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Spider-Man: Homecoming

£65.00

Film

Spider-Man: Homecoming

Additional information

Year

2017

Size/Type

UK Quad (30" x 40") Double Sided

Country of Origin

British / UK

Condition

Near Mint minus / Originally Rolled (as issued)

Director

Jon Watts

Actor/Actress

Donald Glover, Zendaya, Gwyneth Paltrow, Jon Favreau, Marisa Tomei, Michael Keaton, Robert Downey Jr, Tom Holland

SOLD - this item is sold. Please browse our currently available stock

“Can’t you just be a friendly neighbourhood Spider-Man ?”

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An advance ‘July 7’ British UK quad film poster for the Marvel Studios release “Spider-Man: Homecoming” with a design by BOND in collaboration with photographer Michael Muller. This original 2017 poster is offered in excellent rolled (as issued) condition and shows Spider-Man (Tom Holland in his first big screen standalone “Spider-Man” role) in typical ‘wall-crawler’ pose ‘stuck’ to the side of Avengers Tower as he surveys New York City. The landscape format of the quad is the perfect way to highlight this stunning city-scape. Very cool and very collectable this exceptional looking piece represents a fantastic item of ‘modern’ super-hero movie memorabilia.

Trivia: Aunt May’s car number plate is AMF-1562. AMF is Amazing Fantasy, 15 is the issue number, and 62 is 1962, the year Spider-Man first appeared.

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Vintage Movie Posters Grading Criteria... read more +

Film Description

Spider-Man: Homecoming Movie Poster

“A young Peter Parker (Spider-Man) begins to navigate his newfound identity as the web-slinging super hero Spider-Man. Thrilled by his experience with the Avengers, Peter returns home, where he lives with his Aunt May, under the watchful eye of his new mentor Tony Stark. Peter tries to fall back into his normal daily routine – distracted by thoughts of proving himself to be more than just your friendly neighborhood Spider-Man – but when the Vulture emerges as a new villain, everything that Peter holds most important will be threatened”

Jon Watts (Director of “Cop Car“) perfects the character and charm of Spider-Man that we all love from the comics without doing disservice to either fans of both the Sam Raimi and Amazing Spider-Man franchises with a fun superhero movie oozing with joy with its great cast and characters, big and small, as well as an ‘amazing’ performance from Tom Holland who brilliantly combines what Tobey Maguire and Andrew Garfield brought to the character by truly demonstrating the differences and similarities between the awkward nerd Peter Parker and the quippy crime fighting Spider-Man. Spider-Man: Homecoming gives many critics of Marvel’s lack of great villains what they want most, a relatable villain that is as, if not more, interesting than the hero itself and not only is great adversary physically but also psychologically and we see this with Michael Keaton‘s excellent portrayal of the Vulture. What Spider-Man: Homecoming does best, however, is its attention to detail and world building put into the town of Queens, which feels more real and believable than any other fictional world we have seen in the Marvel Comics Universe, making Spider-Man: Homecoming one of the best chapters of the Marvel Cinematic Universe and another great example for future superhero movies to learn from.

Watch the Spider-Man: Homecoming trailer HERE

 

 

Vintage Movie Posters Grading Criteria

Mint
A poster that has never been used or displayed and may show the most minor signs of age and wear. The poster should have no holes or tears.

Near Mint
A generally unused poster with fresh, saturated colors. May have minimal tears at folds. Has no significant holes, no paper loss, may have minor tears along edges, may have fine pin holes.

Very Fine
A poster with bright colour and crisp overall appearance. It may have very general signs of use including slight fold separation and fold wear. It may have pin holes or very minor tears. This is the highest grade allowed for a poster that has been restored either on linen or on paper.

Fine
A poster with good colors and overall clean appearance. It may have minor tears small paper loss and minor stains. It may have some fold seperation.

Good
An average poster with overall fresh color. May have tears, minor paper loss, minor hazing. Paper may be brittle due to age, may have minor stains. May have a small amount of writing in an unobtrusive place. May have medium or major restoration.

Fair
A poster with faded colors and brittle paper, showing significant signs of use. May have tears and paper loss. May have tape, writing, stains in image area. In need of restoration or had major restoration.

Poor
A poster that is worn, torn, and/or damaged. May have staining, cracking, dry rot, and/or large tears. May be heavily soiled, may have pieces missing. In need of major restoration.

All photographs and images used on our site are photographs of the actual poster/item you are buying, we do not use stock photographs.

Most Popular Poster Types

US Posters

LOBBY CARD
11 x 14″ printed on heavy stock paper. Used as display in theatre lobbies. Originally made in sets of eight. Some sets have a title card, which contains credits and artwork, essentially a mini-poster. The remaining seven cards are coloured photographic credits and poster artwork showing different scenes from the movie.

WINDOW CARD
14 x 22″ printed on heavy stock paper with the top 4-6 inches usually left blank for the local cinema owner to fill in the cinema and the date it was due to play. Largely discontinued during the 1970’s.

HALF SHEET
22 x 28″ printed on heavy stock paper. The image displayed is normally a smaller version of the main poster, although some do have different artworks and sometimes come in two versions.

INSERT
14 x 36″ printed on heavy stock paper. Inserts usually have the same artwork as a one sheet. Popular with collectors since they are smaller and easier to frame. Normally come tri folded or rolled.

STYLE Y/FORTY BY SIXTY
40 x 60″ printed on heavy stock paper. Rare since they were primarily used for major motion pictures only. Designed to be used outside the theatre, on an easel, normally at a drive-in movie theatre.

ONE-SHEET
27 x 41″ printed on paper. This is the most common size of poster, intended to be displayed in a glass “marquee” case. It is the most sought after size by collectors. Since the 1980’s most posters are sent to the theatre rolled and maybe slightly smaller measuring 27″ by 40″ and with the advent of backlit light boxes a growing number of modern movie posters are available double-sided and the more traditional single-sided.

THREE-SHEET
41 x 81″ printed on paper. These were printed on two or three separate sheets designed to overlap, few survive. Used for larger advertising spaces, normally posted on walls, perfect for huge movie theatres the drive-in, where people could see them from a distance. From the 1970’s on, three-sheets were sometimes printed in one piece and issued as “international” versions to be used abroad.

BRITISH Posters

BRITISH QUAD
30 x 40″ Most common poster size used in the UK. British Quads are horizontal and may have different artwork to the US one sheet. Like a US one sheet they normally come in two versions. Like a US one sheet they are usually supplied single-sided or more commonly now as a double sided poster.

BRITISH ONE-SHEET
27 X 40″, printed on paper. Very rarely used size.

ITALIAN Posters

ITALIAN LOCANDINA
13 x 28″ six inches shorter than the US insert, very nice size to frame. Italian poster illustrators are some of the best in the industry.

ITALIAN PHOTOBUSTA
18 x 26″ Glossy, high quality, used as lobby cards in Italy. Size may vary, either vertical or horizontal format. There are also double Photobusta or mini Photobusta.

2-FOGLIO (DUE)
(DUE): 39 x 55″ This is the standard poster size used in Italy. Italian poster illustrators are some of the best in the industry.

4-FOGLIO
(QUATTRO) 55 x 79″ Very large Italian poster printed in two pieces, often contains very beautiful artwork.

FRENCH Posters

FRENCH
47 x 63″ (GRANDE) or 24 x 33″ (PETITE) French movie posters normally come with different artwork to either the US or the UK. Like the Italian’s some of the artwork is extrememly beautiful.