Showing 1–12 of 16 results
“This Time It’s War”
An alternative movie poster for James Cameron’s “Aliens”, that is unquestionably one of the highlights for the title. Being one of the most popular subjects for alternative movie posters, artist Paul Mann has created an incredible looking poster (his second for the franchise after his hugely well received Alien in 2021) and one of my personal favourites for the movie. His hand-numbered #52/75 screen print is truly a stunning piece that has captured the alien queen and the actors’ likenesses with real accuracy and colours that have an amazing, vibrancy. “Aliens” has gone on to become a benchmark for the sci-fi actioner. The alternative movie poster offered here is from 2025 and presents to excellent effect in original unrestored, rolled (as issued) condition that represents a fine piece of movie memorabilia and artwork from a truly influential movie that changed the face of the modern sci-fi action movie forever.
Trivia: Sigourney Weaver‘s Best Actress Academy Award nomination for this movie was the first ever for an actress in a role in an action and sci-fi movie.
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An impressive and eye-catching item from the hand of master illustrator – Paul Mann, for the classic Paul Newman prison chain gang drama “Cool Hand Luke”. This stunning alternative movie poster features a beautiful image of Newman (dressed in prison fatigue double denim) along with the outstanding supporting cast in the background with Boss Godfrey (Morgan Woodward) one of the most prominent – He never removed the sunglasses throughout nor spoke a word and became known as ‘the man with no eyes’ one of the most significant and memorable characters from the Film. Hand-Numbered #69 from a print run of only 100, this originally rolled (as issued) example looks and displays to excellent effect. Unquestionably one of Newman’s finest roles, in a motion picture that has become near legendary and (rightly so) this modern re-imagining represents a highly collectable piece of artwork and a rare item of movie memorabilia.
Trivia: Two hundred hard-boiled eggs were provided for one of the film’s most famous sequences. Due to clever editing, Paul Newman only ate about eight altogether. The rest were consumed by the cast and crew, which led to extreme cases of flatulence the next day.
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“PLEASE TRY NOT TO FAINT. Not recommended for people of nervous disposition.”
One of the best re-release posters you will see for a Hammer presentation for one of the most important films, Hammer made. Offered here is a beautiful British quad for the restored 4K 2025 re-release for “The Curse of Frankenstein”. Artist Greg Staples has excelled, himself and (in my opinion) produced the best artwork of his distinguished career – it really is exceptional with the photograph not doing it justice. A film poster with outstanding detailed artwork and use of colour; the green used on the title is particularly lurid, with incredible realistic likenesses of Lee, Cushing and the strong supporting cast. Released by Hammer for a very limited cinematic run that coincided with a newly remastered Blu Ray, this UK quad is from the cinema release and not one of the 200 limited release examples offered on Hammer’s website. It presents to excellent effect and is a must have Hammer Horror collectable.
Trivia: Christopher Lee and Peter Cushing‘s friendship was sparked when Lee stormed into Cushing’s dressing room, complaining that “I’ve got no lines!” Cushing kindly responded, “You’re lucky. I’ve read the script.”
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“The film Francis is making is a metaphor for a journey into self. He has made that journey and is still making it. It’s scary to watch someone you love go into the center of himself and confront his fears, fear of failure, fear of death, fear of going insane. You have to fail a little, die a little, go insane a little, to come out the other side. The process is not over for Francis.”
The making of a movie has never been documented with more power to discern the true nature of what is happening behind the scenes than in this account of the torment and the passion of Francis Ford Coppola’s Apocalypse Now. All of the drama and emotion was filmed and documented by Fax Bahr, George Hickenlooper & Coppola’s own wife, Eleanor then released in 1991 as the documentary “Hearts of Darkness: A Filmmaker’s Apocalypse”. In July 2025 to coincide with a 4K Ultra HD Special Edition release, Eleanor Coppola’s remastered movie received a limited number of cinema screenings. These were accompanied by an incredible newly commissioned poster by Akiko Stehrenberger which demonstrates a beautiful use of colour and featuring the helicopter imagery, so memorable from Apocalypse Now’s original 1979 marketing campaign and of course so pivotal in the movie itself. Rolled (as issued) it presents to excellent effect and represents one of the best reimagined cinematic posters in recent years and certainly in the running as the best cinematic poster of 2025.
