Showing all 10 results
“Being the adventures of a young man whose principal interests are rape, ultra-violence and Beethoven.”
Without doubt “A Clockwork Orange” was the most controversial film of its day, and that’s saying something when you consider it was released alongside “The Exorcist” and “Last Tango in Paris”. Malcolm McDowell’s signature role, and it’s his character Alex DeLarge who features on all eight cards in this complete set of US lobby cards from first year of release, 1972 as he is highlighted in key scenes and in stunning close-up. A rare find as a complete set, with most broken up and the cards sold individually. Totally original and unrestored, the cards are presented in high grade, flat, unfolded (as issued) condition that display and present to excellent effect. A genuinely scarce and hard to find example of cinema memorabilia. The film still remains Kubrick’s most controversial work; quite a feat when one considers the range of topics the filmmaker explored across his remarkable career and represent a superb addition to any collection.
Trivia: The film was unavailable for public viewing in the UK from 1973 until 2000, the year after Stanley Kubrick‘s death. British video stores were so inundated with requests for the movie that some took to putting up signs that read: ‘No, we do not have A Clockwork Orange (1971).’
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“Being the adventures of a young man whose principal interests are rape, ultra-violence and Beethoven.”
Without doubt the most controversial film of its day, and that’s saying something when you consider it was released alongside “The Exorcist” and “Last Tango in Paris”. This original 1972 publicity still from the American release of Stanley Kubrick’s ultra-violent masterpiece “Clockwork Orange” is quite simply an incredible visual image – original stills are notoriously hard to come by with the majority on offer modern reprints. Showing a close up of the Director-Producer the snipe on the reverse carries the correct reference number (SKB-130) and the following – STANLEY KUBRICK, producer-director of “A Clockwork Orange”, a Warner Bros. release. Based on the novel by Anthony Burgess, the film was adapted to the screen by Kubrick.” It still remains his most controversial work; quite a feat when one considers the range of topics the filmmaker explored across his remarkable career. This superb example is presented flat/unfolded (as issued) and displays to excellent effect with only very minimal handling wear. A superb addition to any collection (for display or investment) and an incredibly scarce piece of film and cultural memorabilia.
Trivia: The film was unavailable for public viewing in the UK from 1973 until 2000, the year after Stanley Kubrick‘s death. British video stores were so inundated with requests for the movie that some took to putting up signs that read: ‘No, we do not have A Clockwork Orange (1971).’
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“The Time: Now. The Place: Kings Road, Chelsea. The Killer: Count Dracula !“
Some truly horrific photo montage artwork for “Dracula A.D.1972” makes this Japanese B2 film poster from 1972 (would you believe it ?) one of my personal favourite Hammer posters. It’s more than you can shake stake at with Caroline Munro and Stephanie Beacham certainly putting the glamour into Hammer ! And if that doesn’t appeal totally stealing the action is one of the coolest British cars ever made; the beautiful Triumph Stag and dominating the imagery, a particularly eerie shot of Christopher Lee as the titular Count. In very good condition with only minor handling wear this fantastic folded (as issued) example presents superbly. A lovely example of Hammer Horror memorabilia for one of my personal favourite Dracula films.
Trivia: “Alucard”, Johnny’s last name, is “Dracula” spelled backward.
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“In a future where all flora are extinct on Earth, an astronaut is given orders to destroy the last of Earth’s plant samples, kept in a greenhouse aboard a spacecraft.”
A very COOL poster and a fantastic example of the supremely talented film poster artist George Akimoto – a master at illustrating anything aeronautical, especially space ships. And it’s the amazing painting of the space ship “Valley Forge” together with a wonderful image of Freeman Lowell (Bruce Dern) who is the space ranger who together with Huey (along with Dewey and Louie, one of the three scene stealing drones) lovingly cares for the last of Earth’s plant-life . This original “Silent Running” movie poster has it all; incredible graphics, great detail & amazing colours. It is very rare and one of the scarcest movie posters from the early 1970’s to find. The original UK quad movie poster offered here is from first year of release, 1972 and displays to excellent effect. Originally folded (as issued) it is presented in incredible unrestored condition (most likely unused) and is the best example of this poster I have ever offered for sale. In true investment grade condition, this genuinely rare cult classic represents an extremely desirable and collectable piece of cinematic movie memorabilia.
Trivia: Several shots of the ‘Valley Forge’ and its sister ships were later re-used in the television series “Battlestar Galactica”, as agricultural ships in the refugee fleet.
Watch the Trailer HERE
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An original 1972 Style A. release UK quad film poster for Sam Peckinpah’s “The Getaway” that delivers the three “S’s” – Style, Substance & Steve McQueen highlighting McQueen & McGraw in ‘full-on’ action, Peckinpah style…guns blazing as they attempt their titular getaway …stunning and hard to find, rare British poster featuring country unique graphics and striking, memorable imagery. Totally original and unrestored this folded (as issued) example displays and presents to excellent effect and represents a scarce & sought item of authentic movie memorabilia from a popular Steve McQueen title that is often over looked.
