Showing 1–12 of 16 results
“Snake Is Back…Plan Your Escape”…Stunning artwork and imagery for this rolled original Advance UK Quad movie poster from first year of release 1996 for John Carpenter’s, Snake Plissken sequal “Escape From L.A.”. A great looking colourful poster that displays superbly…One of Cinemas greatest anti-heroes !
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“1997…New York City is now a maximum security prison..Breaking out is impossible..Breaking in is insane”
1980’s movie posters don’t really come any better looking than Barry Jackson’s decapitated Statue of Liberty artwork for John Carpenter’s quintessential sci-fi actioner “Escape From New York”. This impressive, country of origin film poster from is stunning and presented in beautiful rolled (as issued) condition. A magnificent unrestored, original example of a truly iconic poster that represents a fine piece of cinematic movie memorabilia, from one of the modern masters of genre film making.
Trivia: The model of the city set was repainted and reused for Ridley Scott’s Blade Runner
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“The world’s greatest leader is a hostage in the most dangerous place on Earth. Now only the deadliest man alive can save him.”
You probably couldn’t find better movie from the 1980’s that introduces such an iconic cult character in Kurt Russell’s Snake Plissken (criminally only used in one more movie) or sums up the period quite like John Carpenter’s quintessential sci-fi actioner “Escape From New York”. Carpenter always a well regarded and popular film maker has enjoyed a huge renaissance in more recent years so it was no surprise that this title was one of four seminal movies by the director re-released by Studio Canal in 2018, remastered in 4K, with the others being “They Live”, “Prince of Darkness” and “The Fog”. All four movies had a strictly limited cinematic release and were accompanied a newly designed poster campaign (quads and one-sheets) by leading artist Matt Ferguson. Ferguson’s unique artistic style is evident throughout the four, each with its very own unique colour palette. A number of these full-size 30″ x 40″ UK quad styles were also released as a limited edition art print by Vice Press. Identical to the cinematic quad, in fact exactly the same – same paper, printer etc these were issued as timed releases each signed and hand-numbered by Matt Ferguson. Offered here is one of these signed art prints numbered #48 from a print run of only 231. Originally rolled (as issued) it presents in excellent condition. A cool, cult poster that represents very collectable & desirable original film memorabilia from one of the greatest and most influential director’s who is still actively working in the film industry.
Trivia: The model of the city set was repainted and reused for Ridley Scott’s Blade Runner.
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“The Trick Was To Stay Alive”
John Carpenter’s masterpiece of modern horror “Halloween” was the first and by far the best of this enduring film franchise which acted as the definitive slasher flick. The artwork for any of the film poster produced are all extremely collectable and strikingly individual in design; from the ‘Jack O’Lantern’ US one sheet to the UK quad film poster featuring a screaming Jamie Lee Curtis as Michael Myers’ hand appears at the car window; all seen through an icy blue haze. Offered here is one of the best of the more modern alternative movie poster designs by the artist Tyler Stout. Stout’s unique linear style and use of autumnal colour tones makes for a truly distinctive piece. Released in 2021 as a timed limited edition of only 2,170 (this is hand-numbered #1073) it immediately became a huge fan favourite. Originally rolled, flat-unfolded (as issued) the example offered displays to exceptional effect and represents a truly outstanding and extremely desirable item of collectable John Carpenter horror movie memorabilia.
Trivia: John Carpenter considered the hiring of Jamie Lee Curtis as the ultimate tribute to Sir Alfred Hitchcock who had given her mother, Janet Leigh, legendary status in Psycho (1960) (for the same reason, Dr. Sam Loomis was named after Sam Loomis from Psycho). During the same period, Universal studio producers and director Richard Franklin were trying to enroll Jamie Lee in the new production of Psycho II (1983).
