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The Graduate

£125.00

Film

The Graduate

Additional information

Year

2017

Size/Type

UK Quad (30" x 40") Double Sided

Country of Origin

UK / British

Condition

Near mint minus; originally rolled (as issued)

Director

Mike Nichols

Actor/Actress

Anne Bancroft, Dustin Hoffman, Katharine Ross, Murray Hamilton

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“This is Benjamin. He’s a little worried about his future.”

For the 2017 50th Anniversary release of Mike Nichols’ remastered classic “The Graduate”, artist Rory Kurtz has created one of the most outstanding film posters of recent memory; a true cinematic masterpiece featuring Benjamin (Dustin Hoffman) with a cougar (you don’t have to be Einstein to ‘get’ the symbolic imagery). The original film was incredibly popular and re-released on a number of occasions over the years but this standout UK quad poster from 2017 features country unique, British imagery and with this pristine example you would be hard pressed to find a better looking poster. Having a very limited release these posters are incredibly rare. Totally original and unrestored this rolled (as issued) poster presents and displays to exceptional effect and represents a superb example of genuinely scarce modern film memorabilia featuring one of Hollywood’s greatest romantic comedy’s…classic and very COOL!

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Trivia: In the famous promotional still and original poster for this film, Dustin Hoffman is seen in the background framed by Mrs. Robinson’s shapely leg. The leg in that photo didn’t belong to Anne Bancroft, however; it belonged to a then-unknown model, Linda Gray, who later played Mrs. Robinson in a London stage musical of The Graduate & Sue Ellen Ewing in the TV show Dallas.

 

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Vintage Movie Posters Grading Criteria... read more +

Film Description

The Graduate Movie Poster

“Ben has recently graduated from college, with his parents now expecting great things from him. At his “Homecoming” party, Mrs. Robinson, the wife of his father’s business partner, has Ben drive her home, which leads to an affair between the two. The affair eventually ends, but comes back to haunt him when he finds himself falling for Elaine, Mrs. Robinson’s daughter.”

“This is Benjamin. He’s a little worried about his future.” I’m not sure why evil, decadent Mrs. Robinson sets her sights on dazed and shy college grad Benjamin Braddock, son of the middle-aged couple she and her husband socialize with; it’s never really explained, and neither is Benjamin’s sexual past (it’s hinted that he’s a virgin when they end up in a hotel room together). It’s also not explained why Mrs. Robinson definitely does not want Benjamin to get to know her daughter (she’s angrily adamant about it, even willing to expose her own affair to prevent the two kids from going out for a drive!). Despite the gaps in the narrative and the lapses in logic (and taste, some might say), The Graduate is still a landmark film, crystallizing the helplessness of the ’60s. Surprisingly, the ultimate theme of the movie is love–an impulsive, rebellious kind of love, but still the rather old-fashioned notion of love conquering all. And yet this brings up another question: is Benjamin really in love with sweet college girl Elaine or is she just a conquest? Or maybe the best thorn he can stick in Mrs. Robinson’s side? Benjmain is told he cannot see her, he cannot have her, and that surely fuels his desire to marry her. The film presents love as the answer, but then (with an amusing, sobering final shot) second-guesses itself. The Graduate doesn’t dig too deeply, it’s lightweight (even with Dustin Hoffman‘s outburst in the church–the only time the movie gets some fury going), but it does take chances; it wasn’t ahead of its time, it just came along at the right time and is still a relevant, glossy modern comedy.

 

Vintage Movie Posters Grading Criteria

Mint
A poster that has never been used or displayed and may show the most minor signs of age and wear. The poster should have no holes or tears.

Near Mint
A generally unused poster with fresh, saturated colors. May have minimal tears at folds. Has no significant holes, no paper loss, may have minor tears along edges, may have fine pin holes.

Very Fine
A poster with bright colour and crisp overall appearance. It may have very general signs of use including slight fold separation and fold wear. It may have pin holes or very minor tears. This is the highest grade allowed for a poster that has been restored either on linen or on paper.

