Showing 1–12 of 44 results
This alternative movie poster by Thai artist Kwow for Jules Verne’s “20,000 Leagues Under the Sea” is a spectacular display of imaginative artwork. Kwow’s impressive artwork beautifully imagines the most memorable action scene from the book and the film as the giant squid attacks the Nautilus and its beautifully complemented by some amazing realistic likenesses of the main cast members – James Mason as Captain Nemo, Kirk Douglas, Peter Lorre and Paul Lukas. If you are a Jules Verne fan, this is simply one of the best pieces of art you can get. Directed Richard Fleischer and personally produced by Walt Disney. It was the first feature-length Disney film to be distributed by Buena Vista Distribution company and is also considered by many to be a precursor to the ‘Steampunk’ genre. Printed on Fedrigoni Stucco Old Mill Premium White paper using 10 coloured inks, this hand-numbered #57/110 screen print displays and presents superbly and is offered in excellent rolled (as issued) condition. Film and alternative movie posters by Thai artists are starting to gain a strong following with collectors, and with artists like Ise Ananphada, Banhan, Kwow and Tongdee Panumas, it’s easy to see why. An eye-catching item of modern movie memorabilia for an extremely popular Walt Disney fantasy adventure film that creates a real ‘WOW’ factor.
Trivia: In 1969, Captain Nemo’s pipe organ, which had been on display in Disneyland, was redressed and now resides in the ballroom of Disneyland’s Haunted Mansion. A duplicate was constructed for the ballroom of Walt Disney World’s Magic Kingdom Haunted Mansion, which opened in 1971, and over a decade later another duplicate was built for Tokyo Disneyland.
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“You don’t talk to Colonel Kurtz…You listen to him.”
A personal favourite and quite simply a stunning alternative movie poster for Francis Ford Coppola’s multi award winning Vietnam war epic “Apocalypse Now” by Jock. Like something out of a widescreen images handbook, the grandiose and all-consuming art within this limited edition giclee art print for Apocalypse Now is as visually masterful as the film it depicts. Truly an impressive piece; the range of red colour tones for the sky is incredible (the photo does not do it justice). This print is both Hand-Signed and Hand-Numbered #110/150 in the bottom right corner in pencil. Originally rolled (as issued) with an amazing colour palette this outstanding example presents and displays to excellent effect and represents a beautiful alternative movie poster from one of the best artist’s currently working and the finest film’s ever made. When launched in 2015 this was a sold out, fully subscribed private commission and is rarely offered for sale on the secondary market. “Napalm, son. Nothing else in the world smells like that”
Trivia: Filming, originally scheduled for six weeks, took 16 months.
What is Giclee ?
Derived from the French term gicler – meaning ‘to squirt or spray’, the term describes a printing process whereby microscopic dots of pigment-based ink are sprayed onto archival-quality paper to ensure the fidelity of a limited edition print to an original artwork.
The richness, accuracy and depth of colour is thanks to the method’s potential to achieve a huge colour gamut (the spectrum of colours distinguishable by the human eye). Unlike the four tones used in lithography, giclées often use five: light cyan, cyan, light magenta, yellow and black.
Fantastic for reproductions which require maximum detail, giclées are most commonly found on watercolour paper or canvas, but can also be created on glass. Different types of paper will produce different effects. Matte paper works well behind glass due its lack of reflectivity, whilst the shine of a glossy finish can give an artwork a brighter appearance.
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“Trapped in time. Surrounded by evil. Low on gas”
Sam Raimi’s “Army of Darkness: Evil Dead 3” is not as rooted in the horror genre as its predecessors – although it has its horrific elements, it seems to be first and foremost a dark fantasy comedy – with lots of one-liners and slapstick and gore. It’s kind of a delirious combination of horror, comedy, fantasy, action, and adventure, but it’s definitely the horror element that comes across in this 2017 alternative movie poster from Graham Humphreys. The medieval dead and undead never looked scarier and are out in full force as the hero from the previous two instalments – Ash (Bruce Campbell) cuts a worried looking figure. Originally rolled (as issued) the example offered here is truly exceptional; This limited edition it has been signed by Humphreys and hand-numbered #48/100 and displays and presents to excellent effect with amazing imagery and deep, rich colours. The horror ‘fan-boy’ love for Sam Raimi & Bruce Campbell is well deserved with related memorabilia much sought after, making this a hugely collectable piece.
Trivia: Released in Japan as “Captain Supermarket”.
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“Penguin, Joker, Riddler and Catwoman, too ! The sum of the angles of that rectangle is too monstrous to contemplate !”
