Film
From Russia With Love / Hang ‘Em High
1963, 1968 (1970 Double Bill Re-Release)
UK Quad (30" x 40") Single Sided, Printed in England by W.E.Berry Ltd. Bradford
UK / British
Very Fine Plus / Originally Folded (as issued)
Ted Post, Terence Young
Bernard Lee, Clint Eastwood, Daniela Bianchi, Desmond Llewelyn, Ed Begley, Inger Stevens, Lois Maxwell, Lotte Lenya, Pat Hingle, Robert Shaw, Sean Connery
One hell of a dynamic double bill film poster from 1970, a year that was extremely important in the careers of both stars as United Artists looked to cash in on their popularity by this cleverly timed double feature release of “From Russia With Love / Hang ‘Em High”. Sean Connery was due back as James Bond (after Lazenby’s brief one movie role) in “Diamonds Are Forever” and Eastwood after the success of “Where Eagles Dare” & “Kelly’s Heroes” was starring alongside Shirley MacLaine in the soon to be released “Two Mules For Sister Sara” and was just filming the finishing touches to “Dirty Harry”. This stunning original 1970 UK quad film poster features Renato Fratini’s iconic 007 artwork for “From Russia With Love” & Arnaldo Putzu’s from “Hang ‘Em High”. Totally original and unrestored and presented in superb folded (as issued) condition it displays and presents to excellent effect. A genuinely scarce and hard to find example of British cinema memorabillia from two giants of the big screen.
…more detailVintage Movie Posters Grading Criteria... read more +
After the success of “Dr. No“, the movie going public could not get enough of Sean Connery as James Bond. “From Russia With Love“ was almost demanded to be made and it’s proved to be one of the most durable of the Bond series in popularity.
That infamous third echelon SPECTRE is after a new Russian decoding machine that the West would certainly like to lay its mitts on as well. But SPECTRE has something additional in mind. Knowing that MI5 will send its best in 007 after the decoder, they have it in mind to kill James Bond. And the alluring bait will be Daniela Bianchi, their agent.
The cinematography in a story that takes place in Istanbul and along the Mediterranean Sea is gorgeous. Connery gets a really outstanding cast in support including Pedro Armendáriz for whom this was a final performance as Bond ally Ali Kerim Bey.
Robert Shawhas a part of few words as the paid assassin SPECTRE has trained for the purpose of killing James Bond. Shaw is terrifying in his role and the fact he did it without much use of a voice that was one of the best in the English language, testifies to his ability as an actor. His confrontation with Connery on the Orient Express is one of the great fight scenes ever done on film.
However I have a warm spot in my heart for Lotte Lenya as Rosa Klebb, the Russian defector now working for SPECTRE, the woman with those killer orthopedic shoes. Kenneth Cole never designed better.
“From Russia With Love“ has everything you want in a James Bond film, action, sex, and exotic locations. And Sean Connery, who could complain.
“Hang ‘Em High“ was Clint Eastwood‘s American Western debut that I had never really seen all the way through until now. At first I thought it would be another ride ’em high, cowboys n’ indians flick that was popular in America those days… before Sergio Leone shook the genre down to its raw and merciless possibilities…The film was pretty good, and the moral undercurrent of justice “by a dirty rope on the plain, or a judge in a robe standing before the American flag” is rather striking. The Federal judge is by far one of the most interesting characters I have seen yet in a Western…Indeed, the grittiest and most barbaric scene is not the lynching of an innocent man, but the public hanging on the eve of statehood… to prove that Oklahoma Territory executed the sort of justice required of a “civilized” state of the Union. It is made a public spectacle with beautiful hymns and cold beer. And just the way each of the condemned faces his execution is tongue in cheek…Then there was the campfire scene where Captain Wilson confers with his employees regarding their options: irony, fear and desperation. They put a human face on their culpability, similiarly echoed decades later by Little Bill’s “I don’t deserve this, I was building house.” And the few who chose not to run chose a desperate and violent option…A dillemic “no one wins” justice spiralling into graphic violence… and ultimately an undiginified and graceless death. What was perfected into poignant brevity by Unforgiven was born in Hang Em High‘s exploration of two men’s differing approaches to an unforgiving justice… a justice that led either to the end of a noose, or the end of a gun…Not bad at all.
