Film
Rough Night in Jericho
1967
UK Quad / (30″ x 40″) / Single Sided / Printed in England by Lonsdale & Bartholomew Ltd
UK / British
Very Fine plus; originally folded (as issued)
Arnold Laven
Carol Andreson, Dean Martin, Don Galloway, George Peppard, Jean Simmons, John McIntyre, Slim Pickens
A beautiful example of artist Brian Bysouth’s prolific work, a stunning all-action poster design for the Dean Martin, George Peppard western “Rough Night in Jericho”. The artwork featured here is country unique to Britain and perfectly suited to the horizontal format of the UK quad film poster and considered by fans the best film poster of the title. It’s fair to say that Bysouth has captured both leading men to perfection as an out of control stagecoach hurtles across the prairie. Totally original and from first year of release this scarce 1967 unrestored UK quad film poster doesn’t come to market that often and presents very well, displaying to excellent effect with amazing vibrant colours. Originally folded (as issued) this exceptional example represents a fine piece of very desirable and collectable original western movie memorabilia.
…more detailVintage Movie Posters Grading Criteria... read more +
It’s a bit unusual seeing Dean Martin play the part of a villain in this stylish western “Rough Night in Jericho“, especially having been a regular viewer of re-runs his variety show. I couldn’t help thinking that any minute he would enter the Ace Deuce, hop up on a piano and start belting out ‘That’s Amore’. There was at least one similarity to Martin’s weekly show with the presence of a gorgeous blonde babe hanging around. No, not Jean Simmons, but that saloon girl Claire (Carol Andreson), who if I had to bet, would probably have shown up on one of his shows as well.
Actually, Martin handled the role of a heavy pretty well, but I kept wondering if the movie might have been better served with Dino and George Peppard switching roles. The casting of Slim Pickens as Alex Flood’s (Martin) top henchman also seemed to go against the grain. But at least Pickens took the role and ran with it, nasty bull whip and all.
As for Peppard, he becomes the reluctant hero after Flood pushes all the right buttons, and especially when he makes the move on Molly Lang’s (Simmons) stagecoach business. Martin’s character makes it a point to own fifty one percent of every enterprise in Jericho, but you know, I kept wondering why he allowed the 4 Aces Saloon to operate in town; it didn’t seem like Jericho was all that big.
Hey, can you beat those medical fees back in the 1800’s? For fixing up a gunshot wound in old Ben Hickman (John McIntire) the Doc charges just a dollar! Kind of makes you wonder how much it cost to go to med school. Too bad Hickman didn’t make it to the end of the picture, I kind of liked his deliberate, methodical style.
Of course the ending is never in question, the fun is in watching how the good guy plan separates Flood’s gang of outlaws so they can narrow the odds.
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Mint
A poster that has never been used or displayed and may show the most minor signs of age and wear. The poster should have no holes or tears.
Near Mint
A generally unused poster with fresh, saturated colors. May have minimal tears at folds. Has no significant holes, no paper loss, may have minor tears along edges, may have fine pin holes.
Very Fine
A poster with bright colour and crisp overall appearance. It may have very general signs of use including slight fold separation and fold wear. It may have pin holes or very minor tears. This is the highest grade allowed for a poster that has been restored either on linen or on paper.
Fine
A poster with good colors and overall clean appearance. It may have minor tears small paper loss and minor stains. It may have some fold seperation.
Good
An average poster with overall fresh color. May have tears, minor paper loss, minor hazing. Paper may be brittle due to age, may have minor stains. May have a small amount of writing in an unobtrusive place. May have medium or major restoration.
Fair
A poster with faded colors and brittle paper, showing significant signs of use. May have tears and paper loss. May have tape, writing, stains in image area. In need of restoration or had major restoration.
Poor
A poster that is worn, torn, and/or damaged. May have staining, cracking, dry rot, and/or large tears. May be heavily soiled, may have pieces missing. In need of major restoration.
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LOBBY CARD
11 x 14″ printed on heavy stock paper. Used as display in theatre lobbies. Originally made in sets of eight. Some sets have a title card, which contains credits and artwork, essentially a mini-poster. The remaining seven cards are coloured photographic credits and poster artwork showing different scenes from the movie.
WINDOW CARD
14 x 22″ printed on heavy stock paper with the top 4-6 inches usually left blank for the local cinema owner to fill in the cinema and the date it was due to play. Largely discontinued during the 1970’s.
HALF SHEET
22 x 28″ printed on heavy stock paper. The image displayed is normally a smaller version of the main poster, although some do have different artworks and sometimes come in two versions.
INSERT
14 x 36″ printed on heavy stock paper. Inserts usually have the same artwork as a one sheet. Popular with collectors since they are smaller and easier to frame. Normally come tri folded or rolled.
STYLE Y/FORTY BY SIXTY
40 x 60″ printed on heavy stock paper. Rare since they were primarily used for major motion pictures only. Designed to be used outside the theatre, on an easel, normally at a drive-in movie theatre.
ONE-SHEET
27 x 41″ printed on paper. This is the most common size of poster, intended to be displayed in a glass “marquee” case. It is the most sought after size by collectors. Since the 1980’s most posters are sent to the theatre rolled and maybe slightly smaller measuring 27″ by 40″ and with the advent of backlit light boxes a growing number of modern movie posters are available double-sided and the more traditional single-sided.
THREE-SHEET
41 x 81″ printed on paper. These were printed on two or three separate sheets designed to overlap, few survive. Used for larger advertising spaces, normally posted on walls, perfect for huge movie theatres the drive-in, where people could see them from a distance. From the 1970’s on, three-sheets were sometimes printed in one piece and issued as “international” versions to be used abroad.
BRITISH QUAD
30 x 40″ Most common poster size used in the UK. British Quads are horizontal and may have different artwork to the US one sheet. Like a US one sheet they normally come in two versions. Like a US one sheet they are usually supplied single-sided or more commonly now as a double sided poster.
BRITISH ONE-SHEET
27 X 40″, printed on paper. Very rarely used size.
ITALIAN LOCANDINA
13 x 28″ six inches shorter than the US insert, very nice size to frame. Italian poster illustrators are some of the best in the industry.
ITALIAN PHOTOBUSTA
18 x 26″ Glossy, high quality, used as lobby cards in Italy. Size may vary, either vertical or horizontal format. There are also double Photobusta or mini Photobusta.
2-FOGLIO (DUE)
(DUE): 39 x 55″ This is the standard poster size used in Italy. Italian poster illustrators are some of the best in the industry.
4-FOGLIO
(QUATTRO) 55 x 79″ Very large Italian poster printed in two pieces, often contains very beautiful artwork.
FRENCH
47 x 63″ (GRANDE) or 24 x 33″ (PETITE) French movie posters normally come with different artwork to either the US or the UK. Like the Italian’s some of the artwork is extrememly beautiful.
