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Ed Wood Presents The Worst Movies Ever Made

£95.00

Film

Ed Wood Presents The Worst Movies Ever Made

Additional information

Year

1990’s

Size/Type

UK Quad (30" x 40") Single Sided

Country of Origin

UK / British

Condition

Near Mint minus / Rolled (as issued) / Single Sided

Director

Ed Wood

Actor/Actress

Bela Lugosi, Loretta King, Paul Marco, Tony McCoy, Tor Johnson, Vampira

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“Guaranteed to FRIGHTEN !”

A beautiful film festival poster from the 1990’s featuring six of the wackiest, poorly made and most bizarre films ever made…“The Bride of the Beast / Night of the Ghouls / Plan 9 From Outer Space / Glen or Glenda / Jail Bait / Bride of the Monster” Each equally ‘bad’ in one way or another yet all had one thing in common, they were by one man; legendary ‘B’ movie making maestro Ed Wood. Wood despite a poor reception (and that’s being kind) for his films when originally released during the 50’s & 60’s has gone on to achieve cult status amongst movie fans with paper from any of his films highly sought after and much prized. This collectability has extended to the film festival posters which celebrated his much loved ‘masterpieces’. The original UK quad example offered here is for “Ed Wood Presents The Worst Movies Ever Made” a British festival from the 1990’s and is one of the best looking posters available, featuring classic scenes from six of his movies with images that appear to have hand finished colour touches.  A very cool looking, great designed colourful poster that is extremely scarce. Originally rolled (as issued) this near faultless example is a fantastic find and represents a fine and incredibly rare example very collectable original movie memorabilia for one of Hollywood’s greatest character’s.

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Vintage Movie Posters Grading Criteria... read more +

Film Description

 Ed Wood Presents The Worst Movies Ever Made Movie Poster

“They’ll make your skin CRAWL”

Ever since The Golden Turkey Awards chose Ed Wood as the world’s worst director back in the 80s there have been a lot of people who automatically dismiss all Ed Wood movies as garbage. Even Tim Burton‘s terrific Ed Wood has encouraged this. My opinion is that there are many, many worse directors out there, because at least Wood’s movies were fun and entertaining, unlike many of those made by the likes of Roland Emmerich or Michael Bay, directors who are able to work with budgets a 1000 times bigger than Wood I might add! Bride Of The Monster is one of Wood’s most underrated movies. It was his second movie to star horror legend Bela Lugosi, but unlike the first, the truly mind blowing Glen Or Glenda, it isn’t completely inept. True, some of the acting is terrible, especially the talentless leading lady Loretta King who is (I admit it) lousy, and Wood regular Paul Marco, who has a small supporting role as a cop. But, and this is a BIG but, Lugosi is terrific. Many fans regard this as his best performance. I wouldn’t go that far but it’s hard not to get choked up at Lugosi’s immortal “I have no home” speech. ‘Bride Of The Monster’ is the first Wood film to feature the amazing Tor Johnson. He plays Lugosi’s Tibetan servant/slave Lobo. All the scenes with Lobo are great fun to watch, especially when Lugosi whips him. Apart from Lugosi and Tor this movie is best remembered for the rubber octopus monster. Of course it’s a hoot, but the rest of the picture isn’t anywhere near as bad as many claim and is comparable to sayThe Devil Bat, which Lugosi starred in back in the 1940s. Both movies suffer from their minuscule budgets, but both are still worth watching to see Lugosi struggle for greatness. I recommend ‘Bride Of The Monster’ to all horror fans, especially those of Bela Lugosi.

 

Vintage Movie Posters Grading Criteria

Mint
A poster that has never been used or displayed and may show the most minor signs of age and wear. The poster should have no holes or tears.

Near Mint
A generally unused poster with fresh, saturated colors. May have minimal tears at folds. Has no significant holes, no paper loss, may have minor tears along edges, may have fine pin holes.