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“The Trick Was To Stay Alive”
John Carpenter’s masterpiece of modern horror “Halloween” was the first and by far the best of this enduring film franchise which acted as the definitive slasher flick. The artwork for any of the film poster produced are all extremely collectable and strikingly individual in design; from the ‘Jack O’Lantern’ US one sheet to the UK quad film poster featuring a screaming Jamie Lee Curtis as Michael Myers’ hand appears at the car window; all seen through an icy blue haze. Offered here is one of the best of the more modern alternative movie poster designs by the artist Rich Davies that has been signed by Michael Myers himself – NICK CASTLE with character name of The Shape (as he was credited at the time of release) in a blue pen to match the colours in the imagery. Davies’ stunning imagery and use of dark blue colour tones makes for a truly eye-catching piece. Released in 2018 for the 40th anniversary as a limited edition giclee print of 250, this originally rolled, flat-unfolded (as issued) example displays to exceptional effect and represents a truly outstanding and extremely desirable item of collectable John Carpenter horror movie memorabilia signed by The Shape – Nick castle.
Trivia: John Carpenter considered the hiring of Jamie Lee Curtis as the ultimate tribute to Sir Alfred Hitchcock who had given her mother, Janet Leigh, legendary status in Psycho (1960) (for the same reason, Dr. Sam Loomis was named after Sam Loomis from Psycho). During the same period, Universal studio producers and director Richard Franklin were trying to enroll Jamie Lee in the new production of Psycho II (1983).
What is Giclee ?
Derived from the French term gicler – meaning ‘to squirt or spray’, the term describes a printing process whereby microscopic dots of pigment-based ink are sprayed onto archival-quality paper to ensure the fidelity of a limited edition print to an original artwork.
The richness, accuracy and depth of colour is thanks to the method’s potential to achieve a huge colour gamut (the spectrum of colours distinguishable by the human eye). Unlike the four tones used in lithography, giclées often use five: light cyan, cyan, light magenta, yellow and black.
Fantastic for reproductions which require maximum detail, giclées are most commonly found on watercolour paper or canvas, but can also be created on glass. Different types of paper will produce different effects. Matte paper works well behind glass due its lack of reflectivity, whilst the shine of a glossy finish can give an artwork a brighter appearance.
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“Somebody in this camp ain’t what he appears to be. Right now that may be one or two of us. By spring, it could be all of us”
Paul Shipper has produced an incredible piece of movie related artwork, the front cover art for Neca Toys “Ultimate MacReady” action figure released in 2021 for John Carpenter’s “The Thing”. With flamethrower in hand, Kurt Russell stands ready and is surrounded by a bright white light, paying homage to Drew Struzan’s iconic US one-sheet artwork. The background explores the whole mid to light blue colour palette that exudes the feeling of cold. This signed, titled and hand-annotated Artist Proof print by Paul Shipper was never available commercially and comes directly from the artist’s personal archive. The quality of the printing is truly outstanding and almost appears to be original painted artwork. It represents a very collectable & highly desirable film related poster from a movie rightly regarded as a classic of the genre.
Click HERE to see the original Neca packaging
“Childs, we’re going out to give Blair the test. If you see him trying to make his way back here and we’re not with him… burn him !”
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An outstanding alternative movie poster by the maestro of British horror art, Graham Humphreys for John Carpenter’s horror, sci-fi classic “The Thing”. This superb limited edition example is incredibly rare in any edition and to offer an Artist Proof example (this is hand-numbered #10/10) is indeed a bonus. Antarctic Alien terror never looked better than this, thanks to Humphreys’ stunning imagery, MacReady (Kurt Russell) and the Thing illustrations are perfectly realised, with beautiful colour tones. Released in 2023 as an exclusive Private Commission, this immediately sold out when launched. Originally rolled, flat-unfolded (as issued) the example offered displays to exceptional effect and represents a truly outstanding and extremely desirable item of collectable movie memorabilia with a ‘modern’ twist…“Did you notice anything strange about the dog that arrived yesterday? Anything at all?”
Trivia: Unused music composed for this film was later used by Ennio Morricone in Quentin Tarantino‘s The Hateful Eight (2015). Ironically, Morricone’s Thing score was nominated for a Razzie for worst score, while his score for Hateful Eight won him an Oscar.
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“From the master of terror comes a new breed of evil.”…This is a rare rolled US One Sheet movie poster from original year of release 1998 for John Carpenter’s “Vampires”. A great looking blood red horror poster by New Wave Creative with superb graphics in excellent condition.
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“Before man walked the earth…it slept for centuries. It is evil. It is real. It is awakening.”
