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Night of the Living Dead

£250.00

Film

Night of the Living Dead

Additional information

Condition

Near mint minus; originally rolled (as issued)

Director

George A Romero

Actor/Actress

Duane Jones, Judith O'Dea, Karl Hardman, Keith Wayne, Marilyn Eastman

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“If it doesn’t scare you, you’re already dead!”

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In 2022 George A. Romero’s zombie classic “Night of the Living Dead”, received an extremely limited release exclusively in certain Japanese cinemas. Designed using zombie footage from the movie their were two poster designs, black, white and lurid green imagery with either a grey or green sky printed to accompany the screenings. Both are particularly haunting with a very retro feel. These country unique, Japanese B2 posters are extremely eye-catching and presented in excellent unrestored, originally rolled (as issued) condition. Incredibly scarce horror artwork and a very rare highly desirable example of cinema memorabilia from perhaps the most influential horror film of the modern era. Both colour styles are equally rare with this example being the ‘grey’ sky version.

“This is like the flood that happened during Noah’s time, or the destruction of Sodom and Gomorrah! We ARE being punished for our sins! The dead are rising, and Judgment Day is upon us!”

Trivia: This is one of the most profitable independent movies ever made. Made for $114,000 (equivalent to $941,800 in 2022), it grossed approximately $30 million (equivalent to $247.8 million in 2022) – over 263 times its budget.

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Vintage Movie Posters Grading Criteria... read more +

Film Description

Night of the Living Dead Movie Poster

“Barbra and Johnny visit their father’s grave in a remote cemetery when they are suddenly set upon by zombies. Barbra manages to get away and takes refuge in what seems to be an abandoned farm house. She is soon joined by Ben who stopped at the house in need of gas. Beset by the walking dead all around them Ben does his best to secure the doors and windows. The news reports are grim however with creatures returning to life everywhere. Barbra and Ben are surprised when they realize there are 5 people hiding out in the basement: Harry, Helen and Karen Cooper; and a young couple, Tom and Judy. Dissensions sets in almost immediately with Harry Cooper wanting to be in charge. As their situation deteriorates, their chances of surviving the night lessen minute by minute.”

“They keep coming back in a bloodthirsty lust for HUMAN FLESH!”…In Night of the Living Dead a wave of mass murder sweeps across America as the recently dead return to life to kill and feast on their victims. A group of people board themselves up in an abandoned house to try and hold out against a small army of the undead. This is the classic low-budget horror film that is the model for recent hits such as the Evil Dead and The Blair Witch Project. George A. Romero stages a national disaster but reduces it to a single house for greater effect. The story focuses on the weaknesses of each of the characters in the house – their cowardice, their greedy, their stupidity etc. This makes the drama inside the house almost as palatable as the danger from outside and makes the characters more believable and important….The undead are not huge works of special effects, nor are they anything other than lumbering beasts. But the threat they pose is well demonstrated – the film makes them feel unstoppable and relentless and makes their lingering presence more menacing and less comical than it could have been. The use of an unknown cast also makes it more realistic as none of them have any baggage. Duane Jones is the standout actor as Ben – who is not without flaws himself….The downbeat, realistic atmosphere to the film gives it a greater sense of tension and continues right through to the very depressing conclusion. An excellent flagship for low budget horrors.

Vintage Movie Posters Grading Criteria

Mint
A poster that has never been used or displayed and may show the most minor signs of age and wear. The poster should have no holes or tears.

Near Mint
A generally unused poster with fresh, saturated colors. May have minimal tears at folds. Has no significant holes, no paper loss, may have minor tears along edges, may have fine pin holes.

Very Fine
A poster with bright colour and crisp overall appearance. It may have very general signs of use including slight fold separation and fold wear. It may have pin holes or very minor tears. This is the highest grade allowed for a poster that has been restored either on linen or on paper.

Fine
A poster with good colors and overall clean appearance. It may have minor tears small paper loss and minor stains. It may have some fold seperation.

Good
An average poster with overall fresh color. May have tears, minor paper loss, minor hazing. Paper may be brittle due to age, may have minor stains. May have a small amount of writing in an unobtrusive place. May have medium or major restoration.

Fair
A poster with faded colors and brittle paper, showing significant signs of use. May have tears and paper loss. May have tape, writing, stains in image area. In need of restoration or had major restoration.

Poor
A poster that is worn, torn, and/or damaged. May have staining, cracking, dry rot, and/or large tears. May be heavily soiled, may have pieces missing. In need of major restoration.

All photographs and images used on our site are photographs of the actual poster/item you are buying, we do not use stock photographs.

Most Popular Poster Types

US Posters

LOBBY CARD
11 x 14″ printed on heavy stock paper. Used as display in theatre lobbies. Originally made in sets of eight. Some sets have a title card, which contains credits and artwork, essentially a mini-poster. The remaining seven cards are coloured photographic credits and poster artwork showing different scenes from the movie.

WINDOW CARD
14 x 22″ printed on heavy stock paper with the top 4-6 inches usually left blank for the local cinema owner to fill in the cinema and the date it was due to play. Largely discontinued during the 1970’s.

HALF SHEET
22 x 28″ printed on heavy stock paper. The image displayed is normally a smaller version of the main poster, although some do have different artworks and sometimes come in two versions.

INSERT
14 x 36″ printed on heavy stock paper. Inserts usually have the same artwork as a one sheet. Popular with collectors since they are smaller and easier to frame. Normally come tri folded or rolled.

STYLE Y/FORTY BY SIXTY
40 x 60″ printed on heavy stock paper. Rare since they were primarily used for major motion pictures only. Designed to be used outside the theatre, on an easel, normally at a drive-in movie theatre.

ONE-SHEET
27 x 41″ printed on paper. This is the most common size of poster, intended to be displayed in a glass “marquee” case. It is the most sought after size by collectors. Since the 1980’s most posters are sent to the theatre rolled and maybe slightly smaller measuring 27″ by 40″ and with the advent of backlit light boxes a growing number of modern movie posters are available double-sided and the more traditional single-sided.

THREE-SHEET
41 x 81″ printed on paper. These were printed on two or three separate sheets designed to overlap, few survive. Used for larger advertising spaces, normally posted on walls, perfect for huge movie theatres the drive-in, where people could see them from a distance. From the 1970’s on, three-sheets were sometimes printed in one piece and issued as “international” versions to be used abroad.

BRITISH Posters

BRITISH QUAD
30 x 40″ Most common poster size used in the UK. British Quads are horizontal and may have different artwork to the US one sheet. Like a US one sheet they normally come in two versions. Like a US one sheet they are usually supplied single-sided or more commonly now as a double sided poster.

BRITISH ONE-SHEET
27 X 40″, printed on paper. Very rarely used size.

ITALIAN Posters

ITALIAN LOCANDINA
13 x 28″ six inches shorter than the US insert, very nice size to frame. Italian poster illustrators are some of the best in the industry.

ITALIAN PHOTOBUSTA
18 x 26″ Glossy, high quality, used as lobby cards in Italy. Size may vary, either vertical or horizontal format. There are also double Photobusta or mini Photobusta.

2-FOGLIO (DUE)
(DUE): 39 x 55″ This is the standard poster size used in Italy. Italian poster illustrators are some of the best in the industry.

4-FOGLIO
(QUATTRO) 55 x 79″ Very large Italian poster printed in two pieces, often contains very beautiful artwork.

FRENCH Posters

FRENCH
47 x 63″ (GRANDE) or 24 x 33″ (PETITE) French movie posters normally come with different artwork to either the US or the UK. Like the Italian’s some of the artwork is extrememly beautiful.