Very Fine
A poster with bright colour and crisp overall appearance. It may have very general signs of use including slight fold separation and fold wear. It may have pin holes or very minor tears. This is the highest grade allowed for a poster that has been restored either on linen or on paper.

Fine
A poster with good colors and overall clean appearance. It may have minor tears small paper loss and minor stains. It may have some fold seperation.

Good
An average poster with overall fresh color. May have tears, minor paper loss, minor hazing. Paper may be brittle due to age, may have minor stains. May have a small amount of writing in an unobtrusive place. May have medium or major restoration.

Fair
A poster with faded colors and brittle paper, showing significant signs of use. May have tears and paper loss. May have tape, writing, stains in image area. In need of restoration or had major restoration.

Poor
A poster that is worn, torn, and/or damaged. May have staining, cracking, dry rot, and/or large tears. May be heavily soiled, may have pieces missing. In need of major restoration.

All photographs and images used on our site are photographs of the actual poster/item you are buying, we do not use stock photographs.

Most Popular Poster Types

US Posters

LOBBY CARD
11 x 14″ printed on heavy stock paper. Used as display in theatre lobbies. Originally made in sets of eight. Some sets have a title card, which contains credits and artwork, essentially a mini-poster. The remaining seven cards are coloured photographic credits and poster artwork showing different scenes from the movie.

WINDOW CARD
14 x 22″ printed on heavy stock paper with the top 4-6 inches usually left blank for the local cinema owner to fill in the cinema and the date it was due to play. Largely discontinued during the 1970’s.

HALF SHEET
22 x 28″ printed on heavy stock paper. The image displayed is normally a smaller version of the main poster, although some do have different artworks and sometimes come in two versions.

INSERT
14 x 36″ printed on heavy stock paper. Inserts usually have the same artwork as a one sheet. Popular with collectors since they are smaller and easier to frame. Normally come tri folded or rolled.

STYLE Y/FORTY BY SIXTY
40 x 60″ printed on heavy stock paper. Rare since they were primarily used for major motion pictures only. Designed to be used outside the theatre, on an easel, normally at a drive-in movie theatre.

ONE-SHEET
27 x 41″ printed on paper. This is the most common size of poster, intended to be displayed in a glass “marquee” case. It is the most sought after size by collectors. Since the 1980’s most posters are sent to the theatre rolled and maybe slightly smaller measuring 27″ by 40″ and with the advent of backlit light boxes a growing number of modern movie posters are available double-sided and the more traditional single-sided.

THREE-SHEET
41 x 81″ printed on paper. These were printed on two or three separate sheets designed to overlap, few survive. Used for larger advertising spaces, normally posted on walls, perfect for huge movie theatres the drive-in, where people could see them from a distance. From the 1970’s on, three-sheets were sometimes printed in one piece and issued as “international” versions to be used abroad.

BRITISH Posters

BRITISH QUAD
30 x 40″ Most common poster size used in the UK. British Quads are horizontal and may have different artwork to the US one sheet. Like a US one sheet they normally come in two versions. Like a US one sheet they are usually supplied single-sided or more commonly now as a double sided poster.

BRITISH ONE-SHEET
27 X 40″, printed on paper. Very rarely used size.

ITALIAN Posters

ITALIAN LOCANDINA
13 x 28″ six inches shorter than the US insert, very nice size to frame. Italian poster illustrators are some of the best in the industry.

ITALIAN PHOTOBUSTA
18 x 26″ Glossy, high quality, used as lobby cards in Italy. Size may vary, either vertical or horizontal format. There are also double Photobusta or mini Photobusta.

2-FOGLIO (DUE)
(DUE): 39 x 55″ This is the standard poster size used in Italy. Italian poster illustrators are some of the best in the industry.

4-FOGLIO
(QUATTRO) 55 x 79″ Very large Italian poster printed in two pieces, often contains very beautiful artwork.

FRENCH Posters

FRENCH
47 x 63″ (GRANDE) or 24 x 33″ (PETITE) French movie posters normally come with different artwork to either the US or the UK. Like the Italian’s some of the artwork is extrememly beautiful.