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“To those unlucky few who missed “DR. NO”…You are unprepared for the sophisticated mayhem and the polished lovemaking. The James Bond bug has not bitten you. But take heart! There is still time to jump on the Bond bandwagon with the second James Bond adventure…FROM RUSSIA WITH LOVE. See it and we guarantee – you will be hooked for good !”
One for the true Bond collectors and those who appreciate movie posters as an art form. An original Italian locandina film poster design for 007’s second screen outing “From Russia With Love”. The artwork of Eric Pulford and Renato Fratini was adapted for this 1970s Italian re-release with Pulford’s now classic Sean Connery, Bond pose showing how well it has aged. Connery (as Bond) is surrounded by key female characters and action scenes from the movie including a beautiful illustration of actress Daniela Bianchi (Tatiana Romanova). With minimal handling wear this unrestored originally folded (as issued) example presents to very good effect and looks quite stunning, with vibrant bright unfaded colours and crisp white paper. It doesn’t get much better than this and represents an eye-catching piece of James Bond memorabilia.
Trivia: Although he had his reservations about the choice of Sir Sean Connery for the part of James Bond, after seeing him in this movie, Ian Fleming was completely won over by the actor. In fact, as a result, Fleming added a Scottish ancestry to Bond’s character in later novels.
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“To those unlucky few who missed “DR. NO”…You are unprepared for the sophisticated mayhem and the polished lovemaking. The James Bond bug has not bitten you. But take heart! There is still time to jump on the Bond bandwagon with the second James Bond adventure…FROM RUSSIA WITH LOVE. See it and we guarantee – you will be hooked for good !”
One for the true Bond collectors and my personal favourite Connery Bond movie. An original Swiss one-sheet for 007’s second screen outing “From Russia With Love”. This photo montage style features striking mixture of key scenes and characters. I particularly like the large 007 logo with Connery silhouette which runs across the bottom. The design is exclusive to the 1970s Swiss re-release and not found anywhere else. Presented in excellent unrestored folded (as issued) condition this presents superbly with minimal handling wear and represents a fantastic piece of collectable James Bond cinematic memorabilia from the Sean Connery era.
Trivia: Although he had his reservations about the choice of Sir Sean Connery for the part of James Bond, after seeing him in this movie, Ian Fleming was completely won over by the actor. In fact, as a result, Fleming added a Scottish ancestry to Bond’s character in later novels.
…more detail
“To those unlucky few who missed “DR. NO”…You are unprepared for the sophisticated mayhem and the polished lovemaking. The James Bond bug has not bitten you. But take heart! There is still time to jump on the Bond bandwagon with the second James Bond adventure…FROM RUSSIA WITH LOVE. See it and we guarantee – you will be hooked for good !”
One for the true Bond collectors and those who appreciate movie posters as an art form. This is one of the most visually stunning poster designs created for a Bond movie, for the French release of “From Russia With Love” (Bons Baisers de Russie) by artist Boris Grinsson. This same imagery was chosen for the front cover of the book ‘The Official 007 Collection James Bond Movie Posters’, which features an exclusive selection of 007 film posters from the collection of Eon Productions. Although a re-release the only difference in artwork to the original 1964 release is additional printer information along the bottom right edge and it is also worth noting that France was the only major country to screen “From Russia With Love” in the 1980s, with no releases in the United States or Britain. In Sean Connery’s second outing as Bond, he willingly falls into an assassination plot involving a naive Russian beauty in order to retrieve a Soviet encryption device that was stolen by SPECTRE. “From Russia With Love” remains on of the very best of the James Bond franchise. This is quintessential James Bond with Grinsson paying homage to Eric Pulford’s now famous Connery, Bond pose – used on every marketing campaign since. Connery (as Bond) is surrounded by key characters from the movie including a beautiful illustration of actress Daniela Bianchi (Tatiana Romanova) with Robert Shaw (Red Grant) as the SPECTRE hardman lurking in the background – the exotic city of Istanbul acts as the perfect backdrop. This early re-release from the 1980s is presented conservation linen backed and appears rolled, with minimal restoration it presents to excellent effect and looks magnificent, with vibrant bright unfaded colours. It doesn’t get much better than this, an eye-catching piece of James Bond memorabilia.
Trivia: Although he had his reservations about the choice of Sir Sean Connery for the part of James Bond, after seeing him in this movie, Ian Fleming was completely won over by the actor. In fact, as a result, Fleming added a Scottish ancestry to Bond’s character in later novels.
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“From a barbed-wire camp to a barbed-wire country, they made…THE GREAT ESCAPE !”
