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Iron Man 2

£35.00

Film

Iron Man 2

Additional information

Year

2010

Size/Type

UK Quad (30" x 40") Double Sided, Advance Teaser

Country of Origin

British / UK

Condition

Near mint minus; originally rolled (as issued)

Director

Jon Favreau

Actor/Actress

Clark Gregg, Don Cheadle, Gwyneth Paltrow, Leslie Bibb, Mickey Rourke, Paul Bettany, Robert Downey Jr, Samuel L Jackson, Scarlett Johansson, Shaun Toub, Stan Lee

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“With the world now aware of his identity as Iron Man, Tony Stark must contend with both his declining health and a vengeful mad man with ties to his father’s legacy.”

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If you like your movie posters bold and impressive, then you will love this original 2010 British UK quad film poster for Marvel Studios’ super hero sequel romp “Iron Man 2”. Based upon photography by Michael Muller, BLT Communications LLC have created a truly dynamic poster for “Iron Man” one of the most important corner stone characters of the Marvel Cinematic Universe. This originally rolled (as issued) example looks stunning and displays to superb effect, perfectly suited to the landscape format of the UK quad the close headshot artwork of Tony Stark (Robert Downey Jr.) in his Iron Man armour is stunning. Highly collectable as this was the first direct sequel (to the blockbuster “Iron Man”) and privately funded by Marvel Studios. Without the huge success of this movie and its predecessor there not now be a Marvel Universe in our cinemas…NO Avengers, Captain America, Shield, Hulk, Thor. A hugely  influential and important modern film that represents a fantastic item of original movie memorabilia.

Trivia: It has been confirmed by actor Tom Holland, who plays Peter Parker, a.k.a. Spider-Man, in the Marvel Cinematic Universe, that his character appeared in the movie, and was the little boy at the Stark Expo wearing the Iron Man helmet, when the expo was attacked by Hammer Tech drones.

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Film Description

Iron Man 2 Movie Poster

“With the world now aware of his dual life as the armored superhero Iron Man, billionaire inventor Tony Stark faces pressure from the government, the press, and the public to share his technology with the military. Unwilling to let go of his invention, Stark, along with Pepper Potts, and James “Rhodey” Rhodes at his side, must forge new alliances – and confront powerful enemies.”

At its high points – the first act and the climax – Iron Man 2 is actually better than the first film. Everything up to and including the action scene in Monaco is just great fun to watch: the action, the character interactions, and of course Robert Downey Jr.‘s wonderful portrayal of Tony Stark. And the action scene at the end is pretty epic.

The problem is, the film just stops being so much fun in-between. In a large proportion of this time, it’s either going too slowly with little happening that’s exciting or even particularly interesting, or it’s providing some silly moments like Iron Man lounging on a giant display donut. To be fair, there’s no problem with the many subplots this movie has: they all blend together quite smoothly.

The acting in this film deserves credit: almost everybody does a great job. Robert Downey Jr and Gwyneth Paltrow are just as entertaining as they were in the first film, Jon Favreau gets more to do as Stark’s chauffeur, Don Cheadle is actually a little better than Terrence Howard as Rhodie (again, maybe because he has a bigger role), Mickey Rourke portrays a decent but overall ordinary villain, and once Scarlett Johansson is allowed to do something substantial with her own action sequence, she’s well worth watching. The only weak link is Sam Rockwell as Justin Hammer, who gets quite annoying after a while.

Overall, Iron Man 2’s slow middle section prevents it from being better than the first film as a whole, which is a shame considering how brilliant the beginning and end segments are.

 

Vintage Movie Posters Grading Criteria

Mint
A poster that has never been used or displayed and may show the most minor signs of age and wear. The poster should have no holes or tears.

Near Mint
A generally unused poster with fresh, saturated colors. May have minimal tears at folds. Has no significant holes, no paper loss, may have minor tears along edges, may have fine pin holes.

