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2001: A Space Odyssey

£375.00

Film

2001: A Space Odyssey

Additional information

Year

1968 (1969 Re-Release)

Size/Type

UK Quad (30" x 40") Single Sided

Country of Origin

UK / British

Condition

Very Fine; originally folded (as issued)

Director

Stanley Kubrick

Actor/Actress

Daniel Richter, Douglas Rain, Frank Miller, Gary Lockwood, Keir Dullea, Leonard Rossiter, Margaret Tyzack, Robert Beatty, William Sylvester

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“The Ultimate Trip…Let the Awe and Mystery of a Journey Unlike Any Other Begin !”

Quite frankly, Stanley Kubrick’s “2001: A Space Odyssey” is the greatest science-fiction film made to date with memorabilia avidly sought and collected, particularly “country of origin” examples…Since its premier in 1968 Kubrick’s movie has been re-released many, many times over the years and it is from the first re-release, 1969 that this scarce example comes. This country of origin UK quad film poster is significant as it it the first time the iconic “Starchild” imagery is featured and also the first time the tagline “the ultimate trip” is used in an advertising campaign. With the drug-fueled, psychedelic flower-power hippy era coming to close and interest in alien life piqued as man genuinely ventured into outer space were supremely relevant. Totally original and unrestored and presented in excellent tri-folded (as issued) condition, (surprisingly no fold line to the “Starchild” image.) the colours are deep and unfaded and the “Starchild” imagery truly haunting. A very rare find in this high grade condition and represents a very collectable and desirable example of original film memorabilia from one of the defining science fiction films.

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TRIVIA: Kubrick polled several colour combinations for the title livery and background and decided himself to go with the bold blue/yellow livery as he felt it the most distinctive.

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Vintage Movie Posters Grading Criteria... read more +

Film Description

2001: A Space Odyssey Film Poster

“I’m afraid. I’m afraid, Dave. Dave, my mind is going. I can feel it. I can feel it. My mind is going. There is no question about it. I can feel it. I can feel it. I can feel it. I’m a… fraid. Good afternoon, gentlemen. I am a HAL 9000 computer.”

Pure and simple, 2001: A Space Odyssey is one of the greatest films ever made. If one were to ever question the genius of Stanley Kubrick, they only need to indulge in this masterpiece to be persuaded to think otherwise. There are so many positives that can be taken from this picture that it is almost impossible to find a starting point.

The film (which was also co-written by Kubrick) begins in ancient times, where we are introduced to the Neanderthals. Primitive and lacking intellect, they encounter a strange monolith buried in the ground. Shortly after this encounter, one of the primitives discovers a weapon that they use to not only hunt and fend for themselves, but also to evolve. As a matter of fact, evolution plays a crucial role in the development of this film, as the movie itself seemingly “evolves” from one era to another. Later, we are whisked away into the 21st century, where a group of scientists embark on a mission to study a new monolith that has been discovered in the far reaches of the galaxy. Their ship is controlled by HAL 9000 (Douglas Rain); a computer that is flawlessly flawed as we find out later in the movie.

Released way back in 1968, the movie has Oscar winning special effects that are absolutely breathtaking. As a matter of fact, upon viewing this film I had a difficult time believing that it wasn’t filmed only a few years ago. The scenes might take a long time to unfold, but that is the beauty of the film. The classical music (“Blue Danube”) and the effects are used here to illustrate the glory of mankind’s evolution thanks to the monoliths that we have encountered. Music plays a critical role in all of Kubrick’s films, but here I feel it has the most impact overall. This film is one that every connoisseur of fine cinema should see at least once.

 

Vintage Movie Posters Grading Criteria

Mint
A poster that has never been used or displayed and may show the most minor signs of age and wear. The poster should have no holes or tears.

Near Mint
A generally unused poster with fresh, saturated colors. May have minimal tears at folds. Has no significant holes, no paper loss, may have minor tears along edges, may have fine pin holes.

