alfons kiefer

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  Blade Runner 2049

  £275.00

  “Many older model replicants – Nexus 8s with open-ended lifespans – survived. They are hunted down and ‘retired’…Those that hunt them still go by the name… Blade Runner.”

  Adapted from Philip K. Dick’s novel ‘Do Androids Dream of Electric Sheep?’, Ridley Scott’s “Blade Runner” iconic dystopian classic is unquestionably one of the greatest sci-fi films ever made. So, it was no surprise a sequel was made, what was surprising was the follow-up never happened until 2017, thirty-five years after the original was released. Still, it’s fair to say the wait was worth it – “Blade Runner 2049” sees Harrison Ford reprise his role as Rick Deckard and a new Blade Runner is introduced, ‘K’ played by Ryan Gosling. And it’s Ryan Gosling’s ‘K’ who takes centre stage on this outstanding, 2025 limited edition screen print by Alfons Kiefer. It’s a visually beautiful movie perfectly orchestrated by director, Denis Villeneuve and the visual impact is certainly evident here with this hand-numbered #78/85 private commission. Printed on Fedrigoni Old Mill Stucco Premium White art paper using eleven (11) coloured inks and finished with a fluorescent UV Layer  it looks absolutely stunning and it’s no surprise this sold out immediately when released. Rolled (as issued) this alternative movie poster displays and presents to excellent effect and represents an impressive piece of cinematic movie memorabilia for one of the most influential film series not just of the sci-fi genre but modern culture in general.

  Trivia: The first letter of the names of each of the wooden animals that Rick Deckard carved in this movie: Rhino, Antelope, Cat, Horse, Elephant, Lion, spell “RACHEL”.

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  James Bond: Licence To Kill

  £225.00

  “His bad side is a dangerous place to be.”

  A magnificent private commission alternative movie poster for John Glen’s 1989 James Bond extravaganza…“Licence to Kill”. The action-packed artwork (the second in his Bond series) by artist Alfons Kiefer features all the classic imagery you’d expect to see in a Bond film, Dalton – sans tuxedo, emphasising this Bond is independent and his own man, exotic location, action, psychotic villains – Robert Davi and Benicio Del Toro and beautiful, glamorous women – Carey Lowell and Talisa Soto. This fourteen-colour screenprint is presented on Fedrigoni Materica Gesso paper and is hand-numbered #22/75. This amazing limited edition art print represents a fine piece of very collectable James Bond movie memorabilia.

  Trivia: It is widely and incorrectly rumored that this was Timothy Dalton‘s last James Bond film due it being financially disappointing. In reality, Dalton was to star in a third James Bond film after this one, titled “Property of a Lady”, written by Michael G. Wilson and Alfonse Ruggiero Jr. and set to start shooting in 1990, with pre-production work having begun in May of that year. However legal issues with MGM beginning that year created long delays which eventually led Dalton to announce his retirement from the role in 1994, a year after his initial contract expired, paving the way for Pierce Brosnan‘s casting in GoldenEye (1995). Had the film been made, it would have been set in Scotland, Tokyo, and Hong Kong, and would have involved nanotechnology.

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  James Bond: The Spy Who Loved Me

  £275.00

  “…maybe I misjudged Stromberg. Any man who drinks Dom Perignon ’52 can’t be all bad.”

  A magnificent alternative movie poster for Lewis Gilbert’s 1977 James Bond extravaganza…“The Spy Who Loved Me”…Cubby Broccoli wanted this to be “BIGGEST Bond of All” and it certainly lived up to the billing, utilising the massive purpose built 007 soundstage at Pinewood Studios, still very much in use today. The action-packed artwork by artist Alfons Kiefer features all the classic imagery you’d expect to see in a Bond film, 007 (Roger Moore) dressed in a tuxedo, exotic location, gadgets, psychotic villains and beautiful, glamorous women – Barbara Bach who played the Russian super spy Anya Amasova (Agent XXX) and Caroline Munro (the helicopter pilot Naomi). This thirteen-colour screenprint is presented on Fedrigoni Materica Gesso paper and is hand-numbered #52/85. This amazing limited edition art print represents a fine piece of very collectable James Bond movie memorabilia.

  Trivia: The closing credits say, “James Bond will return in For Your Eyes Only (1981)” but, because of the successes of Star Wars: Episode IV – A New Hope (1977) and Close Encounters of the Third Kind (1977), the space set Moonraker (1979) was chosen.

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