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Lone Wolf McQuade

£50.00

Film

Lone Wolf McQuade

Additional information

Year

1983

Size/Type

UK Quad / (30″ x 40″) / Single Sided / Printed in England by W.E.Berry Ltd. Bradford

Country of Origin

UK / British

Condition

Very Fine plus; originally folded (as issued)

Director

Steve Carver

Actor/Actress

Barbara Carrera, Chuck Norris, David Carradine, Leon Isaac Kennedy

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“Chuck Norris is Lone Wolf McQuade. David Carradine is the man that got in his way”

Chuck Norris was without a doubt one of the leading action hero actors of the 80’s, starring in a string of over the top extravagant action adventure tales. Steve Carver’s “Lone Wolf McQuade” is widely considered to be the best of these. Artist Brian Bysouth follows the established action hero movie poster formula prevalent during the 80’s; the hero, the girl & the action and it’s fair to say that thanks to Bysouth’s superb artwork that Chuck Norris never looked better than on this action packed UK quad film poster. Featuring country unique (British) artwork the original 1983 UK quad movie poster offered here displays and presents to excellent effect. Originally folded (as issued) the colours are bright and unfaded. With hardly a defect of note this unrestored film poster is a fine example of rare and collectable original movie memorabilia from one of the screens biggest action stars.

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Vintage Movie Posters Grading Criteria... read more +

Film Description

Lone Wolf McQuade Movie Poster

“Fighting…Loving…Killing…There’s no-one like McQuade”

In one of his very best vehicles, Chuck Norris plays Texas Ranger J.J. McQuade, a solitary man with his own way of doing things. In this tale he must do battle with a nefarious arms dealer, Rawley Wilkes (David Carradine). His boss tries to saddle him with a partner, nicknamed “Kayo” (Robert Beltran). J.J. is naturally resistant to this arrangement, but Kayo is determined to prove himself worthy. J.J. also finds himself another ally when F.B.I. agent Jackson (Leon Isaac Kennedy) shows his own willingness to not do things strictly by the book.

The decision by director Steve Carver (who’d previously worked with Chuck on the formulaic but fun “An Eye for an Eye“) and his filmmaking company to play this like a Spaghetti Western is an inspired choice. Carver directs with a real flair, the rural scenery is breathtaking to behold, the action scenes are extremely well executed, and the Chuck vs. Carradine title fight is an irresistible hook. Certainly one man who understands the tone of the whole thing is composer Francesco De Masi, whose score is just perfect.

What’s nice to see is that Carradine, who often slummed in B fare and basically phoned in his performances, makes for a truly effective villain here. He actually looks like he’s enjoying playing this over confident, egomaniacal creep. Much eye candy is supplied by the luscious Barbara Carrera, who has the role of Wilkes’s uneasy “partner”. Chuck and Carrera do have some sexy scenes together. Beltran is fine as the eager beaver young cop who is initially something of a nuisance but who will prove his worth by the end. Much praise goes to the uniformly solid supporting cast, including such luminaries as L.Q. Jones, R.G. Armstrong, Sharon Farrell, and William Sanderson. The lovely Dana Kimmell of “Friday the 13th Part III” fame plays Chucks’ frequently imperiled daughter. Daniel Frishman has the most delicious role in the picture as the diminutive crook Falcon; this is another guy who looks like he’s having a good time.

Rough, tough, and rousing, Lone Wolf McQuade makes for completely agreeable entertainment, delivering to us a finale that we can savour. Chuck and Carradine performed the stunts themselves, to the chagrin of the producers.

Vintage Movie Posters Grading Criteria

Mint
A poster that has never been used or displayed and may show the most minor signs of age and wear. The poster should have no holes or tears.

Near Mint
A generally unused poster with fresh, saturated colors. May have minimal tears at folds. Has no significant holes, no paper loss, may have minor tears along edges, may have fine pin holes.

Very Fine
A poster with bright colour and crisp overall appearance. It may have very general signs of use including slight fold separation and fold wear. It may have pin holes or very minor tears. This is the highest grade allowed for a poster that has been restored either on linen or on paper.