Very Fine
A poster with bright colour and crisp overall appearance. It may have very general signs of use including slight fold separation and fold wear. It may have pin holes or very minor tears. This is the highest grade allowed for a poster that has been restored either on linen or on paper.

Fine
A poster with good colors and overall clean appearance. It may have minor tears small paper loss and minor stains. It may have some fold seperation.

Good
An average poster with overall fresh color. May have tears, minor paper loss, minor hazing. Paper may be brittle due to age, may have minor stains. May have a small amount of writing in an unobtrusive place. May have medium or major restoration.

Fair
A poster with faded colors and brittle paper, showing significant signs of use. May have tears and paper loss. May have tape, writing, stains in image area. In need of restoration or had major restoration.

Poor
A poster that is worn, torn, and/or damaged. May have staining, cracking, dry rot, and/or large tears. May be heavily soiled, may have pieces missing. In need of major restoration.

All photographs and images used on our site are photographs of the actual poster/item you are buying, we do not use stock photographs.

Most Popular Poster Types

US Posters

LOBBY CARD
11 x 14″ printed on heavy stock paper. Used as display in theatre lobbies. Originally made in sets of eight. Some sets have a title card, which contains credits and artwork, essentially a mini-poster. The remaining seven cards are coloured photographic credits and poster artwork showing different scenes from the movie.

WINDOW CARD
14 x 22″ printed on heavy stock paper with the top 4-6 inches usually left blank for the local cinema owner to fill in the cinema and the date it was due to play. Largely discontinued during the 1970’s.

HALF SHEET
22 x 28″ printed on heavy stock paper. The image displayed is normally a smaller version of the main poster, although some do have different artworks and sometimes come in two versions.

INSERT
14 x 36″ printed on heavy stock paper. Inserts usually have the same artwork as a one sheet. Popular with collectors since they are smaller and easier to frame. Normally come tri folded or rolled.

STYLE Y/FORTY BY SIXTY
40 x 60″ printed on heavy stock paper. Rare since they were primarily used for major motion pictures only. Designed to be used outside the theatre, on an easel, normally at a drive-in movie theatre.

ONE-SHEET
27 x 41″ printed on paper. This is the most common size of poster, intended to be displayed in a glass “marquee” case. It is the most sought after size by collectors. Since the 1980’s most posters are sent to the theatre rolled and maybe slightly smaller measuring 27″ by 40″ and with the advent of backlit light boxes a growing number of modern movie posters are available double-sided and the more traditional single-sided.

THREE-SHEET
41 x 81″ printed on paper. These were printed on two or three separate sheets designed to overlap, few survive. Used for larger advertising spaces, normally posted on walls, perfect for huge movie theatres the drive-in, where people could see them from a distance. From the 1970’s on, three-sheets were sometimes printed in one piece and issued as “international” versions to be used abroad.

BRITISH Posters

BRITISH QUAD
30 x 40″ Most common poster size used in the UK. British Quads are horizontal and may have different artwork to the US one sheet. Like a US one sheet they normally come in two versions. Like a US one sheet they are usually supplied single-sided or more commonly now as a double sided poster.

BRITISH ONE-SHEET
27 X 40″, printed on paper. Very rarely used size.

ITALIAN Posters

ITALIAN LOCANDINA
13 x 28″ six inches shorter than the US insert, very nice size to frame. Italian poster illustrators are some of the best in the industry.

ITALIAN PHOTOBUSTA
18 x 26″ Glossy, high quality, used as lobby cards in Italy. Size may vary, either vertical or horizontal format. There are also double Photobusta or mini Photobusta.

2-FOGLIO (DUE)
(DUE): 39 x 55″ This is the standard poster size used in Italy. Italian poster illustrators are some of the best in the industry.

4-FOGLIO
(QUATTRO) 55 x 79″ Very large Italian poster printed in two pieces, often contains very beautiful artwork.

FRENCH Posters

FRENCH
47 x 63″ (GRANDE) or 24 x 33″ (PETITE) French movie posters normally come with different artwork to either the US or the UK. Like the Italian’s some of the artwork is extrememly beautiful.