Fine
A poster with good colors and overall clean appearance. It may have minor tears small paper loss and minor stains. It may have some fold seperation.

Good
An average poster with overall fresh color. May have tears, minor paper loss, minor hazing. Paper may be brittle due to age, may have minor stains. May have a small amount of writing in an unobtrusive place. May have medium or major restoration.

Fair
A poster with faded colors and brittle paper, showing significant signs of use. May have tears and paper loss. May have tape, writing, stains in image area. In need of restoration or had major restoration.

Poor
A poster that is worn, torn, and/or damaged. May have staining, cracking, dry rot, and/or large tears. May be heavily soiled, may have pieces missing. In need of major restoration.

All photographs and images used on our site are photographs of the actual poster/item you are buying, we do not use stock photographs.

Most Popular Poster Types

US Posters

LOBBY CARD
11 x 14″ printed on heavy stock paper. Used as display in theatre lobbies. Originally made in sets of eight. Some sets have a title card, which contains credits and artwork, essentially a mini-poster. The remaining seven cards are coloured photographic credits and poster artwork showing different scenes from the movie.

WINDOW CARD
14 x 22″ printed on heavy stock paper with the top 4-6 inches usually left blank for the local cinema owner to fill in the cinema and the date it was due to play. Largely discontinued during the 1970’s.

HALF SHEET
22 x 28″ printed on heavy stock paper. The image displayed is normally a smaller version of the main poster, although some do have different artworks and sometimes come in two versions.

INSERT
14 x 36″ printed on heavy stock paper. Inserts usually have the same artwork as a one sheet. Popular with collectors since they are smaller and easier to frame. Normally come tri folded or rolled.

STYLE Y/FORTY BY SIXTY
40 x 60″ printed on heavy stock paper. Rare since they were primarily used for major motion pictures only. Designed to be used outside the theatre, on an easel, normally at a drive-in movie theatre.

ONE-SHEET
27 x 41″ printed on paper. This is the most common size of poster, intended to be displayed in a glass “marquee” case. It is the most sought after size by collectors. Since the 1980’s most posters are sent to the theatre rolled and maybe slightly smaller measuring 27″ by 40″ and with the advent of backlit light boxes a growing number of modern movie posters are available double-sided and the more traditional single-sided.

THREE-SHEET
41 x 81″ printed on paper. These were printed on two or three separate sheets designed to overlap, few survive. Used for larger advertising spaces, normally posted on walls, perfect for huge movie theatres the drive-in, where people could see them from a distance. From the 1970’s on, three-sheets were sometimes printed in one piece and issued as “international” versions to be used abroad.

BRITISH Posters

BRITISH QUAD
30 x 40″ Most common poster size used in the UK. British Quads are horizontal and may have different artwork to the US one sheet. Like a US one sheet they normally come in two versions. Like a US one sheet they are usually supplied single-sided or more commonly now as a double sided poster.

BRITISH ONE-SHEET
27 X 40″, printed on paper. Very rarely used size.

ITALIAN Posters

ITALIAN LOCANDINA
13 x 28″ six inches shorter than the US insert, very nice size to frame. Italian poster illustrators are some of the best in the industry.

ITALIAN PHOTOBUSTA
18 x 26″ Glossy, high quality, used as lobby cards in Italy. Size may vary, either vertical or horizontal format. There are also double Photobusta or mini Photobusta.

2-FOGLIO (DUE)
(DUE): 39 x 55″ This is the standard poster size used in Italy. Italian poster illustrators are some of the best in the industry.

4-FOGLIO
(QUATTRO) 55 x 79″ Very large Italian poster printed in two pieces, often contains very beautiful artwork.

FRENCH Posters

FRENCH
47 x 63″ (GRANDE) or 24 x 33″ (PETITE) French movie posters normally come with different artwork to either the US or the UK. Like the Italian’s some of the artwork is extrememly beautiful.