£150.00
Film
James Bond: The Man With The Golden Gun – “L’Homme Au Pistolet D’Or”
1974
France Grande Affiche / (47" x 63")
France
Very fine plus; originally folded
Guy Hamilton
Christopher Lee, Bernard Lee, Britt Ekland, Clifton James, Desmond Llewelyn, Herve Villachaize, Lois Maxwell, Maud Adams, Roger Moore
SOLD - this item is sold. Please browse our currently available stock
“He never misses his target, and now his target is 007″…Stunning original large format French Grande Affiche film poster from 1974 for Roger Moore’s second James Bond adventure “The Man With The Golden Gun” (L’Homme Au Pistolet D’Or). A veteran of many previous Bond poster campaigns, ROBERT McGINNIS (sadly for the last time on a Bond poster) provided the outstanding artwork featuring a suave Roger Moore, sexy Bond babes Britt Ekland and Maud Adams plus flying cars and all the key elements of the movie. Originally folded this rare example displays very well with lovely deep colours and only minimal age wear.
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“The world’s greatest villains tried to kill James Bond. Now it’s Scaramanga’s turn to try”…The killer Scaramanga (Christopher Lee) uses a special golden gun for his assignments and has a rare birthmark on his chest. That’s about the only things the movie has in common with the novel which played in the Caribbean region whereas the movie takes us to Thailand where Scaramanga secretly works with solar energy. Casting Herve Villechaize was an attempt to create a sidekick for Scaramanga like Oddjob had been to Goldfinger – a bit too silly in the end. Being a child of its time, “The Man With the Golden Gun” couldn’t resist some kung fu – you see better martial arts in Hong Kong productions, though. Somehow parts of the movie seem too artificial, especially the mirror labyrinth where Scaramanga likes to practice the art of killing. But the beautiful islands will stick to your memory, and there is the most fabulous car stunt so far! There’s an interesting promo photo for the movie, by the way: Lee and Moore back to back, gun in hand. This is not just a duel, this is also illustrating the idea of Scaramanga being a “dark Bond”, his mirror image as a bad guy with the same skills, but different ideology. “We have so much in common, Mr Bond”, Scaramanga says. “Ours is the loneliest profession.” Ets St. MARTIN. imp Paris. KEL 05 95…Visa Nr 6121
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Mint
A poster that has never been used or displayed and may show the most minor signs of age and wear. The poster should have no holes or tears.
Near Mint
A generally unused poster with fresh, saturated colors. May have minimal tears at folds. Has no significant holes, no paper loss, may have minor tears along edges, may have fine pin holes.
Very Fine
A poster with bright colour and crisp overall appearance. It may have very general signs of use including slight fold separation and fold wear. It may have pin holes or very minor tears. This is the highest grade allowed for a poster that has been restored either on linen or on paper.
Fine
A poster with good colors and overall clean appearance. It may have minor tears small paper loss and minor stains. It may have some fold seperation.
Good
An average poster with overall fresh color. May have tears, minor paper loss, minor hazing. Paper may be brittle due to age, may have minor stains. May have a small amount of writing in an unobtrusive place. May have medium or major restoration.
Fair
A poster with faded colors and brittle paper, showing significant signs of use. May have tears and paper loss. May have tape, writing, stains in image area. In need of restoration or had major restoration.
Poor
A poster that is worn, torn, and/or damaged. May have staining, cracking, dry rot, and/or large tears. May be heavily soiled, may have pieces missing. In need of major restoration.
All photographs and images used on our site are photographs of the actual poster/item you are buying, we do not use stock photographs.
LOBBY CARD
11 x 14″ printed on heavy stock paper. Used as display in theatre lobbies. Originally made in sets of eight. Some sets have a title card, which contains credits and artwork, essentially a mini-poster. The remaining seven cards are coloured photographic credits and poster artwork showing different scenes from the movie.
WINDOW CARD
14 x 22″ printed on heavy stock paper with the top 4-6 inches usually left blank for the local cinema owner to fill in the cinema and the date it was due to play. Largely discontinued during the 1970’s.
HALF SHEET
22 x 28″ printed on heavy stock paper. The image displayed is normally a smaller version of the main poster, although some do have different artworks and sometimes come in two versions.
INSERT
14 x 36″ printed on heavy stock paper. Inserts usually have the same artwork as a one sheet. Popular with collectors since they are smaller and easier to frame. Normally come tri folded or rolled.
STYLE Y/FORTY BY SIXTY
40 x 60″ printed on heavy stock paper. Rare since they were primarily used for major motion pictures only. Designed to be used outside the theatre, on an easel, normally at a drive-in movie theatre.
ONE-SHEET
27 x 41″ printed on paper. This is the most common size of poster, intended to be displayed in a glass “marquee” case. It is the most sought after size by collectors. Since the 1980’s most posters are sent to the theatre rolled and maybe slightly smaller measuring 27″ by 40″ and with the advent of backlit light boxes a growing number of modern movie posters are available double-sided and the more traditional single-sided.
THREE-SHEET
41 x 81″ printed on paper. These were printed on two or three separate sheets designed to overlap, few survive. Used for larger advertising spaces, normally posted on walls, perfect for huge movie theatres the drive-in, where people could see them from a distance. From the 1970’s on, three-sheets were sometimes printed in one piece and issued as “international” versions to be used abroad.
BRITISH QUAD
30 x 40″ Most common poster size used in the UK. British Quads are horizontal and may have different artwork to the US one sheet. Like a US one sheet they normally come in two versions. Like a US one sheet they are usually supplied single-sided or more commonly now as a double sided poster.
BRITISH ONE-SHEET
27 X 40″, printed on paper. Very rarely used size.
ITALIAN LOCANDINA
13 x 28″ six inches shorter than the US insert, very nice size to frame. Italian poster illustrators are some of the best in the industry.
ITALIAN PHOTOBUSTA
18 x 26″ Glossy, high quality, used as lobby cards in Italy. Size may vary, either vertical or horizontal format. There are also double Photobusta or mini Photobusta.
2-FOGLIO (DUE)
(DUE): 39 x 55″ This is the standard poster size used in Italy. Italian poster illustrators are some of the best in the industry.
4-FOGLIO
(QUATTRO) 55 x 79″ Very large Italian poster printed in two pieces, often contains very beautiful artwork.
FRENCH
47 x 63″ (GRANDE) or 24 x 33″ (PETITE) French movie posters normally come with different artwork to either the US or the UK. Like the Italian’s some of the artwork is extrememly beautiful.