Film
Chuck Berry Hail! Hail! Rock ‘n’ Roll
1987
UK Quad (30" x 40") Single Sided
UK / British
Very Fine; originally folded (as issued)
Taylor Hackford
Chuck Berry, Eric Clapton, Etta James, Julian Lennon, Keith Richards, Linda Ronstadt, Robert Cray
Based his own autobiography “Chuck Berry Hail! Hail! Rock ‘n’ Roll” is a colour and energetic UK quad film poster from 1987. Loosely based around a live concert given by Chuck in his hometown, St. Louis and accompanied by a host of famous musical friends this 1987 film is an enjoyable and foot tapping experience. Produced by the Rolling Stones’ Keith Richards (who also performs) it is regarded as an accomplished ‘rockumentary’. Like many of this type of film the cinematic release was strictly limited, making any paper from the original release is extremely scarce and very sought after by music fans of all persuasions, none more so than the neon stylised UK quad design. Originally folded (as issued) the original 1987 UK unrestored quad film poster offered here displays very well and is a fine example of original and collectable movie and rock ‘n’ roll memorabilia.
Vintage Movie Posters Grading Criteria... read more +
On October, 18th 1986, on the sixtieth birthday of Chuck Berry, there was a concert at the Fox Theatre in his hometown Saint Louis. This documentary highlights some of the best moments of this concert, with footages of Chuck Berry playing his famous songs with a unique band composed by Keith Richards, Johnnie Johnson, Bobby Keys and other great musicians and the participation of Linda Ronstadt, Julian Lennon, Robert Cray, Eric Clapton and Etta James among others famous guests. In this tribute, there are also many interviews and archive footages with Chuck Berry’s parents and siblings, and artists like Little Richard, Bo Diddley, Bruce Springsteen, Roy Orbison, among others. There are many compliments, praise and recognition of his magnificent work from the interviewees; however there are also many obscure moments that deconstruct the idol. For example, Bruce Springsteen tells about Chuck Berry‘s concern with money and no rehearsal with the unknown local pick up bands before his gigs without any respect to the audiences and fans.Keith Richards is extremely ambiguous, and tells about the free physical aggression he suffered from Chuck Berry; and playing out of the rehearsed tune. Further, I understood that some of his famous songs actually were composed by Johnnie Johnson, and the keys adapted by Chuck Berry to the guitar. He manipulates many questions, like for example for his wife, and never mentions that he went to jail for tax evasion. Therefore it is a wonderful documentary of Chuck Berry as a player and singer; but regarding his behaviour out of stage, I would dare to write that he seems to have at least a weird and egocentric personality.
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Mint
A poster that has never been used or displayed and may show the most minor signs of age and wear. The poster should have no holes or tears.
Near Mint
A generally unused poster with fresh, saturated colors. May have minimal tears at folds. Has no significant holes, no paper loss, may have minor tears along edges, may have fine pin holes.
Very Fine
A poster with bright colour and crisp overall appearance. It may have very general signs of use including slight fold separation and fold wear. It may have pin holes or very minor tears. This is the highest grade allowed for a poster that has been restored either on linen or on paper.
Fine
A poster with good colors and overall clean appearance. It may have minor tears small paper loss and minor stains. It may have some fold seperation.
Good
An average poster with overall fresh color. May have tears, minor paper loss, minor hazing. Paper may be brittle due to age, may have minor stains. May have a small amount of writing in an unobtrusive place. May have medium or major restoration.
Fair
A poster with faded colors and brittle paper, showing significant signs of use. May have tears and paper loss. May have tape, writing, stains in image area. In need of restoration or had major restoration.
Poor
A poster that is worn, torn, and/or damaged. May have staining, cracking, dry rot, and/or large tears. May be heavily soiled, may have pieces missing. In need of major restoration.
All photographs and images used on our site are photographs of the actual poster/item you are buying, we do not use stock photographs.
LOBBY CARD
11 x 14″ printed on heavy stock paper. Used as display in theatre lobbies. Originally made in sets of eight. Some sets have a title card, which contains credits and artwork, essentially a mini-poster. The remaining seven cards are coloured photographic credits and poster artwork showing different scenes from the movie.
WINDOW CARD
14 x 22″ printed on heavy stock paper with the top 4-6 inches usually left blank for the local cinema owner to fill in the cinema and the date it was due to play. Largely discontinued during the 1970’s.
HALF SHEET
22 x 28″ printed on heavy stock paper. The image displayed is normally a smaller version of the main poster, although some do have different artworks and sometimes come in two versions.
INSERT
14 x 36″ printed on heavy stock paper. Inserts usually have the same artwork as a one sheet. Popular with collectors since they are smaller and easier to frame. Normally come tri folded or rolled.
STYLE Y/FORTY BY SIXTY
40 x 60″ printed on heavy stock paper. Rare since they were primarily used for major motion pictures only. Designed to be used outside the theatre, on an easel, normally at a drive-in movie theatre.
ONE-SHEET
27 x 41″ printed on paper. This is the most common size of poster, intended to be displayed in a glass “marquee” case. It is the most sought after size by collectors. Since the 1980’s most posters are sent to the theatre rolled and maybe slightly smaller measuring 27″ by 40″ and with the advent of backlit light boxes a growing number of modern movie posters are available double-sided and the more traditional single-sided.
THREE-SHEET
41 x 81″ printed on paper. These were printed on two or three separate sheets designed to overlap, few survive. Used for larger advertising spaces, normally posted on walls, perfect for huge movie theatres the drive-in, where people could see them from a distance. From the 1970’s on, three-sheets were sometimes printed in one piece and issued as “international” versions to be used abroad.
BRITISH QUAD
30 x 40″ Most common poster size used in the UK. British Quads are horizontal and may have different artwork to the US one sheet. Like a US one sheet they normally come in two versions. Like a US one sheet they are usually supplied single-sided or more commonly now as a double sided poster.
BRITISH ONE-SHEET
27 X 40″, printed on paper. Very rarely used size.
ITALIAN LOCANDINA
13 x 28″ six inches shorter than the US insert, very nice size to frame. Italian poster illustrators are some of the best in the industry.
ITALIAN PHOTOBUSTA
18 x 26″ Glossy, high quality, used as lobby cards in Italy. Size may vary, either vertical or horizontal format. There are also double Photobusta or mini Photobusta.
2-FOGLIO (DUE)
(DUE): 39 x 55″ This is the standard poster size used in Italy. Italian poster illustrators are some of the best in the industry.
4-FOGLIO
(QUATTRO) 55 x 79″ Very large Italian poster printed in two pieces, often contains very beautiful artwork.
FRENCH
47 x 63″ (GRANDE) or 24 x 33″ (PETITE) French movie posters normally come with different artwork to either the US or the UK. Like the Italian’s some of the artwork is extrememly beautiful.
