim is just fine as a wheelchair-bound young boy who discovers there’s a werewolf in their midst—the townsfolk think the murders are the work of a psycho killer, but Corey and his sister Megan Follows convince Uncle Red (a cool Gary Busey) and they set off to find the identity of the werewolf. Everett McGill is fine as the creepy minister, and the whole movie works because it doesn’t take itself too seriously and it recognises that. Truly one of the better treatments of a King work and a fantastic example of high grade cinematic movie memorabilia.
Trivia: Tarker’s Mills, where the action takes place, is a fictional town within the Stephen King universe. It borders locations of other King’s works also adapted to film, such as Chester’s Mill (Under the Dome (2013)), Derry (It (1990)) and Castle Rock (Needful Things (1993), Cujo (1983) and Pet Sematary (1989)), among others.
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