“Prince of Darkness” sees John Carpenter not just in the director’s chair, he wrote the soundtrack and also the screenplay under the pseudonym Martin Quatermass, which is a direct homage to Bernard Quatermass, the lead character in Hammer’s film and TV series that started with The Quatermass Experiment and that features several elements in common with Carpenter’s story. The film is the second in what the director calls his ‘Apocalypse Trilogy’ that started with The Thing (1982) and ended with In the Mouth of Madness (1994) and is the result of Carpenter’s interest in theoretical physics and atomic theory as well as the idea of an ultimate evil or ‘anti-god’ combined with the physics-based concept of matter and anti-matter. Carpenter always a well regarded and popular film maker has enjoyed a huge renaissance in more recent years so it was no surprise that this title was one of four seminal movies by the director re-released by Studio Canal in 2018, remastered in 4K, with the others being “They Live”, “Escape From New York” and “The Fog”. All four movies had a strictly limited cinematic release and were accompanied a newly designed poster campaign (quads and one-sheets) by leading artist Matt Ferguson. Ferguson’s unique artistic style is evident throughout the four, each with its very own unique colour palette. A number of these full-size 30″ x 40″ UK quad styles were also released as a limited edition art print by Vice Press. Identical to the cinematic quad, in fact exactly the same – same paper, printer etc these were issued as timed releases each signed and hand-numbered by Matt Ferguson. Offered here is one of these signed art prints numbered #48 from a print run of only 184. Originally rolled (as issued) it presents in excellent condition. A cool, cult poster that represents very collectable & desirable original film memorabilia from one of the greatest and most influential director’s who is still actively working in the film industry.
Trivia: John Carpenter claims to have been fascinated with religion ever since watching the old Hammer horror films and how Holy Water would destroy vampires.
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“Before man walked the earth…it slept for centuries. It is evil. It is real. It is awakening.”
This is the British quad for the release of John Carpenter’s 1987 horror “Prince of Darkness”. As well as being in the director’s chair, Carpenter wrote the soundtrack and also the screenplay under the pseudonym Martin Quatermass, which is a direct homage to Bernard Quatermass, the lead character in Hammer’s film and TV series that started with The Quatermass Experiment and that features several elements in common with Carpenter’s story. The film is the second in what the director calls his ‘Apocalypse Trilogy’ that started with The Thing (1982) and ended with In the Mouth of Madness (1994) and is the result of Carpenter’s interest in theoretical physics and atomic theory as well as the idea of an ultimate evil or ‘anti-god’ combined with the physics-based concept of matter and anti-matter. The original 1987 UK quad film poster for John Carpenter’s “Prince of Darkness” offered here was originally rolled (as issued) & presents in original unrestored condition with great horror imagery, strong colours and deep unfaded black background. This imagery of the screaming, disfigured face with the bug in its mouth, as well as the church and the oozing green liquid was used in the worldwide marketing campaign. A scarce poster in this high grade condition, that represents very collectable & desirable original film memorabilia from one of the greatest and most influential director’s ever working in the sci-fi / horror / action genre.
Trivia: Screenwriter John Carpenter is credited as “Martin Quatermass”. The pseudonym is a homage to Professor Bernard Quatermass, the lead character of The Quatermass Experiment (1953) and several subsequent TV series and film versions. In the original press notes he was described as ‘the brother of Professor Bernard Quatermass, head of the British rocket programme.’ In a further nod to Carpenter’s influences, the character Wyndham is named after science-fiction author John Wyndham and Anne Howard‘s character is named after the star of The Wasp Woman (1959), Susan Cabot.
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“Bolt Your Doors. Lock Your Windows. There’s something in The Fog !”
After the huge success of Halloween John Carpenter quickly followed up with the equally creepy horror The Fog. Taking creepy imagery from the movie the US one-sheet features silhouetted zombie pirates in a ‘fog’ filed room. The original movie poster offered here is from first year of release, 1980 and displays to excellent effect. Originally folded (as issued) it is presented in unrestored condition with only minimal handling wear. Great horror imagery on a genuinely rare cult classic from the Carpenter archives that represents extremely desirable and collectable movie memorabilia.
Trivia: Although this was essentially a low budget independent movie, John Carpenter chose to shoot the movie in anamorphic widescreen Panavision. This decision gave the movie a grander feel for the viewer so this didn’t seem like a low budget horror movie.
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