A very rare find, these original release theatrical posters just don’t turn up and are incredibly scarce. One of the biggest films of all times certainly deserves a big poster and this original 1963 US Three-Sheet movie poster for John Sturges’ wartime adventure “The Great Escape” certainly impresses. Frank McCarthy’s ‘countdown’ artwork looks superb featuring Bartlett “Big X” (Richard Attenbrough), Hendley-“The Scrounger” (James Garner) and of course heading the group Hilts-“Cooler King” (Steve McQueen). The large format makes for a truly stunning piece that presents very well and represents a superb example of very rare collectable film memorabilia from one of the greatest film’s ever made and featuring a character and final scene that has become synonymous with screen legend Steve McQueen and is regarded as a much loved classic and one of McQueen’s signature roles.
Trivia: During the climactic motorcycle chase, director John Sturges allowed Steve McQueen to ride (in disguise) as one of the pursuing German soldiers, so that in the final sequence, through the magic of editing, he’s actually chasing himself. McQueen played the German motorcyclist who hits the wire.
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“From a barbed-wire camp to a barbed-wire country, they made…THE GREAT ESCAPE !”
A very rare find, these two-panel Japanese posters just don’t turn up and are incredibly scarce. One of the biggest films of all times certainly deserves a striking poster and this original 1970 STB/Tatekan movie poster for John Sturges’ wartime adventure “The Great Escape” certainly impresses. Frank McCarthy’s ‘countdown’ artwork looks superb featuring Bartlett “Big X” (Richard Attenbrough), Hendley-“The Scrounger” (James Garner) and of course heading the group Hilts-“Cooler King” (Steve McQueen) and has been updated to include a photo montage of the cast and more importantly – McQueen attempting his motorbike jump escape. Although the most memorable scene from the film it doesn’t feature on any of the original 1963 paper and only on a handful or later release posters. The format makes for a truly stunning piece that presents very well and represents a superb example of very rare collectable film memorabilia from one of the greatest film’s ever made and featuring a character and final scene that has become synonymous with screen legend Steve McQueen and is regarded as a much loved classic and one of McQueen’s signature roles.
Trivia: During the climactic motorcycle chase, director John Sturges allowed Steve McQueen to ride (in disguise) as one of the pursuing German soldiers, so that in the final sequence, through the magic of editing, he’s actually chasing himself. McQueen played the German motorcyclist who hits the wire.
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“From a barbed-wire camp to a barbed-wire country, they made…THE GREAT ESCAPE !”
A very rare find, an original 2022 alternative movie poster by Steve Chorney for John Sturges’ wartime adventure “The Great Escape”. One of the biggest films of all times certainly deserves a striking poster and Chorney’s limited edition offering certainly impresses. As a homage to posters of the 60s and 70s the great ensemble cast have their headshots in a row towards the bottom of the design, Hendley -“The Scrounger” (James Garner), Danny – “The Tunnel King” (Charles Bronson), Danny – “The Tunnel King” (Charles Bronson), Ashley-Pitt “Dispersal” (David McCallum), Blythe – The Forger” (Donald Pleasence), Bartlett “Big X” (Richard Attenbrough), Sedgwick “Manufacturer” (James Coburn) and of course dominating the imagery Hilts-“Cooler King” (Steve McQueen), not just an incredible headshot, but McQueen in action (from the finale of the movie) attempting his legendary motorbike jump escape. Although the most memorable scene from the film it doesn’t feature on any of the original 1963 paper and only on a handful or later release posters, making this artwork, super desirable. A nice touch is the inclusion of Hannes Messemer who played the Kamp Kommandant Von Luger. Released as a limited edition, hand-numbered (#88/90) fine art print, the giclee finish gives a freshly painted effect. The portrait format makes for a truly stunning piece that presents to excellent effect and represents a superb example of very rare collectable film memorabilia from one of the greatest film’s ever made and featuring a character and final scene that has become synonymous with screen legend Steve McQueen and is regarded as a much loved classic and one of McQueen’s signature roles.
Trivia: During the climactic motorcycle chase, director John Sturges allowed Steve McQueen to ride (in disguise) as one of the pursuing German soldiers, so that in the final sequence, through the magic of editing, he’s actually chasing himself. McQueen played the German motorcyclist who hits the wire.
What is Giclee ?
Derived from the French term gicler – meaning ‘to squirt or spray’, the term describes a printing process whereby microscopic dots of pigment-based ink are sprayed onto archival-quality paper to ensure the fidelity of a limited edition print to an original artwork.
The richness, accuracy and depth of colour is thanks to the method’s potential to achieve a huge colour gamut (the spectrum of colours distinguishable by the human eye). Unlike the four tones used in lithography, giclées often use five: light cyan, cyan, light magenta, yellow and black.
Fantastic for reproductions which require maximum detail, giclées are most commonly found on watercolour paper or canvas, but can also be created on glass. Different types of paper will produce different effects. Matte paper works well behind glass due its lack of reflectivity, whilst the shine of a glossy finish can give an artwork a brighter appearance.
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