£1,995.00

Film

Ice Cold in Alex

Additional information

Year

1958

Size/Type

UK Quad (30" x 40") Single Sided, Printed in England by ELECTRIC (Modern) PRINTING CO. LTD. MANCHESTER 8

Country of Origin

British / UK

Condition

Very Fine Plus – Originally ROLLED but has two vertical ‘soft’ crease lines

Director

J Lee Thompson

Actor/Actress

Anthony Quayle, Diane Clare, Harry Andrews, Richard Leech, Sir John Mills, Sylvia Syms

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“A thousand square miles of blazing, pitiless desert, and a story so unusual, so gripping that it could only spring from life itself.

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From first year of release 1958 this is an original country of origin UK quad film poster for J. Lee Thompson’s much admired World War 2 drama “Ice Cold in Alex”. A Rare and beautiful painted advance poster for this extraordinary film about a British ambulance trying to get to safety in the North African desert and starring John Mills, Sylvia Syms and Anthony Quayle…A true British classic and incredibly scarce and one of the hardest to find film posters from this period. Originally ROLLED (as issued – two ‘soft’ vertical fold line creases) the beautiful unrestored example offered here displays and presents to excellent effect with minimal age and handling wear, beautiful deep colours and fantastic artwork. It really is exceptional (easily the best example of this poster I have ever had the pleasure to offer for sale or have seen offered for sale) and represents a great opportunity to own a fine piece of rare collectable original British movie memorabilia.

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Film Description

Ice Cold in Alex Movie Poster

“A group of army personnel and nurses attempt a dangerous and arduous trek across the deserts of North Africa during the second world war. The leader of the team dreams of his ice cold beer when he reaches Alexandria, but the problems just won’t go away.”

“Ice Cold in Alex”  is an absorbing story of a British ambulance trying to get to safety in the North African desert. There is the heat, minefields, enemy troops, more heat, shifting sands and human weaknesses to contend with and at the end of the film (over two hours)one feels exhausted. The main characters are an army captain on the verge of a breakdown, a determined nurse, a solid sergeant major and a South African soldier whom they pick up on the way. With simple heroism they try making their way to their goal, which in this case is a glass of ice cold beer in Alexandria on the coast.

The interplay between the characters and the growing bond they have in adversity is well played by the actors. John Mills’ deeply troubled captain is particularly well acted. Harry Andrews, Anthony Quayle and Sylvia Syms are fine too. The other main character is the ambulance itself, gradually coming to pieces on the way, steaming and bumping along.

J. Lee Thompson was a very able director and there are some excellent scenes here. The minefield scene near the beginning and the hill scene near the end are great, tense and emotional. The beer scene is moving and up lifting. The best British films about the Second World War are generally about a small group of ordinary people who faced with crisis and peril just get on with it.

 

Vintage Movie Posters Grading Criteria

Mint
A poster that has never been used or displayed and may show the most minor signs of age and wear. The poster should have no holes or tears.

Near Mint
A generally unused poster with fresh, saturated colors. May have minimal tears at folds. Has no significant holes, no paper loss, may have minor tears along edges, may have fine pin holes.

Very Fine
A poster with bright colour and crisp overall appearance. It may have very general signs of use including slight fold separation and fold wear. It may have pin holes or very minor tears. This is the highest grade allowed for a poster that has been restored either on linen or on paper.

Fine
A poster with good colors and overall clean appearance. It may have minor tears small paper loss and minor stains. It may have some fold seperation.

Good
An average poster with overall fresh color. May have tears, minor paper loss, minor hazing. Paper may be brittle due to age, may have minor stains. May have a small amount of writing in an unobtrusive place. May have medium or major restoration.

Fair
A poster with faded colors and brittle paper, showing significant signs of use. May have tears and paper loss. May have tape, writing, stains in image area. In need of restoration or had major restoration.

Poor
A poster that is worn, torn, and/or damaged. May have staining, cracking, dry rot, and/or large tears. May be heavily soiled, may have pieces missing. In need of major restoration.

All photographs and images used on our site are photographs of the actual poster/item you are buying, we do not use stock photographs.

Most Popular Poster Types

US Posters

LOBBY CARD
11 x 14″ printed on heavy stock paper. Used as display in theatre lobbies. Originally made in sets of eight. Some sets have a title card, which contains credits and artwork, essentially a mini-poster. The remaining seven cards are coloured photographic credits and poster artwork showing different scenes from the movie.

WINDOW CARD
14 x 22″ printed on heavy stock paper with the top 4-6 inches usually left blank for the local cinema owner to fill in the cinema and the date it was due to play. Largely discontinued during the 1970’s.

HALF SHEET
22 x 28″ printed on heavy stock paper. The image displayed is normally a smaller version of the main poster, although some do have different artworks and sometimes come in two versions.

INSERT
14 x 36″ printed on heavy stock paper. Inserts usually have the same artwork as a one sheet. Popular with collectors since they are smaller and easier to frame. Normally come tri folded or rolled.

STYLE Y/FORTY BY SIXTY
40 x 60″ printed on heavy stock paper. Rare since they were primarily used for major motion pictures only. Designed to be used outside the theatre, on an easel, normally at a drive-in movie theatre.

ONE-SHEET
27 x 41″ printed on paper. This is the most common size of poster, intended to be displayed in a glass “marquee” case. It is the most sought after size by collectors. Since the 1980’s most posters are sent to the theatre rolled and maybe slightly smaller measuring 27″ by 40″ and with the advent of backlit light boxes a growing number of modern movie posters are available double-sided and the more traditional single-sided.

THREE-SHEET
41 x 81″ printed on paper. These were printed on two or three separate sheets designed to overlap, few survive. Used for larger advertising spaces, normally posted on walls, perfect for huge movie theatres the drive-in, where people could see them from a distance. From the 1970’s on, three-sheets were sometimes printed in one piece and issued as “international” versions to be used abroad.

BRITISH Posters

BRITISH QUAD
30 x 40″ Most common poster size used in the UK. British Quads are horizontal and may have different artwork to the US one sheet. Like a US one sheet they normally come in two versions. Like a US one sheet they are usually supplied single-sided or more commonly now as a double sided poster.

BRITISH ONE-SHEET
27 X 40″, printed on paper. Very rarely used size.

ITALIAN Posters

ITALIAN LOCANDINA
13 x 28″ six inches shorter than the US insert, very nice size to frame. Italian poster illustrators are some of the best in the industry.

ITALIAN PHOTOBUSTA
18 x 26″ Glossy, high quality, used as lobby cards in Italy. Size may vary, either vertical or horizontal format. There are also double Photobusta or mini Photobusta.

2-FOGLIO (DUE)
(DUE): 39 x 55″ This is the standard poster size used in Italy. Italian poster illustrators are some of the best in the industry.

4-FOGLIO
(QUATTRO) 55 x 79″ Very large Italian poster printed in two pieces, often contains very beautiful artwork.

FRENCH Posters

FRENCH
47 x 63″ (GRANDE) or 24 x 33″ (PETITE) French movie posters normally come with different artwork to either the US or the UK. Like the Italian’s some of the artwork is extrememly beautiful.