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Captain America: The First Avenger

£95.00

Film

Captain America: The First Avenger

Additional information

Year

2011

Size/Type

US / International One Sheet / Double Sided / (27" x 40")

Country of Origin

Printed in USA for use in Europe and United Kingdom

Condition

Near Mint minus / Originally Rolled (as issued)

Director

Joe Johnston

Actor/Actress

Chris Evans, Dominic Cooper, Hayley Atwell, Hugo Weaving, Samuel L Jackson, Scarlett Johansson, Sebastian Stan, Stan Lee, Toby Jones, Tom Hiddleston, Tommy Lee Jones

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“Whatever happens tomorrow you must promise me one thing. That you will stay who you are. Not a perfect soldier, but a good man.”

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Based upon photography by Michael Muller, BLT Communications LLC have created a truly dynamic ‘origin’ poster for the inaugural cinema outing for one of the corner stone characters of the Marvel Cinematic Universe “Captain America: The First Avenger”. This original ‘Cast Style’ 2011 UK quad film poster for Marvel’s all action super hero romp for the iconic ‘Captain’ and is certainly impressive and perfectly suited to the portrait format of the one-sheet. Originally rolled (as issued) this looks stunning and displays to excellent and memorable effect…One of the best looking posters to date for any of the Marvel Studios’ releases with colourful super-hero Steve Rogers/Captain America artwork that represents a fine piece of collectible modern cinema movie memorabilia.

Trivia: Originally cameo appearances were planned in the film for James “Logan” Howlett (Wolverine) and Erik Lehnsherr (Magneto), who were present during World War II (Logan was a soldier and Lehnsherr was in an internment camp). These cameos were scrapped due to rights issues.

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Film Description

Captain America: The First Avenger Movie Poster

“It is 1942, America has entered World War II, and sickly but determined Steve Rogers is frustrated at being rejected yet again for military service. Everything changes when Dr. Erskine recruits him for the secret Project Rebirth. Proving his extraordinary courage, wits and conscience, Rogers undergoes the experiment and his weak body is suddenly enhanced into the maximum human potential. When Dr. Erskine is then immediately assassinated by an agent of Nazi Germany’s secret HYDRA research department (headed by Johann Schmidt, a.k.a. the Red Skull), Rogers is left as a unique man who is initially misused as a propaganda mascot; however, when his comrades need him, Rogers goes on a successful adventure that truly makes him Captain America, and his war against the Red Skull begins.”

Captain America: The First Avenger is a pretty decent film by its own merits. Showing the good old retro style and production design, since this film is directed by Joe Johnston who is capable of portraying the old times perfectly. Chris Evans did a great job as Captain America. Some of the action scenes are rather ‘vanilla’ but at least the CGI effects are effective. The movie ends with true patriotic heroism and full of heart. Definitely not new but it’s still enjoyable.

The trope of Captain America: The First Avenger has been reused by so many superhero movies. A good guy who is a weakling became powerful then eventually saves the day. It’s definitely not innovating even for the people who’ve never read the comics but it’s a relic. Well made production design & the old fashion score. Most battle scenes are montages. The action scenes are large. It can be watchable but some of them are pretty bland and poorly directed.

The joys and the thrills mostly goes to the performances. Nothing goes wrong with Chris Evans. He did a decent job as Steve Rogers/Captain America. Hugo Weaving is fun to watch by his campiness and menace for the Red Skull. Tommy Lee Jones is the comic relief here. The special effects are everywhere. Skinny Chris Evans and the background of the 1940s. Well, they are good enough for this film.

Plenty of things worked in the end. Captain America: The First Avengeris a throwback in its old fashion style but a little messy when it comes to the editing of the action scenes, but it’s still enjoyable. Patriotic heroism, full of heart, Chris Evans, and decent production design. Marvel Studios and Joe Johnston really beats the awful 1990’s version. The action could have been better but their flaws can be ignored. It’s a fun enough ride as a superhero movie and the perfect introduction for the character into the Marvel Cinematic Universe.

Vintage Movie Posters Grading Criteria

Mint
A poster that has never been used or displayed and may show the most minor signs of age and wear. The poster should have no holes or tears.