Long before Tim Burton re-invented him, Chris Chris Nolan re-imagined him and Ben Affleck played him as an older more mature Caped Crusader there was BATMAN 1960’s style, as the decade’s most popular TV show was bat-ransported to this alternative movie poster. “Batman ’66” by Mark Pagacz. A truly exciting poster with imagery that appears photographic, but is actually illustration. Pagacz’ dynamic and colourful artwork perfectly encapsulates the swinging 60’s vibe and light-hearted tone of the film. His design and layout is superb featuring all the iconic bat-villains – Joker, Riddler, Penguin, Catwoman with Batman & Robin (rightly so) taking centre stage. It is a WOW factor poster; Printed by in 2022 this limited edition art print is hand-numbered #50/215 that presents and displays near perfectly and represents a fantastic piece of collectable movie memorabilia. I am a huge Batman fan (all incarnations) and this is one of my favourite Batman posters.
Trivia: Originally planned as the pilot film for the Batman (1966) TV series, the movie was instead produced between the show’s first and second seasons. The producers took advantage of the larger budget to have a number of new Bat-gadgets constructed, such as the BatBoat.
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“Penguin, Joker, Riddler and Catwoman, too ! The sum of the angles of that rectangle is too monstrous to contemplate !”
Long before Tim Burton re-invented him, Chris Chris Nolan re-imagined him and Ben Affleck played him as an older more mature Caped Crusader there was BATMAN 1960’s style, as the decade’s most popular TV show was bat-ransported to this alternative movie poster. “Batman ’66” by Matt Ferguson. A truly feel good, nostalgic poster with classic Batmobile imagery. Ferguson’s artwork perfectly encapsulates the swinging 60’s vibe and light-hearted tone of the film. His design and layout is superb featuring perhaps the most famous and recognisable Batmobile with the Batcave acting as the backdrop. It is a WOW factor poster. Released by Vice Press and Bottleneck Gallery in 2020 this limited edition art print is hand-numbered #169/200 that presents and displays near perfectly and represents a fantastic piece of collectable movie memorabilia. I am a huge Batman fan (all incarnations) and this is one of my favourite Batman posters.
Trivia: The Batmobile was a customized 1955 Lincoln Futura, which had been used in It Started with a Kiss (1959). According to George Barris, five Batmobiles were made during the series.
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Adapted from Philip K. Dick’s novel ‘Do Androids Dream of Electric Sheep?’, Ridley Scott’s “Blade Runner” iconic dystopian classic is unquestionably one of the greatest sci-fi films ever made. So, it was no surprise a sequel was made, what was surprising was the follow-up never happened until 2017, thirty-five years after the original was released. Still, it’s fair to say the wait was worth it – “Blade Runner 2049” sees Harrison Ford reprise his role as Rick Deckard and a new Blade Runner is introduced, ‘K’ played by Ryan Gosling. And it’s Ryan Gosling’s ‘K’ who takes centre stage on this outstanding, 2025 limited edition screen print by Alfons Kiefer. It’s a visually beautiful movie perfectly orchestrated by director, Denis Villeneuve and the visual impact is certainly evident here with this hand-numbered #78/85 private commission. Printed on Fedrigoni Old Mill Stucco Premium White art paper using eleven (11) coloured inks and finished with a fluorescent UV Layer it looks absolutely stunning and it’s no surprise this sold out immediately when released. Rolled (as issued) this alternative movie poster displays and presents to excellent effect and represents an impressive piece of cinematic movie memorabilia for one of the most influential film series not just of the sci-fi genre but modern culture in general.
Trivia: The first letter of the names of each of the wooden animals that Rick Deckard carved in this movie: Rhino, Antelope, Cat, Horse, Elephant, Lion, spell “RACHEL”.
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“Forget it, Jake. It’s Chinatown.”
Roman Polanski’s “Chinatown” is one of cinemas finest detective movies accompanied by an incredible marketing campaign headed by Jim Pearsall in 1974. This multi-award winning film has been complemented by a series of alternative movie posters over the years with this most recent commission by Laurent Durieux is the best and destined as a future classic. Much like a fine wine Durieux’s art prints age very well, getting better and better with each viewing. and he has produced an outstanding addition to the title, truly eye-catching and super stylish. The deep, rich colours are predominantly blues and purples with ‘Chinatown’ printed in contrasting bright pink ink. Originally rolled (as issued) this signed and hand-numbered offering (#175/500) looks and displays to excellent effect with very minimal handling wear. An extremely scarce, selling out in near record time modern art print, collectable item of movie memorabilia from a true Hollywood classic.
Trivia: There is a rumour that this was the first part of a planned trilogy written by Robert Towne about J.J. “Jake” Gittes and Los Angeles. The second part, The Two Jakes (1990), was directed by Jack Nicholson. The supposed third part never existed, as later confirmed by the writer; however, certain elements and details of the story (a corrupt company called Cloverleaf tries to buy up all public transportation in order to replace it with freeways) would later end up in Who Framed Roger Rabbit (1988), which was a film-noir spoof/homage of Chinatown.
The interesting thing about the trilogy concept is that they focused on the three things that were instrumental in making Los Angeles grow the way that it did, which is via the control of water, real estate, and transportation.
