Film
Where The Wild Things Are
2009
UK Quad / Double Sided (30" x 40")
UK
Near Mint / Mint; originally rolled
Spike Jonze
Joshua Jay, Madeleine Greaves, Mark Ruffalo, Max Pfeifer, Max Records, Pepita Emmerichs, Ryan Corr
“There’s One In All Of Us”
One of my favourite advertising campaigns of 2009 was the series of posters that accompanied Spike Jonze’s adaption of Maurice Sendak’s Children’s fantasy story “Where The Wild Things Are”. With artwork & design by Mojo this original UK quad film poster is the Advance “Coming Soon” Teaser style. Originally rolled this displays superbly with truly stunning ‘monster’ imagery.
Trivia: The creatures are being portrayed by actors in six- to eight-foot tall costumes with some additional animatronics and computer-generated faces. The costumes were created by The Jim Henson Company, who is responsible for the Muppets and the creatures from Labyrinth (1986) and The Dark Crystal.
…more detail
Vintage Movie Posters Grading Criteria... read more +
“A young boy named Max has an active imagination, and he will throw fits if others don’t go along with what he wants. Max – following an incident with Claire (his sister) and her friends, and following a tantrum which he throws as a result of his Mother paying more attention to her boyfriend than to him – runs away from home. Wearing his wolf costume at the time, Max not only runs away physically, but runs toward a world in his imagination. This world, an ocean away, is inhabited by large wild beasts, including one named Carol who is much like Max himself in temperament. Instead of eating Max like they normally would with creatures of his type, the wild things befriend Max after he proclaims himself a king who can magically solve all their problems.”
A beautiful, audacious, roughly-hewn motion picture (adjectives that are no doubt overused in describing the picture’s modus operandi), Spike Jonze‘s adaptation Maurice Sendak‘s adored children’s book “Where the Wild Things Are“ taps into the innocent, volatile world of a 9 year old boy the way few mainstream feature films have. It is original, unique, melancholy, and because of this several mainstream critics (and even lucid critics like Salon’s Stephanie Zacharek) have derided the film. “There’s no story”; “kids won’t like it”; “it’s an adult film about children, not a children’s film”; “it’s boring”; “the pacing is slow”…
What ? Why did it become such a crime to make an abstract art film within the spineless confines of the Hollywood system? Doesn’t Spike Jonze get credit for personalizing, therefore, retaining a substantial amount of voracity while delving into one of the most revered children’s books of the last fifty years? What the hell is wrong with that? I understand that some people just don’t respond to the abstract, pseudo-verisimilitude of pretentious art films, but there’s a stripped-down purity to this picture that cannot be denied. It’s not pretentious, but emotional and honest.
Trade Address:
Vintage Movie Posters (UK) Limited
The Malthouse
The Broadway
Old Amersham
HP7 0HL
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Registered Office Address: Vintage Movie Posters (UK) Limited, Aston House, Cornwall Avenue, London N3 1LF GB
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Mint
A poster that has never been used or displayed and may show the most minor signs of age and wear. The poster should have no holes or tears.
Near Mint
A generally unused poster with fresh, saturated colors. May have minimal tears at folds. Has no significant holes, no paper loss, may have minor tears along edges, may have fine pin holes.
Very Fine
A poster with bright colour and crisp overall appearance. It may have very general signs of use including slight fold separation and fold wear. It may have pin holes or very minor tears. This is the highest grade allowed for a poster that has been restored either on linen or on paper.
Fine
A poster with good colors and overall clean appearance. It may have minor tears small paper loss and minor stains. It may have some fold seperation.
Good
An average poster with overall fresh color. May have tears, minor paper loss, minor hazing. Paper may be brittle due to age, may have minor stains. May have a small amount of writing in an unobtrusive place. May have medium or major restoration.
Fair
A poster with faded colors and brittle paper, showing significant signs of use. May have tears and paper loss. May have tape, writing, stains in image area. In need of restoration or had major restoration.
Poor
A poster that is worn, torn, and/or damaged. May have staining, cracking, dry rot, and/or large tears. May be heavily soiled, may have pieces missing. In need of major restoration.
All photographs and images used on our site are photographs of the actual poster/item you are buying, we do not use stock photographs.
LOBBY CARD
11 x 14″ printed on heavy stock paper. Used as display in theatre lobbies. Originally made in sets of eight. Some sets have a title card, which contains credits and artwork, essentially a mini-poster. The remaining seven cards are coloured photographic credits and poster artwork showing different scenes from the movie.
WINDOW CARD
14 x 22″ printed on heavy stock paper with the top 4-6 inches usually left blank for the local cinema owner to fill in the cinema and the date it was due to play. Largely discontinued during the 1970’s.
HALF SHEET
22 x 28″ printed on heavy stock paper. The image displayed is normally a smaller version of the main poster, although some do have different artworks and sometimes come in two versions.
INSERT
14 x 36″ printed on heavy stock paper. Inserts usually have the same artwork as a one sheet. Popular with collectors since they are smaller and easier to frame. Normally come tri folded or rolled.
STYLE Y/FORTY BY SIXTY
40 x 60″ printed on heavy stock paper. Rare since they were primarily used for major motion pictures only. Designed to be used outside the theatre, on an easel, normally at a drive-in movie theatre.
ONE-SHEET
27 x 41″ printed on paper. This is the most common size of poster, intended to be displayed in a glass “marquee” case. It is the most sought after size by collectors. Since the 1980’s most posters are sent to the theatre rolled and maybe slightly smaller measuring 27″ by 40″ and with the advent of backlit light boxes a growing number of modern movie posters are available double-sided and the more traditional single-sided.
THREE-SHEET
41 x 81″ printed on paper. These were printed on two or three separate sheets designed to overlap, few survive. Used for larger advertising spaces, normally posted on walls, perfect for huge movie theatres the drive-in, where people could see them from a distance. From the 1970’s on, three-sheets were sometimes printed in one piece and issued as “international” versions to be used abroad.
BRITISH QUAD
30 x 40″ Most common poster size used in the UK. British Quads are horizontal and may have different artwork to the US one sheet. Like a US one sheet they normally come in two versions. Like a US one sheet they are usually supplied single-sided or more commonly now as a double sided poster.
BRITISH ONE-SHEET
27 X 40″, printed on paper. Very rarely used size.
ITALIAN LOCANDINA
13 x 28″ six inches shorter than the US insert, very nice size to frame. Italian poster illustrators are some of the best in the industry.
ITALIAN PHOTOBUSTA
18 x 26″ Glossy, high quality, used as lobby cards in Italy. Size may vary, either vertical or horizontal format. There are also double Photobusta or mini Photobusta.
2-FOGLIO (DUE)
(DUE): 39 x 55″ This is the standard poster size used in Italy. Italian poster illustrators are some of the best in the industry.
4-FOGLIO
(QUATTRO) 55 x 79″ Very large Italian poster printed in two pieces, often contains very beautiful artwork.
FRENCH
47 x 63″ (GRANDE) or 24 x 33″ (PETITE) French movie posters normally come with different artwork to either the US or the UK. Like the Italian’s some of the artwork is extrememly beautiful.
