Showing 1–12 of 39 results
“Stay on the road…Keep clear of the moors…Beware the moon, lads.”
John Landis’ “An American Werewolf in London” is one of the best werewolf movies ever made, full of dark humour and gory thrills. As most people know, this has one of the best human/werewolf transformation scenes in cinematic history. Unlike modern monster/horror movies of today, this film has no CGI or computer-aided special effects; what you see on the screen is a physical production made piece for which Rick Baker won the Oscar. This 2021 alternative movie poster by the American graphic artist Todd Alcott shows a very understated and restrained design for a horror poster as David (David Naughton), Jack (Griffin Dunne), Nurse Alex Price (Jenny Agutter) plus a number of London landmarks are represented as characters on what appears to be a beaten up paperback book cover. Presented in excellent condition this rolled (as issued) example displays superbly and has been printed too look distressed. Alcott’s impressive piece of poster artwork represents a great twist on traditional horror movie memorabilia and is a great example in the rapidly expanding area of alternative movie posters. “I vote we go back to the Slaughtered Lamb”
Trivia: Rick Baker claimed to have been disappointed by the amount of time spent shooting the face changing shot for the transformation after having spent months working on the mechanism. John Landis only required one take lasting about seven seconds. Baker felt he had wasted his time until seeing the film with an audience that applauded during that one seven second shot.
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John Landis’ “An American Werewolf in London” is one of the best werewolf movies ever made, full of dark humour and gory thrills. As most people know, this has one of the best human/werewolf transformation scenes in cinematic history. Unlike modern monster/horror movies of today, this film has no CGI or computer-aided special effects; what you see on the screen is a physical production made piece for which Rick Baker won the Oscar. This 2011 hand-numbered (#31/380) and signed by the artist – Olly Moss alternative movie poster is a very clever design as the werewolf’s head is incorporated into a silhouette map of the British Isles. Presented in excellent condition this rolled (as issued) example displays superbly and is an impressive piece of horror poster artwork and is a hugely desirable alternative movie poster by one of the leading artists working in the medium. “I vote we go back to the Slaughtered Lamb”
Trivia: John Landis wrote the screenplay for this film following an incident while shooting Kelly’s Heroes (1970) (while he was a go-fer) in the countryside of Yugoslavia. While driving along a country road with a colleague, Landis encountered a gypsy funeral. The body was being buried in a massively deep grave, feet first, while wrapped in garlic so he would not rise from the dead.
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“Stay on the road…Keep clear of the moors…Beware the moon, lads.”
John Landis’ “An American Werewolf in London” is one of the best werewolf movies ever made, full of dark humour and gory thrills. As most people know, this has one of the best human/werewolf transformation scenes in cinematic history. Unlike modern monster/horror movies of today, this film has no CGI or computer-aided special effects; what you see on the screen is a physical production made piece for which Rick Baker won the Academy Award and that’s perfectly illustrated here on this Australian one-sheet as the said transformation of David (David Naughton) is fully featured. It appears the Australian poster designers weren’t worried about spoilers. Presented in unrestored condition this folded (as issued) example displays to very good effect and represents a fantastic item of original horror movie memorabilia from a classic of the genre with some truly eye-catching imagery. “I vote we go back to the Slaughtered Lamb”
Trivia: Rick Baker claimed to have been disappointed by the amount of time spent shooting the face changing shot for the transformation after having spent months working on the mechanism. John Landis only required one take lasting about seven seconds. Baker felt he had wasted his time until seeing the film with an audience that applauded during that one seven second shot.
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“Stay on the road…Keep clear of the moors…Beware the moon, lads.”
John Landis’ “An American Werewolf in London” is one of the best werewolf movies ever made, full of dark humour and gory thrills. As most people know, this has one of the best human/werewolf transformation scenes in cinematic history. Unlike modern monster/horror movies of today, this film has no CGI or computer-aided special effects; what you see on the screen is a physical production made piece for which Rick Baker won the Oscar. This 2022 signed Artist Proof (AP) alternative movie poster by Matt Ferguson and Vice Press is a proper horror poster as David (David Naughton) and Jack (Griffin Dunne) are shown walking through the moonlit moors unaware as a pool of blood forms at their feet. Ferguson has cleverly incorporated the piercing eyes of the werewolf into the title design which is finished (as is the pool of blood) in bright red and printed with a spot ink varnish for a truly dramatic effect. Presented in excellent condition this rolled (as issued) example displays superbly and is an impressive piece of horror poster artwork and is a hugely desirable alternative movie poster. “I vote we go back to the Slaughtered Lamb”
Trivia: Rick Baker claimed to have been disappointed by the amount of time spent shooting the face changing shot for the transformation after having spent months working on the mechanism. John Landis only required one take lasting about seven seconds. Baker felt he had wasted his time until seeing the film with an audience that applauded during that one seven second shot.
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“Stay on the road…Keep clear of the moors…Beware the moon.”