Trivia: This film has a 100% rating based on 33 critic reviews on Rotten Tomatoes.
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My personal favourite Indiana Jones movie with this modern, alternative movie poster re-imagining by Alistair Little, arguably superior to some of the official movie posters that accompanied the 1984 release of “Indiana Jones and the Temple of Doom”. This hand-numbered artist proof, #7 from a very limited print run of only 10 has also been signed by the artist. Printed on 300 gsm art paper this giclee art print gives the impression of being original painted artwork. The colour palette and print quality is superb; it needs to be seen to fully appreciate just how stunning it really is. Taking centre stage is Harrison Ford as the titular Indiana Jones offset by the menacing Thuggee god Kali. Originally rolled (as issued) this superb example displays to excellent effect. Genuinely scarce it represents a fantastic example of modern cinematic movie memorabilia for an incredibly popular and well loved character.
Trivia: George Lucas, Steven Spielberg, Gloria Katz and Willard Huyck were concerned how to keep the audience interested during the exposition on the Thugee cult. Huyck and Katz proposed a tiger hunt, but Spielberg said “There’s no way I’m going to stay in India long enough to shoot a tiger hunt.” They eventually decided on a dinner scene involving eating bugs, monkey brains, and the like. “Steve and George both still react like children, so their idea was to make it as gross as possible,” says Katz.
What is Giclee ?
Derived from the French term gicler – meaning ‘to squirt or spray’, the term describes a printing process whereby microscopic dots of pigment-based ink are sprayed onto archival-quality paper to ensure the fidelity of a limited edition print to an original artwork.
The richness, accuracy and depth of colour is thanks to the method’s potential to achieve a huge colour gamut (the spectrum of colours distinguishable by the human eye). Unlike the four tones used in lithography, giclées often use five: light cyan, cyan, light magenta, yellow and black.
Fantastic for reproductions which require maximum detail, giclées are most commonly found on watercolour paper or canvas, but can also be created on glass. Different types of paper will produce different effects. Matte paper works well behind glass due its lack of reflectivity, whilst the shine of a glossy finish can give an artwork a brighter appearance.
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“Everyone has a past…Every legend has a beginning…Discover how James…became Bond”
A scarce giclee fine art print by Paul Mann for Martin Campbell’s hugely successful reinventing of the Bond franchise “Casino Royale” featuring Daniel Craig as 007 James Bond. And it is Craig’s Bond (resplendent in signature dinner suit) and Vesper Lynd (Eva Green) who are featured on this incredible limited edition, hand-numbered (#37/75) print. The imagery focuses on a key scene from the movie as Bond is seen gambling at the poker table as Vesper looks on in her scene stealing purple dress. Selling out immediately on release, and due to the very limited print run these are extremely scarce and sought after. Originally rolled (as issued) it is presented in excellent condition, with the giclee finish giving a hand-painted effect – it really does look fantastic and represents an impressive piece of highly collectable James Bond 007 movie memorabilia.
Trivia: The way Bond orders his first vodka martini is lifted directly from the Ian Fleming novels.
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A magnificent private commission alternative movie poster for John Glen’s 1989 James Bond extravaganza…“Licence to Kill”. The action-packed artwork (the second in his Bond series) by artist Alfons Kiefer features all the classic imagery you’d expect to see in a Bond film, Dalton – sans tuxedo, emphasising this Bond is independent and his own man, exotic location, action, psychotic villains – Robert Davi and Benicio Del Toro and beautiful, glamorous women – Carey Lowell and Talisa Soto. This fourteen-colour screenprint is presented on Fedrigoni Materica Gesso paper and is hand-numbered #22/75. This amazing limited edition art print represents a fine piece of very collectable James Bond movie memorabilia.