Fine
A poster with good colors and overall clean appearance. It may have minor tears small paper loss and minor stains. It may have some fold seperation.

Good
An average poster with overall fresh color. May have tears, minor paper loss, minor hazing. Paper may be brittle due to age, may have minor stains. May have a small amount of writing in an unobtrusive place. May have medium or major restoration.

Fair
A poster with faded colors and brittle paper, showing significant signs of use. May have tears and paper loss. May have tape, writing, stains in image area. In need of restoration or had major restoration.

Poor
A poster that is worn, torn, and/or damaged. May have staining, cracking, dry rot, and/or large tears. May be heavily soiled, may have pieces missing. In need of major restoration.

All photographs and images used on our site are photographs of the actual poster/item you are buying, we do not use stock photographs.

Most Popular Poster Types

US Posters

LOBBY CARD
11 x 14″ printed on heavy stock paper. Used as display in theatre lobbies. Originally made in sets of eight. Some sets have a title card, which contains credits and artwork, essentially a mini-poster. The remaining seven cards are coloured photographic credits and poster artwork showing different scenes from the movie.

WINDOW CARD
14 x 22″ printed on heavy stock paper with the top 4-6 inches usually left blank for the local cinema owner to fill in the cinema and the date it was due to play. Largely discontinued during the 1970’s.

HALF SHEET
22 x 28″ printed on heavy stock paper. The image displayed is normally a smaller version of the main poster, although some do have different artworks and sometimes come in two versions.

INSERT
14 x 36″ printed on heavy stock paper. Inserts usually have the same artwork as a one sheet. Popular with collectors since they are smaller and easier to frame. Normally come tri folded or rolled.

STYLE Y/FORTY BY SIXTY
40 x 60″ printed on heavy stock paper. Rare since they were primarily used for major motion pictures only. Designed to be used outside the theatre, on an easel, normally at a drive-in movie theatre.

ONE-SHEET
27 x 41″ printed on paper. This is the most common size of poster, intended to be displayed in a glass “marquee” case. It is the most sought after size by collectors. Since the 1980’s most posters are sent to the theatre rolled and maybe slightly smaller measuring 27″ by 40″ and with the advent of backlit light boxes a growing number of modern movie posters are available double-sided and the more traditional single-sided.

THREE-SHEET
41 x 81″ printed on paper. These were printed on two or three separate sheets designed to overlap, few survive. Used for larger advertising spaces, normally posted on walls, perfect for huge movie theatres the drive-in, where people could see them from a distance. From the 1970’s on, three-sheets were sometimes printed in one piece and issued as “international” versions to be used abroad.

BRITISH Posters

BRITISH QUAD
30 x 40″ Most common poster size used in the UK. British Quads are horizontal and may have different artwork to the US one sheet. Like a US one sheet they normally come in two versions. Like a US one sheet they are usually supplied single-sided or more commonly now as a double sided poster.

BRITISH ONE-SHEET
27 X 40″, printed on paper. Very rarely used size.

ITALIAN Posters

ITALIAN LOCANDINA
13 x 28″ six inches shorter than the US insert, very nice size to frame. Italian poster illustrators are some of the best in the industry.

ITALIAN PHOTOBUSTA
18 x 26″ Glossy, high quality, used as lobby cards in Italy. Size may vary, either vertical or horizontal format. There are also double Photobusta or mini Photobusta.

2-FOGLIO (DUE)
(DUE): 39 x 55″ This is the standard poster size used in Italy. Italian poster illustrators are some of the best in the industry.

4-FOGLIO
(QUATTRO) 55 x 79″ Very large Italian poster printed in two pieces, often contains very beautiful artwork.

FRENCH Posters

FRENCH
47 x 63″ (GRANDE) or 24 x 33″ (PETITE) French movie posters normally come with different artwork to either the US or the UK. Like the Italian’s some of the artwork is extrememly beautiful.