This original publicity still is priced and supplied framed
A truly influential genre great…John Landis‘ tongue in cheek werewolf horror romp “An American Werewolf in London”. This original black & white publicity still is flat and unfolded (as issued), in exceptional condition, presented in a custom made black frame finished with UV plexi glass and features a classic scene from this much loved movie where David Kessler (David Naughton) is recovering in hospital when he is visited by the werewolf mutilated ghost of his best friend Jack Goodman (Griffin Dune). A superb piece of cinematic memorabilia from the “golden age” of physical movie special effects presented framed and ready to hang in excellent original condition. “I vote we go back to the Slaughtered Lamb”
Trivia: Rick Baker claimed to have been disappointed by the amount of time spent shooting the face changing shot for the transformation after having spent months working on the mechanism. John Landis only required one take lasting about seven seconds. Baker felt he had wasted his time until seeing the film with an audience that applauded during that one seven second shot.
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“Ever wanted to be someone else?…Now you can”…Very rare original UK Quad film poster for Spike Jonze’s bizarre comedy “Being John Malkovich”. This example displays beautifully being originally rolled and in exceptional condition with striking distinctive design. Although a relatively recent film poster this version is extremely scarce.
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A surreal looking Polish One-Sheet for Hal Ashby’s Oscar winning “Being There” (1979) with artwork by Maria ‘Mucha’ Ihnatowicz for the first Polish release in 1982. With bright colours and distinctive painted illustration, it is a perfect complement to what is a excellent (dark) comedy film featuring a standout performance by Peter Sellers. A beautiful, stylish piece of film poster art that is unique to this Polish release. Originally rolled (as issued) this beautiful unrestored 1979 example displays and presents to excellent effect and represents one of the most collectable Peter Sellers’ film posters available.
Trivia: It took Peter Sellers nearly nine years to get this movie made by a studio, mainly because by the 1970s Sellers’ career had hit rock bottom and no studio in Hollywood would work with him. After the revival (and success) of the Pink Panther movies, Lorimar Pictures finally greenlit the project.
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“Borat was so 2006″…Cheeky design by Crew Creative. This is an original Advance (July 10) UK Quad movie poster from 2009 for Sacha Baron Cohen’s gay fashionista comedy “Bruno”. This rolled example is in exceptional condition and displays superbly. A real eye catching, talking piece poster for a movie that quickly became a cult classic. In very short supply due to its “18” (“R” in USA) rating and limited cinema distribution.
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“CAR WASH…where anything can happen and usually does”…A very rare original 1976 UK Quad movie poster for the blaxpoitation musical comedy directed by Michael Schultz. Simple, colourful striking image in what is a far superior poster to its US counterpart. A really great fun, feelgood movie.
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“What do you do when your father is no ordinary Joe?”…Striking and rare original US One sheet movie poster from 1996 for the unusual (to say the least) comedy drama “Children of the Revolution”. Fantastic eye catching design that makes for a real talking piece…Fun and genuinely very scarce, this original rolled example looks and displays superbly.
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“Scream as your nightmares come true”
Sam Raimi’s “The Evil Dead” is one of the best horror comedy movies ever made, full of dark humour and gory thrills. As most people know, this is one of the greatest performing films, dollar for dollar in cinematic history. One of the most popular film titles for alternative movie posters artists, this 2016 hand-numbered (#134/220) print by Francesco Francavilla is a standout piece and a proper horror poster as a chainsaw wielding Ash (Bruce Campbell) and the demonically possessed Cheryl (Ellen Sandweiss) dominate the blood red coloured imagery. Presented in excellent condition this rolled (as issued) example displays superbly that represents an impressive piece of horror artwork and is a hugely desirable alternative movie poster. “I know now that my wife has become host to a Kandarian demon. I fear that the only way to stop those possessed by the spirits of the book is through the act of… bodily dismemberment.”
Trivia: Over his years as a director, Raimi’s 1973 Oldsmobile Delta 88 (originally bought by Raimi’s father for the family when Sam was 14) has “played” Ash’s car in the Evil Dead movies, Uncle Ben and Aunt May’s car in the Spider-Man movies, Annie’s car in The Gift (2000), and Mrs. Ganoush’s car in Drag Me to Hell (2009), and has made cameos in nearly all of his other movies.
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“While the rest of us were just thinking about it…Ferris borrowed a Ferrari and did it…all in a day.”
This original publicity still is priced and supplied framed
A movie that has aged very, very well and is considered a classic, “Ferris Bueller’s Day Off” was a so so hit for John Hughes when released in 1986 launching many of it’s cast on the road to Hollywood glory; Matthew Broderick, Charlie Sheen, Jennifer Grey etc. Offered here is an original black & white publicity still by photographer Bonnie Schiffman featuring the three key cast members and friends – Ferris Bueller (Mathew Broderick), Sloane Peterson (Mia Sara) & Cameron Frye (Alan Ruck). Flat and unfolded (as issued) this excellent original 1986 publicity still presents exceptionally well and is presented in a custom made black frame finished with UV plexiglass and represents a very collectable and displayable item of movie memorabilia. “Life moves pretty fast. If you don’t stop and look around once in a while, you could miss it”
Trivia: The restaurant where Ferris and company go to eat is the same one Jake and Elwood terrorized in The Blues Brothers (1980). It is also the same restaurant from St. Elmo’s Fire (1985), where Kirby waits for Dale.
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