Trivia: It is widely and incorrectly rumored that this was Timothy Dalton‘s last James Bond film due it being financially disappointing. In reality, Dalton was to star in a third James Bond film after this one, titled “Property of a Lady”, written by Michael G. Wilson and Alfonse Ruggiero Jr. and set to start shooting in 1990, with pre-production work having begun in May of that year. However legal issues with MGM beginning that year created long delays which eventually led Dalton to announce his retirement from the role in 1994, a year after his initial contract expired, paving the way for Pierce Brosnan‘s casting in GoldenEye (1995). Had the film been made, it would have been set in Scotland, Tokyo, and Hong Kong, and would have involved nanotechnology.
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An absolutely beautiful fine art print by Paul Mann for Roger Moore’s debut as Ian Fleming’s super-spy James Bond 007 in Guy Hamilton’s “Live And Let Die”. Mann has been commissioned to create alternative movie posters for all the early Bond movies and after finishing with the Connery titles has now moved on to Moore’s tenure, resulting in this sold out private commission offering. It is a movie poster in every sense of the word, with Mann recreating an incredible Bond posters. His detailed and stylish illustrations perfectly capture the voodoo theme of the movie, with the Tarot card display just amazing. Add to that the famous boat chase / jump sequence, the alligator farm, the enigmatic Solitaire (Jane Seymour), the villainous Baron Samedi (Geoffrey Holder) and you have a ‘perfect’ 007 poster. The use of the familiar title lettering and incorporating the “007” reference is worked into Roger Moore’s name and a dagger is also cleverly inserted into the “I” of the title script “DIE” adds a nice touch to Mann’s reworked artwork. Incredibly scarce, this one-sheet style (portrait) hand-numbered (#81/145) piece is offered as originally supplied, flat and unfolded (as issued). Printed on Fabriano Tiepolo Specialist Paper using 10 coloured inks it presents and displays to excellent effect with vibrant colours. A stunning item that represents a fine example of extremely collectable James Bond memorabilia.
Trivia: The producers offered Clint Eastwood the role of James Bond, fresh from his success with Dirty Harry (1971). He was flattered, but declined, saying that Bond should be played by an English actor. Notably, Bond uses a Smith & Wesson .44 Magnum in this film, the gun made hugely popular by the Dirty Harry film franchise.
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An absolutely beautiful fine art print by Paul Mann for Roger Moore’s debut as Ian Fleming’s super-spy James Bond 007 in Guy Hamilton’s “Live And Let Die”. Mann has been commissioned to create alternative movie posters for all the early Bond movies and after finishing with the Connery titles has now moved on to Moore’s tenure, resulting in this sold out private commission offering. It is a movie poster in every sense of the word, with Mann recreating an incredible Bond posters. His detailed and stylish illustrations perfectly capture the voodoo theme of the movie, with the Tarot card display just amazing. Add to that the famous boat chase / jump sequence, the alligator farm, the enigmatic Solitaire (Jane Seymour), the villainous Baron Samedi (Geoffrey Holder) and you have a ‘perfect’ 007 poster. The use of the familiar title lettering and incorporating the “007” reference is worked into Roger Moore’s name and a dagger is also cleverly inserted into the “I” of the title script “DIE” adds a nice touch to Mann’s reworked artwork. Incredibly scarce, with a much lower print run than the portrait version, this UK quad style (landscape) hand-numbered (#52/65) piece is offered as originally supplied, flat and unfolded (as issued). Printed on Fabriano Tiepolo Specialist Paper using 10 coloured inks it presents and displays to excellent effect with vibrant colours. A stunning item that represents a fine example of extremely collectable James Bond memorabilia.
Trivia: The producers offered Clint Eastwood the role of James Bond, fresh from his success with Dirty Harry (1971). He was flattered, but declined, saying that Bond should be played by an English actor. Notably, Bond uses a Smith & Wesson .44 Magnum in this film, the gun made hugely popular by the Dirty Harry film franchise.
