Film
Evil Dead
1981
British UK Quad / 29″ x 38″ / Single Sided – Printed slightly under-sized and has not been trimmed
British / UK
Fine plus -Very Fine minus ; originally folded (as issued)
Sam Raimi
Betsy Baker, Bruce Campbell, Dan Hicks, Denise Bixler, Ellen Sandweiss, Kassie DePaiva, Richard DeManincor, Sarah Berry, Ted Raimi, Theresa Tilly
“Now that my wife has become host to a Kandarian demon. I fear that the only way to stop those possessed by the spirits of the book is through the act of… bodily dismemberment.”
Incredibly rare and much sought after original 1981 UK quad film poster for Sam Raimi’s “Evil Dead”. Sam Raimi’s original cult classic is probably one of the better zombie / supernatural movies ever made, becoming legend with the horror genre shocked audiences around the world and became a phenomenon. Lead actor Bruce Campbell is put through a continually escalating series of horrific encounters that allow him to show the full extent of his talent for slapstick comedy. Palace (Video) Pictures bought the rights to distribute the film and commissioned up and coming horror artist Graham Humphreys to design the quad and video artwork. Released in cinemas and on VHS almost simultaneously the modest outlay for the rights to distribute the film proved to be an excellent deal as it went on to see great box-office takings and thousands of tapes sold, but also resulted in making these theatrical posters a real rarity. Totally unrestored this originally folded (as issued) British UK quad film poster is from first year of release, 1981 that displays & presents very well. A great looking piece of horror art that represents an exciting and scarce country unique British piece of original horror film movie memorabilia.
Click HERE to view the trailer
Trivia: The film was shown to Stephen King, and it was his glowing endorsement (which was later used on the film’s ads and posters) of the film which really sold it to the public. The film was bought by New Line Cinema soon after.
…more detailVintage Movie Posters Grading Criteria... read more +
“Five college students take time off to spend a peaceful vacation in a remote cabin. A book and audio tape is discovered, and its evil is found to be powerful once the incantations are read out loud. The friends find themselves helpless to stop the evil as it takes them one by one, with only one survivor left with the evil dead and desperately tries to fight to live until morning.”
Sam Raimi‘s feature length debut “The Evil Dead“ is truly one of the greatest horror films of all time and the start of a magnificently entertaining trilogy of hilarity and some real scares. Made on a budget of only $375,000, the film is surprisingly accomplished on a technical level. The effects, although they do look fake by today’s standards, hold up a lot better than you might have expected, and the stop motion sequence at the end, which looks a lot faker than anything else in the movie, was accomplished for its time and budget.
“The Evil Dead“ is about a group of young adults who travel to a cabin in the woods and discover a ‘book of the dead’. No prizes for guessing what happens next as each character is possessed (except for Ash) and disposed of via an intriguing variety of methods. Considering its budget, unknown director (at the time), and typical slasher plot “The Evil Dead“ would almost certainly seem headed towards forgotten B-movie status, and yet it has stood the test of time and remains one of the most widely acclaimed horror films of all time. Why? It’s simple. Although it is nowhere near as funny as its sequels, it’s still a humorous self-satire while also being terrifying despite its age. This odd combination works because Raimi crafts a tense and moody environment, puts his characters in there, and then ruthlessly disposes of them, sometimes doing so several times for the same character. What’s worse is that there’s nowhere to go. Raimi creates a claustrophobic feeling in anyone watching, he wants you to think about being in a situation where you’re trapped with nothing but death and destruction surrounding you. For most people, he probably succeeds. As far as acting goes, none of it is really very good but Bruce Campbell is instantly likable as Ash, who just has to be one of the most memorable horror film characters of all time.
Gory, desolate, hopeless, and still funny, “The Evil Dead“ is a horror masterpiece that isn’t quite the strongest entry in the series, but is shockingly accomplished and entertaining despite its low budget and inexperienced cast and crew. This is a film everyone must see, along with its sequels.
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Mint
A poster that has never been used or displayed and may show the most minor signs of age and wear. The poster should have no holes or tears.