Near Mint
A generally unused poster with fresh, saturated colors. May have minimal tears at folds. Has no significant holes, no paper loss, may have minor tears along edges, may have fine pin holes.

Very Fine
A poster with bright colour and crisp overall appearance. It may have very general signs of use including slight fold separation and fold wear. It may have pin holes or very minor tears. This is the highest grade allowed for a poster that has been restored either on linen or on paper.

Fine
A poster with good colors and overall clean appearance. It may have minor tears small paper loss and minor stains. It may have some fold seperation.

Good
An average poster with overall fresh color. May have tears, minor paper loss, minor hazing. Paper may be brittle due to age, may have minor stains. May have a small amount of writing in an unobtrusive place. May have medium or major restoration.

Fair
A poster with faded colors and brittle paper, showing significant signs of use. May have tears and paper loss. May have tape, writing, stains in image area. In need of restoration or had major restoration.

Poor
A poster that is worn, torn, and/or damaged. May have staining, cracking, dry rot, and/or large tears. May be heavily soiled, may have pieces missing. In need of major restoration.

All photographs and images used on our site are photographs of the actual poster/item you are buying, we do not use stock photographs.

Most Popular Poster Types

US Posters

LOBBY CARD
11 x 14″ printed on heavy stock paper. Used as display in theatre lobbies. Originally made in sets of eight. Some sets have a title card, which contains credits and artwork, essentially a mini-poster. The remaining seven cards are coloured photographic credits and poster artwork showing different scenes from the movie.

WINDOW CARD
14 x 22″ printed on heavy stock paper with the top 4-6 inches usually left blank for the local cinema owner to fill in the cinema and the date it was due to play. Largely discontinued during the 1970’s.

HALF SHEET
22 x 28″ printed on heavy stock paper. The image displayed is normally a smaller version of the main poster, although some do have different artworks and sometimes come in two versions.

INSERT
14 x 36″ printed on heavy stock paper. Inserts usually have the same artwork as a one sheet. Popular with collectors since they are smaller and easier to frame. Normally come tri folded or rolled.

STYLE Y/FORTY BY SIXTY
40 x 60″ printed on heavy stock paper. Rare since they were primarily used for major motion pictures only. Designed to be used outside the theatre, on an easel, normally at a drive-in movie theatre.

ONE-SHEET
27 x 41″ printed on paper. This is the most common size of poster, intended to be displayed in a glass “marquee” case. It is the most sought after size by collectors. Since the 1980’s most posters are sent to the theatre rolled and maybe slightly smaller measuring 27″ by 40″ and with the advent of backlit light boxes a growing number of modern movie posters are available double-sided and the more traditional single-sided.

THREE-SHEET
41 x 81″ printed on paper. These were printed on two or three separate sheets designed to overlap, few survive. Used for larger advertising spaces, normally posted on walls, perfect for huge movie theatres the drive-in, where people could see them from a distance. From the 1970’s on, three-sheets were sometimes printed in one piece and issued as “international” versions to be used abroad.

BRITISH Posters

BRITISH QUAD
30 x 40″ Most common poster size used in the UK. British Quads are horizontal and may have different artwork to the US one sheet. Like a US one sheet they normally come in two versions. Like a US one sheet they are usually supplied single-sided or more commonly now as a double sided poster.

BRITISH ONE-SHEET
27 X 40″, printed on paper. Very rarely used size.

ITALIAN Posters

ITALIAN LOCANDINA
13 x 28″ six inches shorter than the US insert, very nice size to frame. Italian poster illustrators are some of the best in the industry.

ITALIAN PHOTOBUSTA
18 x 26″ Glossy, high quality, used as lobby cards in Italy. Size may vary, either vertical or horizontal format. There are also double Photobusta or mini Photobusta.

2-FOGLIO (DUE)
(DUE): 39 x 55″ This is the standard poster size used in Italy. Italian poster illustrators are some of the best in the industry.

4-FOGLIO
(QUATTRO) 55 x 79″ Very large Italian poster printed in two pieces, often contains very beautiful artwork.

FRENCH Posters

FRENCH
47 x 63″ (GRANDE) or 24 x 33″ (PETITE) French movie posters normally come with different artwork to either the US or the UK. Like the Italian’s some of the artwork is extrememly beautiful.