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One of the best films of the 1980’s and certainly one of Schwarzenegger’s finest roles, “Predator“ is a film I’ve seen more times than I care to remember. Directed by John McTiernan, who would go on to helm “Die Hard” the following year (arguably the greatest action movie ever made), the film is an excellent mix of gung-ho action and sci-fi horror with a truly iconic monster (designed by Stan Winston). The rare alternative movie poster offered here is from the 2025 release and was created as a private commission piece by the talented Thai artist, Wiwat. With a very limited print run of only 40 this has been hand-numbered #32. Showcasing a unique and visually striking design and produced using the screen print technique, the imagery captures the essence of the Predator in a bold and dynamic style. Perfect for fans of the franchise or collectors of art inspired by the Predator. Originally rolled (as issued) this beautiful example displays and presents to excellent effect and represents a fine piece of collectable cinematic movie memorabilia.
Trivia: The Predator costume weighed over two hundred pounds, and even though 7’2″ Kevin Peter Hall was a large and powerful man, he had to be connected to a “bungie” rig, to enable him to move more believably.
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“Rogue One: A Star Wars Story” is a new concept for the Star Wars franchise originally created by George Lucas and set before the events of Star Wars: Episode IV – A New Hope. The first in a series of ‘standalone’ films, introducing a new group of heroes (& a well known villain) as the Rebellion makes a risky move to steal the plans to the Death Star, setting up the epic saga to follow. Released as a private commission in 2024, this Limited Edition fine art print for “Rogue One: A Star Wars Story” features beautifully illustrated artwork with an incredible colour palette by Fraser Gillespie. The hero of this chapter, Jyn Erso (Felicity Jones) takes prominence supported by the supporting cast, some familiar Star Wars mainstays and the logo of the Resistance a thoughtful backdrop. Hand-numbered #47 from a print run of only 60 and selling out immediately on release, this represents a rare and desirable example of original Star Wars movie memorabilia from what has become one of the most collectable and popular modern movie franchises.
Watch the official trailer for Rogue One: A Star Wars Story, in which a group of unlikely heroes band together on a mission to steal the plans to the Death Star, the Empire’s ultimate weapon of destruction. https://www.youtube.com/watch?v=frdj1zb9sMY
Trivia: Darth Vader’s appearance in this film is meticulously patterned after his look in the original Star Wars: Episode IV – A New Hope (1977). While Vader’s chest plate is uncovered in Star Wars: Episode V – The Empire Strikes Back (1980) and Star Wars: Episode VI – Return of the Jedi (1983), his costume initially had his Sith robes draped over his shield, as well as red lenses in the eye holes of the mask. Considering this film takes place mere days before the original film, the costume designers recreated Vader’s look down to the last detail.
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Dig out those flares (anything under 15″ are not acceptable) & platform shoes…Not just responsible for one of the greatest Christmas songs ever but in 1975 Glam Rock band Slade starred in their own imaginatively titled big screen movie…SLADE IN FLAME ! Described as ‘the Citizen Kane of British pop movies’ by critic Mark Kermode, Slade in Flame both confounded and delighted audiences when it was released in 1975, at the height of the legendary glam-rock band’s success, starring the band themselves, this was a music film like no other. Charting the rise and fall of a pop group at the end of the 1960s, this darkly cynical, warts-and-all portrait of a band in freefall amidst the music-industry suits who want a piece of the pie was not what anybody was expecting. And now for the 50th Anniversary, Slade in Flame has been newly remastered by the BFI from the best available 35mm materials and re-released for a very limited cinematic outing. This original 2025 UK quad film poster to accompany the release is presented in excellent original rolled (as issued) condition that displays beautifully; the black background enhances the image of the group, who appear (due to some clever lighting) translucent, giving an almost 3D effect. The extremely limited release means these posters are very scarce and represent a fantastic piece of highly collectable and desirable original movie and music memorabilia.
Trivia: Noddy Holder‘s opinion of his band’s acting: “We got away with it!”
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