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”That’s a walk-in bank. You don’t have to be Dillinger for this one”
An original 1972 black and white promotional still for Sam Peckinpah’s “The Getaway”, a movie that delivers the three “S’s” – Style, Substance & Steve McQueen. When originally released in 1972 it set the template for gritty, realistic crime thrillers and redefined McQueen’s stylish look for the 1970s. A great looking image as McQueen is featured in full shotgun action, shoot out mode on this eye catching example. Originally flat and folded (as issued) it displays and presents superbly with the movie details printed on the reverse. This is an excellent, original, unrestored example for a rare & sought after Steve McQueen title.
Trivia: Colin Farrell, Kevin Costner, Pierce Brosnan and Bruce Willis have all listed McQueen as their hero and inspiration for being an actor.
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“If by chance an honest man like yourself should make enemies, then they would become my enemies. And then they would fear you.”
Francis Ford Coppola’s multi Oscar winning masterpiece “The Godfather” is THE GREATEST FILM EVER MADE with this limited edition art print by the artist Paul Mann, the best ever poster produced for this crime classic. Mann’s artwork and use of colour is breath taking, and this needs to be seen in person to fully appreciate the quality. Printed onto Platinum Etching Paper with a giclee finish it appears painted. A private commission with a print run of only 150 this has been hand-numbered #23. This example displays to excellent effect and is an outstanding example of an alternative movie poster for a film, that is a phenomenon. An exquisite Mafia epic with outstanding performances, Coppola got everything right, creating a cinematic event with an immeasurable influence on everyday culture and life.
Trivia: The smack that Vito gives Johnny Fontane was not in the script. Marlon Brando improvised the smack and Al Martino‘s confused reaction was real. According to James Caan, “Martino didn’t know whether to laugh or cry.”
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“If by chance an honest man like yourself should make enemies, then they would become my enemies. And then they would fear you.”
Francis Ford Coppola’s multi Oscar winning masterpiece “The Godfather” is THE GREATEST FILM EVER MADE. Re-released in 2022 for its 5oth Anniversary, renowned artist Paul Shipper was commissioned to create a new poster for the event. Shipper’s artwork is superb with an incredible cast montage poster, with as you would expect Brando & Pacino taking centre stage. This British one-sheet displays to excellent effect and is an outstanding movie poster for a film, that is a phenomenon. An exquisite Mafia epic with outstanding performances, Coppola got everything right, creating a cinematic event with an immeasurable influence on everyday culture and life.
Trivia: The smack that Vito gives Johnny Fontane was not in the script. Marlon Brando improvised the smack and Al Martino‘s confused reaction was real. According to James Caan, “Martino didn’t know whether to laugh or cry.”
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“If by chance an honest man like yourself should make enemies, then they would become my enemies. And then they would fear you.”
Francis Ford Coppola’s multi Oscar winning masterpiece “The Godfather” is THE GREATEST FILM EVER MADE with this limited edition alternative movie poster by the artist Jeff Kleinsmith, a truly memorable and eye-catching design for this crime classic. Kleinsmith’s artwork and use of bold colour is very clever with more than a nod to the Eastern European school of poster design. Full of classic Godfather symbolism – the severed horse’s head, oranges from the Don’s garden and a blood splatter that features all of the Corleone Family – subtly stating that the Family has blood in its history. Commissioned for a limited screening at the Alamo Drafthouse theatre in 2009, this fine example has been hand-numbered #253 from a print run of only 285. It displays to excellent effect and is an outstanding example of an alternative movie poster for a film, that is a phenomenon. An exquisite Mafia epic with outstanding performances, Coppola got everything right, creating a cinematic event with an immeasurable influence on everyday culture and life.
Trivia: The smack that Vito gives Johnny Fontane was not in the script. Marlon Brando improvised the smack and Al Martino‘s confused reaction was real. According to James Caan, “Martino didn’t know whether to laugh or cry.”
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“…when Johnny was first starting out, he was signed to a personal services contract with this big-band leader. And as his career got better and better, he wanted to get out of it. But the band leader wouldn’t let him. Now, Johnny is my father’s godson. So my father went to see this bandleader and offered him $10,000 to let Johnny go, but the bandleader said no. So the next day, my father went back, only this time with Luca Brasi. Within an hour, he had a signed release for a certified check of $1000.”
Francis Ford Coppola’s multi Oscar winning masterpiece “The Godfather” is THE GREATEST FILM EVER MADE with this limited edition art print by the artist Paul Mann, one of the best ever poster produced for this crime classic. Mann’s artwork and use of colour is breath taking, and this needs to be seen in person to fully appreciate the quality. Described as the Italian variant it was printed using “Il Padrino” as the title with gold ink detailing against a black background. Printed onto Fotospeed Platinum Etching Paper with a giclee finish it appears painted. A private commission with a print run of only 50 this has been hand-numbered #12. This example displays to excellent effect and is an outstanding example of an alternative movie poster for a film, that is a phenomenon. An exquisite Mafia epic with outstanding performances, Coppola got everything right, creating a cinematic event with an immeasurable influence on everyday culture and life.
Trivia: Marlon Brando wanted to make Don Corleone “look like a bulldog,” so he stuffed his cheeks with cotton wool for the audition. For the actual filming, he wore a mouthpiece made by Dick Smith. This appliance is on display in the American Museum of the Academy Museum of Motion Pictures in Los Angeles in a special Godfather exhibition
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