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An impressive and eye-catching item from the hand of master illustrator – Paul Mann, for the classic Paul Newman prison chain gang drama “Cool Hand Luke”. This stunning alternative movie poster features a beautiful image of Newman (dressed in prison fatigue double denim) along with the outstanding supporting cast in the background with Boss Godfrey (Morgan Woodward) one of the most prominent – He never removed the sunglasses throughout nor spoke a word and became known as ‘the man with no eyes’ one of the most significant and memorable characters from the Film. Hand-Numbered #69 from a print run of only 100, this originally rolled (as issued) example looks and displays to excellent effect. Unquestionably one of Newman’s finest roles, in a motion picture that has become near legendary and (rightly so) this modern re-imagining represents a highly collectable piece of artwork and a rare item of movie memorabilia.
Trivia: Two hundred hard-boiled eggs were provided for one of the film’s most famous sequences. Due to clever editing, Paul Newman only ate about eight altogether. The rest were consumed by the cast and crew, which led to extreme cases of flatulence the next day.
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Although a relatively recent release any paper for Nicolas Winding Refn’s 2011 violent car-themed actioner “DRIVE” is extremely scarce. His award winning film has been complemented by a series of alternative movie posters and in 2022 Mad Duck commissioned leading artist – Laurent Durieux to create his version. Durieux has produced an outstanding addition to the title, truly eye-catching and super stylish as he focuses on the inside of the Chevy Malibu, replacing the gearshift with a bloodied claw hammer (one of the key scenes from the movie). The deep, rich colours are predominantly blues and greys with ‘Ryan Gosling’ & ‘Drive’ printed in contrasting bright pink ink. Originally rolled (as issued) this looks and displays to excellent effect with very minimal handling wear. An extremely scarce, selling out in near record time modern art print collectable item of movie memorabilia from a truly talented director that looks very very cool !
Trivia: In preparation for his role, Ryan Gosling restored the 1973 Chevy Malibu that his character uses in the film.
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Although a relatively recent release any paper for Nicolas Winding Refn’s 2011 violent car-themed actioner “DRIVE” is extremely scarce. His award winning film has been complemented by a series of alternative movie posters and in 2021 Mad Duck commissioned leading artist – Paul Mann to create his version which has been hand-numbered #89/325. Mann has produced an outstanding addition to the title, truly eye-catching and super stylish as he focuses on the lead and supporting characters. The deep, rich colours are predominantly purple colour palette with ‘Drive’ printed in contrasting bright pink ink. Originally rolled (as issued) this looks and displays to excellent effect with very minimal handling wear. An extremely scarce, selling out in near record time modern art print collectable item of movie memorabilia that looks very very cool !
Trivia: In preparation for his role, Ryan Gosling restored the 1973 Chevy Malibu that his character uses in the film.
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“Enter the Dragon” is rightly regarded as one of the key and most influential movie’s from the 1970’s, creating it’s own unique genre and provided the vehicle to launch Bruce Lee (albeit briefly) as a screen & cultural icon. Unsurprisingly, it is one of the most popular licences when looking to have artwork commissioned. This 2024 offering from Thai artist Kwow is one of the best of these. Kwow’s impressive artwork beautifully portrays the most memorable scenes from the film and is beautifully complemented by some amazing realistic likenesses of the main cast members, particularly Lee who takes prominence. This very limited release of only 100, has been hand-numbered #57 in pencil and is offered in beautiful rolled, unfolded (as issued) condition that displays and presents to excellent effect – colours are very vibrant and truly pop from the paper. A truly outstanding art print that represents a key item of highly sought after modern cinematic memorabilia and a fitting tribute to the martial arts legend BRUCE LEE.
TRIVIA: ENTER THE DRAGON due to its huge popularity was consistently re-released and shown after its 1973 debut yet no new standalone posters were ever printed & it was down to the cinema owners to re-use the posters from 1973. Making original unrestored 1973 posters of this quality extremely scarce.
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“On Friday The 13th, They Began To Die Horribly, One……By One”
Distinctive Alex Ebel artwork makes this original 1980 country of original US one sheet movie poster for Sean S. Cunningham’s slasher masterpiece “Friday the 13th” extremely sought after by collector’s of the horror genre. Introducing Jason Voorhees as one of the triumvirate of 80’s slasher horror icons that includes Wes Craven’s Freddy Kruger & John Carpenter’s Michael Myers. A multitude of sequels, match ups and remakes have been released since this premiered but none match this genre defining classic. Originally folded (as issued) this unrestored example displays and presents to excellent effect with only minimal age and handling wear with bright & unfaded colours. It represents a fine piece of sought after cinema memorabilia from one of the defining ‘slasher’ flick Film’s.
Trivia: The filmmakers never intended to make this the launching pad for the franchise that followed. According to Victor Miller, Jason Voorhees was only meant as a plot device, and not intended to continue on his mother’s grisly work.
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