Very Fine
A poster with bright colour and crisp overall appearance. It may have very general signs of use including slight fold separation and fold wear. It may have pin holes or very minor tears. This is the highest grade allowed for a poster that has been restored either on linen or on paper.

Fine
A poster with good colors and overall clean appearance. It may have minor tears small paper loss and minor stains. It may have some fold seperation.

Good
An average poster with overall fresh color. May have tears, minor paper loss, minor hazing. Paper may be brittle due to age, may have minor stains. May have a small amount of writing in an unobtrusive place. May have medium or major restoration.

Fair
A poster with faded colors and brittle paper, showing significant signs of use. May have tears and paper loss. May have tape, writing, stains in image area. In need of restoration or had major restoration.

Poor
A poster that is worn, torn, and/or damaged. May have staining, cracking, dry rot, and/or large tears. May be heavily soiled, may have pieces missing. In need of major restoration.

All photographs and images used on our site are photographs of the actual poster/item you are buying, we do not use stock photographs.

Most Popular Poster Types

US Posters

LOBBY CARD
11 x 14″ printed on heavy stock paper. Used as display in theatre lobbies. Originally made in sets of eight. Some sets have a title card, which contains credits and artwork, essentially a mini-poster. The remaining seven cards are coloured photographic credits and poster artwork showing different scenes from the movie.

WINDOW CARD
14 x 22″ printed on heavy stock paper with the top 4-6 inches usually left blank for the local cinema owner to fill in the cinema and the date it was due to play. Largely discontinued during the 1970’s.

HALF SHEET
22 x 28″ printed on heavy stock paper. The image displayed is normally a smaller version of the main poster, although some do have different artworks and sometimes come in two versions.

INSERT
14 x 36″ printed on heavy stock paper. Inserts usually have the same artwork as a one sheet. Popular with collectors since they are smaller and easier to frame. Normally come tri folded or rolled.

STYLE Y/FORTY BY SIXTY
40 x 60″ printed on heavy stock paper. Rare since they were primarily used for major motion pictures only. Designed to be used outside the theatre, on an easel, normally at a drive-in movie theatre.

ONE-SHEET
27 x 41″ printed on paper. This is the most common size of poster, intended to be displayed in a glass “marquee” case. It is the most sought after size by collectors. Since the 1980’s most posters are sent to the theatre rolled and maybe slightly smaller measuring 27″ by 40″ and with the advent of backlit light boxes a growing number of modern movie posters are available double-sided and the more traditional single-sided.

THREE-SHEET
41 x 81″ printed on paper. These were printed on two or three separate sheets designed to overlap, few survive. Used for larger advertising spaces, normally posted on walls, perfect for huge movie theatres the drive-in, where people could see them from a distance. From the 1970’s on, three-sheets were sometimes printed in one piece and issued as “international” versions to be used abroad.

BRITISH Posters

BRITISH QUAD
30 x 40″ Most common poster size used in the UK. British Quads are horizontal and may have different artwork to the US one sheet. Like a US one sheet they normally come in two versions. Like a US one sheet they are usually supplied single-sided or more commonly now as a double sided poster.

BRITISH ONE-SHEET
27 X 40″, printed on paper. Very rarely used size.

ITALIAN Posters

ITALIAN LOCANDINA
13 x 28″ six inches shorter than the US insert, very nice size to frame. Italian poster illustrators are some of the best in the industry.

ITALIAN PHOTOBUSTA
18 x 26″ Glossy, high quality, used as lobby cards in Italy. Size may vary, either vertical or horizontal format. There are also double Photobusta or mini Photobusta.

2-FOGLIO (DUE)
(DUE): 39 x 55″ This is the standard poster size used in Italy. Italian poster illustrators are some of the best in the industry.

4-FOGLIO
(QUATTRO) 55 x 79″ Very large Italian poster printed in two pieces, often contains very beautiful artwork.

FRENCH Posters

FRENCH
47 x 63″ (GRANDE) or 24 x 33″ (PETITE) French movie posters normally come with different artwork to either the US or the UK. Like the Italian’s some of the artwork is extrememly beautiful.