Near Mint
A generally unused poster with fresh, saturated colors. May have minimal tears at folds. Has no significant holes, no paper loss, may have minor tears along edges, may have fine pin holes.
Very Fine
A poster with bright colour and crisp overall appearance. It may have very general signs of use including slight fold separation and fold wear. It may have pin holes or very minor tears. This is the highest grade allowed for a poster that has been restored either on linen or on paper.
Fine
A poster with good colors and overall clean appearance. It may have minor tears small paper loss and minor stains. It may have some fold seperation.
Good
An average poster with overall fresh color. May have tears, minor paper loss, minor hazing. Paper may be brittle due to age, may have minor stains. May have a small amount of writing in an unobtrusive place. May have medium or major restoration.
Fair
A poster with faded colors and brittle paper, showing significant signs of use. May have tears and paper loss. May have tape, writing, stains in image area. In need of restoration or had major restoration.
Poor
A poster that is worn, torn, and/or damaged. May have staining, cracking, dry rot, and/or large tears. May be heavily soiled, may have pieces missing. In need of major restoration.
All photographs and images used on our site are photographs of the actual poster/item you are buying, we do not use stock photographs.
LOBBY CARD
11 x 14″ printed on heavy stock paper. Used as display in theatre lobbies. Originally made in sets of eight. Some sets have a title card, which contains credits and artwork, essentially a mini-poster. The remaining seven cards are coloured photographic credits and poster artwork showing different scenes from the movie.
WINDOW CARD
14 x 22″ printed on heavy stock paper with the top 4-6 inches usually left blank for the local cinema owner to fill in the cinema and the date it was due to play. Largely discontinued during the 1970’s.
HALF SHEET
22 x 28″ printed on heavy stock paper. The image displayed is normally a smaller version of the main poster, although some do have different artworks and sometimes come in two versions.
INSERT
14 x 36″ printed on heavy stock paper. Inserts usually have the same artwork as a one sheet. Popular with collectors since they are smaller and easier to frame. Normally come tri folded or rolled.
STYLE Y/FORTY BY SIXTY
40 x 60″ printed on heavy stock paper. Rare since they were primarily used for major motion pictures only. Designed to be used outside the theatre, on an easel, normally at a drive-in movie theatre.
ONE-SHEET
27 x 41″ printed on paper. This is the most common size of poster, intended to be displayed in a glass “marquee” case. It is the most sought after size by collectors. Since the 1980’s most posters are sent to the theatre rolled and maybe slightly smaller measuring 27″ by 40″ and with the advent of backlit light boxes a growing number of modern movie posters are available double-sided and the more traditional single-sided.
THREE-SHEET
41 x 81″ printed on paper. These were printed on two or three separate sheets designed to overlap, few survive. Used for larger advertising spaces, normally posted on walls, perfect for huge movie theatres the drive-in, where people could see them from a distance. From the 1970’s on, three-sheets were sometimes printed in one piece and issued as “international” versions to be used abroad.
BRITISH QUAD
30 x 40″ Most common poster size used in the UK. British Quads are horizontal and may have different artwork to the US one sheet. Like a US one sheet they normally come in two versions. Like a US one sheet they are usually supplied single-sided or more commonly now as a double sided poster.
BRITISH ONE-SHEET
27 X 40″, printed on paper. Very rarely used size.
ITALIAN LOCANDINA
13 x 28″ six inches shorter than the US insert, very nice size to frame. Italian poster illustrators are some of the best in the industry.
ITALIAN PHOTOBUSTA
18 x 26″ Glossy, high quality, used as lobby cards in Italy. Size may vary, either vertical or horizontal format. There are also double Photobusta or mini Photobusta.
2-FOGLIO (DUE)
(DUE): 39 x 55″ This is the standard poster size used in Italy. Italian poster illustrators are some of the best in the industry.
4-FOGLIO
(QUATTRO) 55 x 79″ Very large Italian poster printed in two pieces, often contains very beautiful artwork.
FRENCH
47 x 63″ (GRANDE) or 24 x 33″ (PETITE) French movie posters normally come with different artwork to either the US or the UK. Like the Italian’s some of the artwork is extrememly beautiful.