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Mint
A poster that has never been used or displayed and may show the most minor signs of age and wear. The poster should have no holes or tears.
Near Mint
A generally unused poster with fresh, saturated colors. May have minimal tears at folds. Has no significant holes, no paper loss, may have minor tears along edges, may have fine pin holes.
Very Fine
A poster with bright colour and crisp overall appearance. It may have very general signs of use including slight fold separation and fold wear. It may have pin holes or very minor tears. This is the highest grade allowed for a poster that has been restored either on linen or on paper.
Fine
A poster with good colors and overall clean appearance. It may have minor tears small paper loss and minor stains. It may have some fold seperation.
Good
An average poster with overall fresh color. May have tears, minor paper loss, minor hazing. Paper may be brittle due to age, may have minor stains. May have a small amount of writing in an unobtrusive place. May have medium or major restoration.
Fair
A poster with faded colors and brittle paper, showing significant signs of use. May have tears and paper loss. May have tape, writing, stains in image area. In need of restoration or had major restoration.
Poor
A poster that is worn, torn, and/or damaged. May have staining, cracking, dry rot, and/or large tears. May be heavily soiled, may have pieces missing. In need of major restoration.
All photographs and images used on our site are photographs of the actual poster/item you are buying, we do not use stock photographs.
LOBBY CARD
11 x 14″ printed on heavy stock paper. Used as display in theatre lobbies. Originally made in sets of eight. Some sets have a title card, which contains credits and artwork, essentially a mini-poster. The remaining seven cards are coloured photographic credits and poster artwork showing different scenes from the movie.
WINDOW CARD
14 x 22″ printed on heavy stock paper with the top 4-6 inches usually left blank for the local cinema owner to fill in the cinema and the date it was due to play. Largely discontinued during the 1970’s.
HALF SHEET
22 x 28″ printed on heavy stock paper. The image displayed is normally a smaller version of the main poster, although some do have different artworks and sometimes come in two versions.
INSERT
14 x 36″ printed on heavy stock paper. Inserts usually have the same artwork as a one sheet. Popular with collectors since they are smaller and easier to frame. Normally come tri folded or rolled.
STYLE Y/FORTY BY SIXTY
40 x 60″ printed on heavy stock paper. Rare since they were primarily used for major motion pictures only. Designed to be used outside the theatre, on an easel, normally at a drive-in movie theatre.
ONE-SHEET
27 x 41″ printed on paper. This is the most common size of poster, intended to be displayed in a glass “marquee” case. It is the most sought after size by collectors. Since the 1980’s most posters are sent to the theatre rolled and maybe slightly smaller measuring 27″ by 40″ and with the advent of backlit light boxes a growing number of modern movie posters are available double-sided and the more traditional single-sided.
THREE-SHEET
41 x 81″ printed on paper. These were printed on two or three separate sheets designed to overlap, few survive. Used for larger advertising spaces, normally posted on walls, perfect for huge movie theatres the drive-in, where people could see them from a distance. From the 1970’s on, three-sheets were sometimes printed in one piece and issued as “international” versions to be used abroad.
BRITISH QUAD
30 x 40″ Most common poster size used in the UK. British Quads are horizontal and may have different artwork to the US one sheet. Like a US one sheet they normally come in two versions. Like a US one sheet they are usually supplied single-sided or more commonly now as a double sided poster.
BRITISH ONE-SHEET
27 X 40″, printed on paper. Very rarely used size.
ITALIAN LOCANDINA
13 x 28″ six inches shorter than the US insert, very nice size to frame. Italian poster illustrators are some of the best in the industry.
ITALIAN PHOTOBUSTA
18 x 26″ Glossy, high quality, used as lobby cards in Italy. Size may vary, either vertical or horizontal format. There are also double Photobusta or mini Photobusta.
2-FOGLIO (DUE)
(DUE): 39 x 55″ This is the standard poster size used in Italy. Italian poster illustrators are some of the best in the industry.
4-FOGLIO
(QUATTRO) 55 x 79″ Very large Italian poster printed in two pieces, often contains very beautiful artwork.
FRENCH
47 x 63″ (GRANDE) or 24 x 33″ (PETITE) French movie posters normally come with different artwork to either the US or the UK. Like the Italian’s some of the artwork is extrememly beautiful.
