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Rollerball

£175.00

Film

Rollerball

Additional information

Year

1975

Size/Type

UK Quad (30" x 40") Single Sided, Printed in England by Lonsdale & Bartholomew (Nottingham) Ltd

Country of Origin

UK / British

Condition

Near mint minus – Very fine plus / originally folded (as issued)

Director

Norman Jewison

Actor/Actress

Barbara Trentham, Burt Kwouk, James Caan, John Beck, John Houseman, Maud Adams, Moses Gunn, Nancy Bleier, Pamela Hensley, Shane Rimmer

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“In the future there will be no war…There will only be Rollerball”

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Some impressive Bob Peak imagery is on display with this original 1975 British UK quad film poster for Norman Jewison’s ultra violent sci-fi actioner “Rollerball”. The design is a perfect ‘taster’ of the violence to come with the over-sized leather spiked gloved Jonathan E (James Caan) dominating the graphics. Originally folded (as issued) this fantastic example displays and presents superbly and is particularly suited by the horizontal landscape style of the British quad. A fine piece of eye-catching memorable poster artwork for one of the most talked about action films of the 70’s that represents an impressive item of original high quality collectable film memorabilia.

Trivia: The rollerball game sequences were filmed in the Basketballhalle (now known as the Audi Dome) at Olympiapark in Munich, West Germany. This was the only sports arena in the world with a nearly circular profile, which the production could take over and redress for shooting.

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Film Description

Rollerball Movie Poster

“In a futuristic society where corporations have replaced countries, the violent game of Rollerball is used to control the populace by demonstrating the futility of individuality. However, one player, Jonathan E., rises to the top, fights for his personal freedom, and threatens the corporate control.”

Rollerball is another of those great 70’s cult sci-fi films. It features a great cast of actors and a smart script. It was notorious at the time for its violence, although that was greatly exaggerated in comparison to some professional sports and entertainment. It features a futuristic reimagining of the Roman Empire, with gladiatorial games to distract the populace from their bleak existence. It also predates cyberpunk literature, with ts depiction of a world controlled by powerful conglomerates, a world not too different from the present one.

James Caan is fantastic as Johnathan E, the Michael Jordan of Rollerball. He continues to succeed in a sport designed to show the futility of individual effort. The sport is constantly changed to stop him, yet he continues to overcome every obstacle.

John Houseman is electrifying as the head of the Energy Corporation, owners of the Houston Team. He has conspired with his peers to keep the masses down and use this sport to both distract them and show them that the individual can’t succeed. He grows more desperate as Johnathan E defeats his schemes. He tries every trick without success.

The film demonstrates that the individual can triumph over insurmountable odds and cautions against corporate control of society. It uses both allegory and speculation beautifully, and packages it with thrilling action. The remake was destined for failure because it couldn’t see beyond the action. The action was only window dressing for the greater themes. If only more recent sci-fi films were this thought-provoking, or other films for that matter.

Vintage Movie Posters Grading Criteria

Mint
A poster that has never been used or displayed and may show the most minor signs of age and wear. The poster should have no holes or tears.

Near Mint
A generally unused poster with fresh, saturated colors. May have minimal tears at folds. Has no significant holes, no paper loss, may have minor tears along edges, may have fine pin holes.

Very Fine
A poster with bright colour and crisp overall appearance. It may have very general signs of use including slight fold separation and fold wear. It may have pin holes or very minor tears. This is the highest grade allowed for a poster that has been restored either on linen or on paper.

Fine
A poster with good colors and overall clean appearance. It may have minor tears small paper loss and minor stains. It may have some fold seperation.

Good
An average poster with overall fresh color. May have tears, minor paper loss, minor hazing. Paper may be brittle due to age, may have minor stains. May have a small amount of writing in an unobtrusive place. May have medium or major restoration.

Fair
A poster with faded colors and brittle paper, showing significant signs of use. May have tears and paper loss. May have tape, writing, stains in image area. In need of restoration or had major restoration.

Poor
A poster that is worn, torn, and/or damaged. May have staining, cracking, dry rot, and/or large tears. May be heavily soiled, may have pieces missing. In need of major restoration.

All photographs and images used on our site are photographs of the actual poster/item you are buying, we do not use stock photographs.

Most Popular Poster Types

US Posters

LOBBY CARD
11 x 14″ printed on heavy stock paper. Used as display in theatre lobbies. Originally made in sets of eight. Some sets have a title card, which contains credits and artwork, essentially a mini-poster. The remaining seven cards are coloured photographic credits and poster artwork showing different scenes from the movie.

WINDOW CARD
14 x 22″ printed on heavy stock paper with the top 4-6 inches usually left blank for the local cinema owner to fill in the cinema and the date it was due to play. Largely discontinued during the 1970’s.

HALF SHEET
22 x 28″ printed on heavy stock paper. The image displayed is normally a smaller version of the main poster, although some do have different artworks and sometimes come in two versions.

INSERT
14 x 36″ printed on heavy stock paper. Inserts usually have the same artwork as a one sheet. Popular with collectors since they are smaller and easier to frame. Normally come tri folded or rolled.

STYLE Y/FORTY BY SIXTY
40 x 60″ printed on heavy stock paper. Rare since they were primarily used for major motion pictures only. Designed to be used outside the theatre, on an easel, normally at a drive-in movie theatre.

ONE-SHEET
27 x 41″ printed on paper. This is the most common size of poster, intended to be displayed in a glass “marquee” case. It is the most sought after size by collectors. Since the 1980’s most posters are sent to the theatre rolled and maybe slightly smaller measuring 27″ by 40″ and with the advent of backlit light boxes a growing number of modern movie posters are available double-sided and the more traditional single-sided.

THREE-SHEET
41 x 81″ printed on paper. These were printed on two or three separate sheets designed to overlap, few survive. Used for larger advertising spaces, normally posted on walls, perfect for huge movie theatres the drive-in, where people could see them from a distance. From the 1970’s on, three-sheets were sometimes printed in one piece and issued as “international” versions to be used abroad.

BRITISH Posters

BRITISH QUAD
30 x 40″ Most common poster size used in the UK. British Quads are horizontal and may have different artwork to the US one sheet. Like a US one sheet they normally come in two versions. Like a US one sheet they are usually supplied single-sided or more commonly now as a double sided poster.

BRITISH ONE-SHEET
27 X 40″, printed on paper. Very rarely used size.

ITALIAN Posters

ITALIAN LOCANDINA
13 x 28″ six inches shorter than the US insert, very nice size to frame. Italian poster illustrators are some of the best in the industry.

ITALIAN PHOTOBUSTA
18 x 26″ Glossy, high quality, used as lobby cards in Italy. Size may vary, either vertical or horizontal format. There are also double Photobusta or mini Photobusta.

2-FOGLIO (DUE)
(DUE): 39 x 55″ This is the standard poster size used in Italy. Italian poster illustrators are some of the best in the industry.

4-FOGLIO
(QUATTRO) 55 x 79″ Very large Italian poster printed in two pieces, often contains very beautiful artwork.

FRENCH Posters

FRENCH
47 x 63″ (GRANDE) or 24 x 33″ (PETITE) French movie posters normally come with different artwork to either the US or the UK. Like the Italian’s some of the artwork is extrememly beautiful.